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A Late Quartet (2012)

tomatometer

79

Average Rating: 6.6/10
Reviews Counted: 105
Fresh: 83 | Rotten: 22

An outstanding ensemble cast lends weight and depth to A Late Quartet's melodramatic script, and the result is insightful and emotionally satisfying.

83

Average Rating: 6.8/10
Critic Reviews: 36
Fresh: 30 | Rotten: 6

An outstanding ensemble cast lends weight and depth to A Late Quartet's melodramatic script, and the result is insightful and emotionally satisfying.

audience

70

liked it
Average Rating: 3.7/5
User Ratings: 6,863

My Rating

Movie Info

When the beloved cellist of a world-renowned string quartet receives a life changing diagnosis, the group's future suddenly hangs in the balance: suppressed emotions, competing egos, and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert, quite possibly their last, only their intimate bond and the power of music can preserve their legacy. Inspired by and structured around Beethoven's Opus 131 String Quartet

R,

Drama

Seth Grossman, Yaron Zilberman

Feb 5, 2013

$1.6M

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All Critics (109) | Top Critics (36) | Fresh (83) | Rotten (22)

The result is a perfectly serviceable, well acted melodrama - but why so serious?

April 4, 2013 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

The screenplay by Seth Grossman and Israeli-American director Yaron Zilberman is old-fashioned and melodramatic but stirring in its portrait of people struggling with individual egos to produce something nobler than themselves.

November 30, 2012 Full Review Source: Globe and Mail
Globe and Mail
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[It] may not sound like a scintillatingly good time at the movies, but actually it is.

November 29, 2012 Full Review Source: Toronto Star
Toronto Star
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The outstanding ensemble cast keeps the story - and its accompanying emotional heft - from becoming overly baroque.

November 15, 2012 Full Review Source: USA Today
USA Today
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Yes, A Late Quartet is disappointing. But it's also pretty bad.

November 12, 2012 Full Review Source: ReelViews
ReelViews
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For a film that relies so heavily on the lasting power of a classical master, A Late Quartet never really converts any viewers to his church.

November 9, 2012 Full Review Source: Miami Herald
Miami Herald
Top Critic IconTop Critic

A classical-music ensemble rosins up the bull in a tone-deaf melodrama that loves its musical metaphors almost has much as it adores afternoon soaps.

May 13, 2013 Full Review Source: The Patriot Ledger
The Patriot Ledger

Constantly engaging.

April 12, 2013 Full Review Source: Radio Times
Radio Times

One might expect a film set in the high culture world of classical music to come up with a more sophisticated metaphor for the insecurities of a violinist than having him worry about always playing second fiddle in life.

April 8, 2013 Full Review Source: Scotsman

A Late Quartet is visually and musically rich. But above all there are the performances, individually and as an ensemble, and they're pitch perfect.

April 8, 2013 Full Review Source: Observer [UK]
Observer [UK]

Impressive, superior drama.

April 7, 2013 Full Review Source: Flicks.co.nz
Flicks.co.nz

While this film has some bracingly strong observations on the nature of long-term professional and personal relationships, it also feels somewhat theatrical in the way its story develops.

April 5, 2013 Full Review Source: Contactmusic.com
Contactmusic.com

It is not flawless but it makes you watch, and listen, closely throughout.

April 5, 2013 Full Review Source: This is London
This is London

It isn't great art, but it is patterned after great art, and there are worse ways to make a film than that.

April 5, 2013 Full Review Source: Daily Telegraph
Daily Telegraph

The film offers first-rate, mostly middle-aged actors in an intelligent screenplay that's decently crafted, covers interesting but unfamiliar ground and has a worthwhile central idea.

April 4, 2013 Full Review Source: Daily Mail [UK]
Daily Mail [UK]

[L]ays on [its] metaphor a little too thickly, [but] all is preforgiven... by the sheer joy of getting to watch Christopher Walken, Catherine Keener, and Philip Seymour Hoffman rattle around one another...

April 4, 2013 Full Review Source: Flick Filosopher
Flick Filosopher

Wants to be Bergman, ends up more like a burgundy-hued Sunset Beach.

