Still Walking strikes an extraordinary balance between the moment-to-moment pleasure of life and the inevitable regret that accompanies time's passing.
Still Walking (2009)
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Reviews Counted:14
Fresh:14
Rotten:0
Average Rating:8.2/10
Consensus: Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell.
Synopsis: Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly... Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly parents now live in the house, which once doubled as a flourishing medical clinic. The annex, a medical examining room still boasting a wall of pharmaceuticals, remains unchanged, though the patriarchal doctor has retired. Despite the unchanged outward appearances, everything has slightly aged. The family has gathered to remember Junpei, the eldest son, who died in a terrible accident fifteen years earlier. Ryota, an art restorer, has never lived up to his brilliant brother, who was supposed to take over the family clinic, and he remains uncomfortable with his father. He arrives home, determined to hide the fact that he is currently unemployed. His older sister, Chinami, has already arrived with her family and is cheerfully entertaining the extended family. Toshiko, their deceptively mild-mannered mother, emits a string of sarcastic remarks as she bustles around the kitchen preparing the family’s favorite foods. The scenes of the respective couples and family members alternately reminiscing and bickering around the food-laden table, will bring a family memory to everyone’s mind. Based on Kore-eda’s original screenplay, under his polished direction, all the characters come sharply to life, exchanging dialogue that both delights and tugs at your heart. As the film unfolds, brimming with compelling realism, it reveals the modest joys and gentle sorrows that accompany the realization that life must inevitably move on. The Yokoyama’s are a typical dysfunctional family, bonded by love as well as resentments and secrets. With a subtle balance of gentle humor and wistful sorrow, Kore-eda portrays just how annoying, and exactly how precious, family can be. --© IFC Films [More]
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki, Yoshio Harada
Director: Hirokazu Kore-eda
Director: Hirokazu Kore-eda
Screenwriter: Hirokazu Kore-eda
Producer: Taguchi Hijiri, Yoshihiro Kato
Studio: IFC Films
Reviews for Still Walking
The tone is perfect; this is one of those rare films that, despite being rooted firmly in the world around us, is utterly absorbing and capable of reducing the immediacies of life into abstract thoughts in the back of one's mind.
Though [Koreeda] has made a film of droll and dry observational precision, its emotional minimalism is almost fetishistic -- and, by the end, a tad frustrating.
It will strongly move you, but you won't be able to say exactly why. It illuminates 24 hours in the life of a Japanese family, and though it may appear that not much is happening, by the end everything is revealed.
The director has said that, though the story was inspired by the deaths of his parents, he hoped to make a film "brimming with life." He's succeeded.
One fears to blink, because some essential element in the story will be lost and, with it, some nuance, of which there are many.
If anyone can be considered an heir of the great Yasujiro Ozu, it might be Hirokazu Kore-Eda, the writer and director of Still Walking.
Kore-eda, talented director that he is, never allows the story to sink into soap-opera melodrama, and he refrains from pointing fingers.
Kore-eda has an extraordinary grasp on his characters, modest people who clearly mean a great deal to him. They will to you, as well.
The Japanese director Hirokazu Kore-eda has a deceptively simple touch with the quiet, stirring film Still Walking.
Its modest surface belies the depths of a lovely seriocomedy that concisely lays bare all kinds of uncomfortable dynamics in seemingly casual, low-key fashion.
A subtly nuanced family drama that resonates long after its hushed ending.
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