It's a bad sign in a thriller when you instantly know whodunit.
Abandon (2002)
Tomatometer
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Reviews Counted:25
Fresh:6
Rotten:19
Average Rating:4.1/10
Consensus: The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.
Rated: PG-13 [See Full Rating] for drug and alcohol content, sexuality, some violence and language
Runtime: 1 hr 39 mins
Genre: Dramas
Theatrical Release:Oct 18, 2002 Wide
Box Office: $10,684,049
Synopsis: Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON... Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON tells the troubled story of Katie (Katie Holmes), a college senior who's having a tough time keeping herself focused. She is still struggling with memories of her boyfriend Embry (Charlie Hunnam), who disappeared two years earlier. Her past comes back to haunt her when recovering alcoholic detective Wade Handler (Benjamin Bratt) is assigned to Embry's case. As Katie struggles to finish her thesis and secure a job with a prestigious firm in the city, she must contend with the reappearance of Embry, who seems intent on destroying her life. Gaghan's stylish picture, shot by acclaimed cinematographer Matthew Libatique, owes an obvious debt to classic thrillers from the 1970s (he even goes so far as to have Holmes sing a rendition of the theme to ROSEMARY'S BABY, ala Roman Polanski and his starlet, Mia Farrow). Zooey Deschanel (MUMFORD, THE GOOD GIRL) delivers yet another scene-stealing performance as Katie's snide, sarcastic friend. The film dwells in the murky territory between realistic college drama and abstract psychological thriller, making it an unsettling and suspenseful experience. [More]
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel, Melanie Lynskey, Gabriel Mann, Gabrielle Union, Fred Ward, Will McCormack
Director: Stephen Gaghan, Edward Zwick
Director: Stephen Gaghan
Screenwriter: Stephen Gaghan
Director: Edward Zwick
Producer: Lynda Obst, Gary Barber, Roger Birnbaum
Composer: Clint Mansell
Studio: Paramount Pictures
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Reviews for Abandon
Hardly a nuanced portrait of a young woman's breakdown, the film nevertheless works up a few scares.
It's light on the chills and heavy on the atmospheric weirdness, and there are moments of jaw-droppingly odd behavior -- yet I found it weirdly appealing.
Pic's structure and last-minute disclosures entirely betray any personal investment the viewer has made in this low-key yarn, which will cause audiences to feel ambushed and sullied at fadeout.
The title helpfully offers the most succinct review of it you'll read anywhere.
Some movies are exercises in escapism, and this movie is no more and no less than that.
One sloughs one's way through the mire of this alleged psychological thriller in search of purpose or even a plot.
Comes across as exceedingly dumb, even when you consider that a lot of the rank stupidity is designed to facilitate the 'surprise' twist (ho-hum) that is telegraphed midway through the excruciatingly long 90-minute running time.
The movie finally did not satisfy me, and so I cannot recommend it, but there is a lot to praise, beginning with Katie Holmes' performance.
It can't make up its mind whether it's a serious drama, a swoony romance, or a psychological thriller.
... expands the horizons of boredom to the point of collapse, turning into a black hole of dullness, from which no interesting concept can escape.
A highly schizophrenic movie that clearly wants to explore the lives of university students under stress their senior year but is forced to do so within a thriller format that requires spooky moments and malevolent ghosts.
Credit this picture with an ambitious effort to dramatize an ineffable yet recognizable mood -- even if its ambition isn't quite fulfilled.
Challenging, intermittently engrossing and unflaggingly creative. But it's too long and too convoluted and it ends in a muddle.
Gaghan ... has thrown every suspenseful cliché in the book at this nonsensical story.
[The title's] unintentional effect is to presage the sense of torment the viewer experiences as he or she is buried deep inside the movie's unrewarding ramblings.
There's so little going on in the film that its title seems to suggest an action that audiences may be driven to take before the movie ends.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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