It reminds us what it's like to be scared in a theater rather than overwhelmed by buckets of blood and gore.
1408 (2007)
Tomatometer
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Reviews Counted:31
Fresh:24
Rotten:7
Average Rating:6.7/10
Consensus: Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack.
Rated: PG-13 [See Full Rating] for thematic material including disturbing sequences of violence and terror, frightening images and language
Runtime: 1 hr 44 mins
Genre: Horror/Suspense
Theatrical Release:Jun 22, 2007 Wide
Box Office: $71,912,310
Synopsis: The PG-13 rating given to 1408 belies this film's truly terrifying effects on its audience. Though it's far less gory than its peers, it has frightening moments and a creepy mood throughout. John... The PG-13 rating given to 1408 belies this film's truly terrifying effects on its audience. Though it's far less gory than its peers, it has frightening moments and a creepy mood throughout. John Cusack (IDENTITY) plays Mike Enslin, a gifted writer who has turned his talents to paranormal travel books. His stays in haunted hotels never shake him, but he's intrigued by New York's Dolphin Hotel. Room 1408 has been the site of dozens of deaths, and this is a selling point for the skeptic in Mike. Despite the warnings of the hotel manager (Samuel L. Jackson, BLACK SNAKE MOAN), Mike resolves to stay in the haunted room. No one has lasted more than an hour in 1408, and Mike has his work cut out for him. Though Cusack got his acting pedigree in comedies, he proves he's able to adeptly carry a horror film. He's in practically every frame of the film, often alone, and he's great at making the audience share in his fear. This is the second English-language film from director Mikael Hafstrom (DERAILED), and he does a good job of establishing tension. A lot of the credit is due to the film's sound crew, whose detailed work goes far in giving 1408 its unsettling feeling. Like THE SHINING, this is based on writing from horror master Stephen King, and it's a similarly creepy tale set in a hotel. But in its execution, 1408 is far more indebted to classic horror films such as the original 1963 version of THE HAUNTING. [More]
Starring: John Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub
Starring: John Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub
Director: Mikael Håfström
Director: Mikael Håfström
Screenwriter: Matt Greenberg, Scott Alexander, Larry Karaszewski
Producer: Lorenzo Di Bonaventura
Composer: Gabriel Yared
Studio: Dimension Films
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Reviews for 1408
The movie attempts a false ending that doesn't quite work; the picture feels prolonged, dragged out, and its ennui lessens the impact of some of its more terrifying fillips.
Even as haunted hotel King movies go, 1408 is certainly no Shining. Not even the TV-movie version.
1408 is one of the good Stephen King adaptations, one that maintains its author's sly sense of humor and satiric view of human nature.
An entertainingly hairy paranormal affair based on a King short story, 1408 sets up its star -- and its audience -- for a blood-curdling, bone-chilling night of horror.
There's ghoulish fun and Hichcockian suspense until the film hits a narrative wall around the 60-minute mark.
If I ever check into a hotel room and the clock radio is playing the Carpenters, I'm going to freak out.
In this mix of recycled scares and half-hearted twists, the only real fright is the sight of an interesting actor wasting his talents in yet another mediocre movie.
You might say 1408 has a 1409 ending -- beige, humdrum, only mildly uncomfortable and, once passed through on the journey home, instantly forgettable.
You would assume that Stephen King had wrung about all the neurosis that could be squeezed from the haunted-writer theme in Secret Window, Misery and, most famously, The Shining. You would, however, be wrong -- dead wrong.
A psychologically thrilling movie that leaves you gasping in the end.
All the suspense and shock depends on [Cusack's] performance, how he reacts from minute to minute, and he does a terrific job under Mikael Hafstrom's direction.
The problem with this movie is that it feels too much like a joke rather than a true work of suspense.
A Stephen King short story is adapted and brought to the screen in 1408, more psychological thriller than outright horror.
A little suspension of disbelief goes a long way once the scary stuff gets going.
Swedish director Mikael Hafsrom, who scored with Evil in 2003 and fizzled badly with Derailed two years later, seems to have regained his footing.
The story features some surprises, and director Mikael Håfström adds realism by bypassing computer graphics for practical effects. Add in the natural fear of being trapped in tight spaces and you have a can't-miss formula for horror and suspense.
1408 is not quite interesting enough to linger long in the mind, but it has enough jack-in-the-box chills to mollify those who feel it's been all downhill since The Uninvited.
John Cusack is virtually a one-man show in the claustrophobically chilling 1408.
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November 01, 2007:
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October 02, 2007:
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