27 Dresses is so flimsy it gives froth a bad name.
27 Dresses (2008)
Tomatometer
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Reviews Counted:30
Fresh:7
Rotten:23
Average Rating:4.9/10
Consensus: The filmmakers perfectly follow the well-worn romantic comedy formula, rendering 27 Dresses clichéd and mostly forgettable.
Rated: PG-13 [See Full Rating] for language, some innuendo and sexuality.
Runtime: 1 hr 47 mins
Genre: Comedies
Theatrical Release:Jan 18, 2008 Wide
Box Office: $76,624,274
Synopsis: KNOCKED UP's Katherine Heigl stars in this romantic comedy about a selfless young woman who is trapped in the role of perennial bridesmaid. Set in New York City, the film opens with Jane (Heigl)... KNOCKED UP's Katherine Heigl stars in this romantic comedy about a selfless young woman who is trapped in the role of perennial bridesmaid. Set in New York City, the film opens with Jane (Heigl) racing by cab to appear in two friends' weddings in the same night. She is the maid of honor for both fetes, and she rushes back and forth in time to shimmy to both electric slides. She meets Malcolm (James Marsden), a cynical young man who, unbeknownst to her, writes for a newspaper's wedding column. Malcolm is intrigued by the sheer number of times Jane has played bridesmaid, and he secretly decides to write a story about her. To further complicate Jane's life, her younger sister Tess (Malin Akerman) has just come to town and ensnared Jane's longtime crush, George (Edward Burns). When George and Tess become engaged, Jane faces the humiliating prospect of playing bridesmaid in the wedding of her sister and the man she loves. Meanwhile, Malcolm continues hounding Jane, and Jane's life and closet soon explode in a taffeta-tangled mess that forces her to make some big changes. Heigl is a pleasure to watch, as she has the kind of crowd-pleasing, no-nonsense presence that could ground any film, so 27 DRESSES greatly benefits from her comedic skill and charm. While the film features all of the hallmarks of chick flick fare (wacky best friend, dress-up sequence, obnoxious but strangely attractive love interest) the story often veers into territory that may leave some feeling it stretches even the romantic comedy standards for suspension of disbelief. Heigl deserves comparisons to Julia Roberts for her sheer likability, and like PRETTY WOMAN, women will likely watch 27 DRESSES as a pleasant diversion--aware of the fantasy, but still delighted by the attractive lady in the different outfits. [More]
Starring: Katherine Heigl, James Marsden, Malin Akerman, Edward Burns
Starring: Katherine Heigl, James Marsden, Malin Akerman, Edward Burns, Melora Hardin, Judy Greer
Director: Anne Fletcher
Director: Anne Fletcher
Screenwriter: Aline Brosh McKenna
Producer: Roger Birnbaum, Gary Barber, Jonathan Glickman
Composer: Randy Edelman
Studio: Fox 2000 Pictures
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Reviews for 27 Dresses
Katherine Heigl carries 27 Dresses when all else fails, which it does with great regularity.
Talk about setting the woman’s movement back by about a half-century.
The biggest disappointment of 27 Dresses is that it inhabits a Harlequin romance New York City, one remarkably short on homosexuals and divorce.
Certainly Heigl fares better in less formulaic fare, such as Judd Apatow's irreverent Knocked Up, but she does raise the level of this chick flick from bland to mildly entertaining.
Anyone who has the slightest doubt about where this movie is heading probably leads a full and rich life that doesn't include watching romantic comedies like My Best Friend's Wedding, which covered this same ground with a lot more verve and humour.
All the plot elements that we're encouraged to care about in 27 Dresses resolve in a dud, and the only thing that feels good about the feel-good finish is that it means the movie's over.
27 Dresses makes the point that modern American weddings are all pretty much alike. The same could be said about modern American romantic comedies.
Anyone who has seen a chick flick knows what is going to happen next, and next, and next...
Anyone watching this appealing actress march toward the inevitable will wonder why she's settling for so much less than she deserves.
The clichés, like the dresses, sashay in and out of this predictable if nicely fluffy chick-flick composite, which manages to crank out a few decent laughs when it isn't wasting time on a pair of deadly supporting characters.
Katherine Heigl is a movie star. Even in a fluffy romantic comedy like 27 Dresses, she lights up the screen.
Sorry, Sandra. Too bad, Meg. The mantle of movie cute queen has just been passed to Katherine Heigl, starring as the romantically challenged New Yorker of 27 Dresses.
My favorite performer in the movie, Judy Greer, is a deadpan killah as Jane's co-worker. She and Heigl deserve fresher stuff.
27 Dresses is one heck of a happy date movie. Smiling faces are guaranteed on all seen exiting when the credits finally do roll here.
Eventually the contrivances win out, but the cast keeps it all watchable.
There's a decent movie in here somewhere. But the director and screenwriter have made a ditsy single-chick movie with the alluring geometry of a screwball comedy.
No self-respecting screenwriter would put a Hugh Grant character through what Heigl's endures here. I don't blame McKenna: I blame a studio system that figures if it worked for Julia Roberts, it will work for Heigl.
Familiarity may be the central attraction of both weddings and romantic comedies, but the creators of 27 Dresses have taken a good thing too far.
A romantic comedy that -- despite her [Star Katherine Heigl] undeniable, apple-cheeked appeal -- sags like a day-old bouquet.
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