89% Guardians of the Galaxy Aug 01
79% Get On Up Aug 01
91% Calvary Aug 01
0% Behaving Badly Aug 01
35% Child Of God Aug 01

Top Box Office

59% Lucy $43.9M
63% Hercules $29.8M
91% Dawn Of The Planet Of The Apes $16.8M
57% The Purge: Anarchy $10.5M
43% Planes: Fire And Rescue $9.5M
18% Sex Tape $6.1M
17% Transformers: Age of Extinction $4.7M
16% And So It Goes $4.6M
23% Tammy $3.5M
90% A Most Wanted Man $2.7M

Coming Soon

—— Teenage Mutant Ninja Turtles Aug 08
—— Step Up: All In Aug 08
—— Into The Storm Aug 08
—— The Hundred-Foot Journey Aug 08
86% What If Aug 08

Premieres Tonight

86% The Honorable Woman: Season 1

New Episodes Tonight

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—— Rookie Blue: Season 5
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82% Satisfaction: Season 1
85% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Discuss Last Night's Shows

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
50% Jennifer Falls: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
—— Rogue: Season 2
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
—— Wilfred: Season 4
43% Young & Hungry: Season 1

The Poet (Hearts of War) Reviews

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May 21, 2014
If you're going to make a film about Europeans, don't cast Americans in the roles - the types that go to films because of movie stars are not your target audience anyway. This somewhat jarring inauthenticity ruins what is otherwise a well-made tearjerker.
April 24, 2009
The film is fine, but it lacks spark. It's well enough produced but I just wasn't enthralled by it. Good acting and story. Watchable bit not very memorable. Also known as "The Poet".
Tony Hand
July 15, 2008
[font=Arial]Inside "The Poet" there may be a decent film trying to get out, but it's buried so deep that one is forced to wonder. Jack Crystal's impossible script smothers any knd of reality, any kind of honesty... through the provision of one cliché after another until the film becomes utterly un-watchable and unintentionally laughable.

The main main plot device of "The Poet" centres around Wehrmacht Officer Oskar (Johnathan Scarfe), a bog standard 'Good German' stereotype who falls in love with a hopelessly sweet Rabbi's daughter, Rachel (Nina Dobrev), itself a Hollywood stereotype. Unfortunately, for Oskar, his squeeze is already set to marry her unbelievably noble Jewish fiancé Bernard (Zachary Bennett), who even when he finds out that his potential missus has done the dirty on him behind his back (with a German of all things), still decides to marry Rachel and bring up the kid. Oskar helps Rachel and Bernard escape and asks Bernard to "look after her" as he watches the pair stumble off to an uncertain future.

It really is as ridiculous as it sounds.

The problems with the "The Poet" are too numerous to mention here and apparent from the off. Oskar and Rachel's instant love sparks off in a snowstorm and is so unrealistic that the whole movie is set up for a fall at the beginning. Love at first sight may exist, but this is the stuff of pure [/font][font=Arial]Hollywood[/font][font=Arial] and the bad side of [/font][font=Arial]Hollywood[/font][font=Arial] at that. It's difficult to imagine anyone taking it seriously, or at least seriously enough to buy into the basic premise. In fairness, it's in part a problem with the budget in the fact that there just isn't enough running time devoted to showing the development of the love affair and the scope of the historic setting is way beyond the films capacity. On top of this, the characters of "The Poet" are all simple cardboard. Just enough to resemble people, but nowhere near any kind of realistic personalities. Presented here are the usual German every Nazi's, the aforementioned 'Good German' who's good because he's a 'poet' and of course the Hollywood copywrited depiction of 'the Jews?', who are nothing but honest, noble and shining lights of humanity. Nobody on offer here is a reflection of real living people and that inevitably lets the story down with a crashing, disastrous bang.

Not only are the characters unrealistic, but they are placed in unrealistic situations by [/font][font=Arial]Crystal[/font][font=Arial]'s nonsensical script. Oskar's father, a German General wholeheartedly committed to the Nazi ideal in a way only Hollywood can come up with, also has a wife cheating 'relationship' with Rachel. But only because the script demands it. To everyone else, it's stupid and insulting.

In short, the second half of the film is defined by a "supreme tragic event", which I won't reveal, and Rachel and Bernard are put in an uncompromising position involving Soviet partisans and Oskar's German soldiers. This leads to the film's utterly incredible conclusion and thankfully, the end credits.

"The Poet" could have been a good film. But only if the script had been more steadily considered and if the producers had abandoned stereotypical clichés in favour of thinking 'outside the box', if I can use that irritating term. The idea is ok, but why does Rachel have to be Jewish? She could have been Polish or even Russian and why does Oskar have to be the only German the audience can identify with?

There is no pleasure in watching "The Poet", it's a difficult viewing, not because it challenges the viewer in any uncomfortable way, but because it makes the viewer wonder why the hell they are sitting there watching the whole farce unfold, when there are so many other things to washing the dishes, or mowing the lawn.[/font]
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