The Adjustment Bureau does sadly descend into science-fiction nonsense after a bold start, but it's always enjoyable and you never lose sight of what's at stake thanks to excellent character work from Damon and Blunt.
Accomplished filmmaking that features two highly attractive, talented leads, a healthy dose of sentiment, an intelligent script, and which takes you away for two hours from the quotidian worries and banalities of your regular life.
The Bureau's dictat is certainly a blow to the notion, held by a few lunatics, that there's nothing more important in life than being happy. Apparently it's more important to be ambitious and attain some sort of status.
Nolfi and his colleagues make especially good use of New York, filming everywhere from the Brooklyn waterfront to the lobby of the Museum of Modern Art. It's a fresh look at a familiar city. But Nolfi drops the ball in the home stretch, and that's...