Average Rating: 4.9/10
Reviews Counted: 36
Fresh: 15 | Rotten: 21
Despite a lavish and polished production, Dorian Gray is tame and uninspired with a lifeless performance by Ben Barnes in the title role.
Average Rating: N/A
Critic Reviews: 1
Fresh: 1 | Rotten: 0
Despite a lavish and polished production, Dorian Gray is tame and uninspired with a lifeless performance by Ben Barnes in the title role.
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A vain London playboy offers his soul in exchange for eternal beauty in this adaptation of the chilling tale by author Oscar Wilde. Seduced into the decadent world of Lord Henry Wotton (Colin Firth), handsome young aristocrat Dorian Gray (Ben Barnes) becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his
Sep 9, 2009 Wide
Aug 24, 2010
Alliance Films
All Critics (36) | Top Critics (1) | Fresh (16) | Rotten (21) | DVD (4)
While Wilde's wit remains firmly entrenched, there's also a gruesome vein of gothic horror, and elements of the original which existed in the subtext or were merely hinted at are brought graphically into the open.
...a misfire of nigh epic proportions...
Like the painting, B-grade horror movie fast loses appeal.
A dismal mess.
click to read full review
If it was Oscar Wilde who said that experience is the name that everyone gives to their mistakes, then this Dorian Gray is quite an experience!
This uneasy mixture of horror and elegant wit, which worked so well originally, never really catches fire thanks to Parker's undistinguished handling.
Colin Firth is perfect as the devil's advocate, as this adaptation of 19th century gothic taps into the modern zeitgeist.
It's a morality tale told through amorality and the pursuit of pleasures of the flesh
There's an edge of psychological horror in director Oliver Parker's third Oscar Wilde story that tells how Ben Barnes' Dorian Gray sells his soul to the devil in return for his youth and beauty
By leaving nothing up to the imagination, Parker destroys the very essence of the film.
An impressive character piece that explores important themes ... as well as embellishing aspects of the original story that have never been fleshed out so elaborately.
Depravity is better suggested than made explicit when it becomes vulgar, pornographic or comic, and possibly all three.
A sturdy piece of heritage horror, as tasteful and handsome as any Brit movie with bustles and frock-coats on its agenda.
A very respectful retelling and study of man's inherent quest for self-destruction given the removal of personal ramifications.
Teenagers will love this film. They will love it because there are lots of close-ups of Barnes being done unto or doing unto others. As a vehicle for a rising and undeniably talented star, it hits the spot.
An ambitious if decidedly uneven interpretation of the last great Gothic horror novel.
These are interesting ideas, but they would work better if there was more decadence on show earlier on to nail Gray's corruption.
Wilde survives intact - and with some flair - although the results will do more for sixth-form literature students and their teachers than for film connoisseurs.
Some neat formal flourishes from its director Oliver Parker and a truly handsome supporting turn from Colin Firth, this story demands a more versatile and charismatic central player than the powerfully blank Ben Barnes.
I haven't read the book so I have no idea if this is a respectful adaptation or not but personally I found that, although there are moments I could recognise Oscar Wilde's words, they were very far and few between. I didn't dislike the film but I get the feeling there was probably more to the story in the book. The CGI
March 23, 2012Super Reviewer
A British aesthete realizes that a painting of him manifests all the physical evidence of anything he does.I'm trying not to be the snobby literature teacher whom everybody hated in high school or that literature survey class you were forced to take Freshman year, but the distortions that Oscar Wilde's masterpiece was
January 7, 2012
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