April 4, 2013 Full Review Source: Little White Lies
Little White Lies

The picture's really about the trials and joys of performing for a living so it's no surprise that it has attracted such a fine cast, nor that its principal virtue lies in the acting.

April 4, 2013 Full Review Source: Daily Express
Daily Express

A movie with clarity and grownup complexity.

April 4, 2013 Full Review Source: Guardian [UK]
Guardian [UK]

Insightful and incandescent, this is a film for both music lovers and movie lovers.

April 4, 2013 Full Review Source: Financial Times
Financial Times

This skilfully constructed, beautifully performed drama will satisfy audiences looking for smart, intelligent filmmaking.

April 4, 2013 Full Review Source: Sky Movies
Sky Movies

Engaging drama, enlivened by a trio of terrific performances from Hoffman, Keener and Walken, though the script occasionally feels a little contrived.

April 4, 2013 Full Review Source: ViewLondon
ViewLondon

A pathos-laden chamber piece poignantly played by an ensemble of actors at the peak of their powers.

April 3, 2013 Full Review Source: Film4

It's a shame that director Yaron Zilberman feels the need to raise the dramatic stakes so implausibly high, as the actors really are excellent - and the music is sublime.

April 2, 2013 Full Review Source: Movie Talk
Movie Talk

It's a film dripping with Zilberman's passion for classical music and the way it touches the emotions, and because the actors feel it too, you can forgive any moments of discord.

April 2, 2013 Full Review Source: Digital Spy
Digital Spy

Audience Reviews for A Late Quartet

Movies about violinists aren't usually my thing, but looking over the cast I figured I would give it a shot. Phillip Seymour Hoffman, Christopher Walken, Catherine Keener, and Mike Ivanir star as a string quartet with a lot of drama. 1 is retiring because of Parkinsons, 2 are in a failing marriage, and the other is sleeping with the married couples daughter. It's all made for tv type of stuff, but the performances set it a few steps above. Hoffman shines most, but the rest all do very well. Overall, it is what you would expect. Slow and geared towards a much older audience. It's not a bad movie, but it's not a very entertaining movie either. I liked some parts of it, but was ready for it to be over halfway through. If you like classical music or are much older than 29, then you might like this. Otherwise, wait til your older.
March 2, 2013
Everett Johnson

Super Reviewer

A Late Quartet is a superlatively acted, well written, intense and downbeat melodrama. It's quiet and heartfelt, though probably too intellectual and pretentious for the escapist movie goer, or if you feel like a romp where you can turn your brain off at the movies, don't go (or rent).

It's the story of the labyrinthan and conflicting relationships between the members of a veteran string quartet, with loyalty, jealously, sex, and ambition pushing the envelope on everything. The catalytic event is a diagnosis of Parkinson's disease, forcing the retirement of the groups cellist father figure, played by Christopher Walken.

Every performance is a gem, but Christopher Walken is a revelation, since he usually plays weird over the top surreal clowns (albeit compellingly each time). Here he plays a real man, facing death and decline with his whole heart and soul on display. P.S. Hoffman does his usual angst filled disapointment filled character with his usual skill, as his wife, Catherine Keener gets to do a more muted but well calibrated take on on her bitchy brutally honest but soulful charcter, Israeli Mark Ivanir plays the star lead violinst, a distant, arrogant but alpha male with sensitivity, I haven't seen him before in anything. English up and coming Imogene Poots plays the daughter of the couple, who enters into a sexual relationship with Ivanir (his mother's old flame) causing the group to almost flame out.

As much as I loved it, be warned the movie involves lots of talk about Beethoven and classical music that may bore some viewers (I loved it). Further, the film which feels very real most of the time, depends on French Farce like coincidences and meolodramatic over the top tropes to advance its story, which may annoy some viewers hooked up on realism. First time feature writer/director Yaron Zilberman does a wondeful job here, and I look forward to his next film.

Finally, the wonder that is Beethoven's opus 131 is the star of the show, and its melancholic, mournful yet life affirming strains are lived up and matched by this terrific chamber film.
December 21, 2012
Josh Morris

Super Reviewer

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Foreign Titles

  • Saiten des Lebens (DE)
  • A Late Quartet (UK)
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