If The Boys Are Back takes some emotional shortcuts, it still manages to convey some of the more mystifying aspects of parenthood.
The Boys Are Back (2009)
Tomatometer
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Reviews Counted:28
Fresh:20
Rotten:8
Average Rating:6.3/10
Consensus: Great performances by Clive Owen and The Boys save this melodrama from entering into the sappy territory it might have in less competent hands.
Rated: PG-13 [See Full Rating] for some sexual language and thematic elements.
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Box Office: $783,013
Synopsis:
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty,...
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented
sportswriter (Academy Award® nominee and Golden Globe® winner CLIVE OWEN) who, in the wake of his wife’s
tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just
below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy
back into their lives: “just say yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel
teen (GEORGE MACKAY) from a previous marriage -- in a household devoid of feminine influence, and with an
unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster.
United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational
boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Their story is not just about the transforming power of a family crisis -- but the unavoidable grace of everyday life
and love that gets them through.
Academy Award® nominee Scott Hicks (“Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed
2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from
grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning
countryside of South Australia, the film is produced by Greg Brenman (“Billy Elliot”) and Tim White (“Ned Kelly”).
The executive producers are Peter Bennett-Jones and Clive Owen. --© Miramax
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake, George MacKay, Emma Booth
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Allan Cubitt
Producer: Greg Brenman, Tim White, Bella Wright
Composer: Hal Lindes
Studio: Miramax Films
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Reviews for The Boys Are Back
A classy, intelligent, low-key affair and a fine reminder of what's really essential to most lives: family.
It manages to veer from touching to humorous (Warr has some rather unconventional parenting techniques) without being overly mawkish, and the sumptuous cinematography by Greig Fraser is perhaps the best commercial ever for South Australia.
The Boys Are Back is based on a true story, and not in a good way. It's obviously true; otherwise why would anyone think it's worth telling a story so trivial?
Has there been a better film about single fatherhood than The Boys Are Back? None that I recall.
Relationships -- between men and women, fathers and sons -- are more complicated in real life, and The Boys Are Back deftly acknowledges that fact.
Clive Owen was spared the role of James Bond. And The Boys are Back is an example of why we are all the better for it.
A substantial performance from Clive Owen rescues what might otherwise have been a fairly gooey fatherhood drama.
All told, the movie’s a solid entry in the Bad Dad Gets It Together genre and Owen is really quite touching, especially when he’s not trying too hard, which is most of the time.
The film seems to regard Joe with affection, and Owen certainly portrays him as a nice man. But why are his unformed theories about bringing up Artie supposed to fill us with affection and sentiment?
What you can't see with your mind's eye, however, are the performances, which save the movie from a treacly inevitability.
On the tougher side are Allan Cubitt's script, which is good-natured but doesn't idealize any character, and the prickly honesty of Owen's performance.
The problem is that the movie always takes the easy way, scattering a few heavy, confrontational scenes among acres of picturesque montages.
The Boys Are Back is not a perfect movie -- but you can't do much better than Owen, who beautifully plays against his darkly brooding persona.
Shot in the glorious golds and greens of South Australia's autumn, it's a convincing tale of spiritual and emotional rehabilitation, perhaps not as important as it wants to be, but not exactly a waste of time, either.
The Boys Are Back is a bit like the parenting it portrays -- at times there is pain, mistakes will be made, but if you can get beyond that, there is pleasure to be found.
This lovely and emotionally resonant film about a family shattered by grief deserves better than a forgettably glib title that conjures up images of beer brawls or gangster affiliations.
It sounds like the start of a Neil Simon sitcom, or some Dennis Quaid movie for Disney, with Rene Russo sweeping in during the second act to bring some order. Actually, that might have been okay. At least it would have had a few jokes.
With those piercing eyes, Owen makes a lovely, soulful Joe, of course. But it's not the nice papa we want to understand here, it's the unapologetically naughty one.
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