The enormous, and probably impossible, amount of style and wit required to resuscitate the original cartoon into something with real faces, bodies, gravity, and locations is beyond Kusama.
Aeon Flux (2005)
Tomatometer
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Reviews Counted:18
Fresh:2
Rotten:16
Average Rating:3.4/10
Consensus: Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.
Rated: PG-13 [See Full Rating] for sequences of violence and sexual content
Runtime: 1 hr 33 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Dec 2, 2005 Wide
Box Office: $25,857,987
Synopsis: Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on... Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on MTV, the live-action feature film version stars Charlize Theron, in jet black hair, as the secret agent of the title. Aeon Flux is a Monican who has been ordered to assassinate Trevor Goodchild (Martin Csokas), the leader of Bregna--a futuristic walled city that is the last vestige of humanity on 25th-century earth. But a long-buried memory prevents her from killing him, ultimately making both of them targets. As Trevor battles his brother, Oren (Jonny Lee Miller), for control of Bregna, Aeon seeks revenge for the murder of her sister (Amelia Warner) while also being hunted down by her former partner, Sithandra (Sophie Okonedo). At the center of it all is a secret that threatens to tear everything apart. Theron, who performed most of her own stunts, glides through the film in barely-there outfits, while also jumping, running, slinking, diving, and cartwheeling her way through dangerous situations, recalling the gorgeous movements made by the animated version. The film alternates between stark gray-and-white sets and brilliant splashes of red, green, and yellow, adding a vibrancy that befits a cartoon adaptation. The taut script, by Phil Hay and Matt Manfredi (who previously teamed up on CRAZY/BEAUTIFUL), delves deep into the relationships of siblings that often border between love and hate. Graeme Revell's smart score never overwhelms the action, which involves a lot of automatic weapons, and Oscar winner Frances McDormand and Oscar nominee Pete Postlethwaite feature in small roles. [More]
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo, Frances McDormand, Pete Postlethwaite, Amelia Warner, Caroline Chikezie, Nikolai Kinski
Director: Karyn Kusama
Director: Karyn Kusama
Screenwriter: Matt Manfredi, Phil Hay
Composer: Reinhold Heil, Johnny Klimek
Studio: Paramount Pictures
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Reviews for Aeon Flux
In the dystopian future, apparently, women will be bendable Barbies in leather scanties, and everyone will speak like brain-dead robots.
Aeon Flux is best appreciated for the costumes, the sets and Charlize Theron's haughty athleticism.
We know it's the future because everyone has the most ridiculous hairdos.
The picture climaxes with the crashing of a blimp, an image that encapsulates the Hindenburg scale of its failure.
One would figure, after 400 years of bad action movies, that leaders would learn: If a woman comes at you dressed in a tight jumpsuit, duck.
There's no way to say it but to come right out with it: Aeon Flux is a good movie. Actually, it's a really good movie.
Ten years ago, Chung's animated Aeon Flux was groundbreaking, inspirational. It still is. Maybe another spin through Chung's Flux DVD set will wipe away all memory of its middling live-action cousin.
Kusama seems to spend most of her energy rendering Theron in perfect poses and lighting schemes.
Although it would be difficult to laud this movie as being anything stronger than mediocre, it is superior to what one would reasonably expect from something Paramount was trying to keep under wraps.
Theron plays Aeon as a reluctant cipher who yearns to get back to a real existence. By the end, you'll know the feeling.
Paramount Pictures and MTV Films blatantly tried to keep the movie, which debuted Friday, away from critics to prevent opening-day reviews. For good reason. Hollywood suits didn't want anyone to know how utterly boring the movie is.
Thanksgiving is over, but those gluttons still hungry for turkey should enjoy picking at the carcass of Aeon Flux.
Aeon Flux is by far the year's worst movie, a most dubious achievement.
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