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Movies / On DVD / A.I. Artificial Intelligence
A.I. Artificial Intelligence

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A.I. Artificial Intelligence (2001)

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Reviews Counted:39

Fresh:27

Rotten:12

Average Rating:6.5/10

Consensus: A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism, A.I. is, in a word, fascinating.

Rated: PG-13 [See Full Rating] for some sexual content and violent images

Runtime: 2 hrs 25 mins

Genre: Dramas

Theatrical Release:Jun 29, 2001 Wide

Box Office: $77,620,945

Synopsis: It is a time when natural resources are limited and technology is advancing at an astronomical pace. Where you live is monitored; what you eat is engineered; and the person serving you is not a... It is a time when natural resources are limited and technology is advancing at an astronomical pace. Where you live is monitored; what you eat is engineered; and the person serving you is not a person at all. It’s artificial. Gardening, housekeeping, companionship -- there is a robot for every need. Except love.

Emotion is the last, controversial frontier in robot evolution. Robots are seen as sophisticated appliances; they’re not supposed to have feelings. But with so many parents not yet approved to have children, the possibilities abound.

And Cybertronics Manufacturing has created the solution.

His name is David (HALEY JOEL OSMENT).

A robotic boy, the first programmed to love, David is adopted as a test case by a Cybertronics employee (SAM ROBARDS) and his wife (FRANCES O’CONNOR), whose own terminally ill child has been cryogenically frozen until a cure can be found. Though he gradually becomes their child, with all the love and stewardship that entails, a series of unexpected circumstances make this life impossible for David.

Without final acceptance by humans or machines, and armed only with Teddy, his supertoy teddy bear and protector, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both terrifyingly vast and profoundly thin. -- © 2001 Warner Bros. [More]

Starring: Haley Joel Osment, Jude Law, Frances O'Connor, Jake Thomas

Starring: Haley Joel Osment, Jude Law, Frances O'Connor, Jake Thomas, Brendan Gleeson, William Hurt, Sam Robards, Adam Scott, Kathryn Morris, Emmanuelle Chriqui, Clara Bellar, Keith Campbell, Miguel Perez, Jack Angel, Robin Williams, Meryl Streep, Chris Rock

Director: Steven Spielberg

Director: Steven Spielberg
Screenwriter: Steven Spielberg
Producer: Steven Spielberg, Kathleen Kennedy, Bonnie Curtis
Composer: John Williams
Studio: Warner Bros.

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Release:

Mar 5, 2002

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Reviews for A.I. Artificial Intelligence

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Full Review Source: Ebert & Roeper | comment Comment
10/18/08
Ebert & Roeper
Top Critic Icon Top Critic

Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself.

Full Review Source: New York Magazine | comment Comment
10/29/01
Peter Rainer
Peter Rainer
New York Magazine
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The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964.

Full Review Source: Chicago Reader | comment Comment
07/16/01
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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The most controversial conversation-piece to hit the dumbed-down American movie scene since heaven knows when.

Full Review Source: New York Observer | comment Comment
06/29/01
Andrew Sarris
Andrew Sarris
New York Observer
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Technically dazzling yet emotionally accessible to the inner child in everyone from 9 to 90.

Full Review Source: New York Observer | comment Comment
06/29/01
Rex Reed
Rex Reed
New York Observer
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Its heart is in the right place. But the intelligence behind the rest of the movie is, well, a little too artificial.

Full Review Source: Washington Post | comment Comment
06/29/01
Desson Thomson
Desson Thomson
Washington Post
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Fascinating, if uneven and ultimately rather silly.

Full Review Source: Washington Post | comment Comment
06/29/01
Stephen Hunter
Stephen Hunter
Washington Post
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The real joy of the movie for me, and why I recommend it despite everything, was watching Spielberg salute Kubrick, his friend and mentor, while at the same time defy him.

Full Review Source: Toronto Star | comment Comment
06/29/01
Peter Howell
Peter Howell
Toronto Star
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The structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.

Full Review Source: San Francisco Chronicle | comment Comment
06/29/01
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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It's astounding because, like so much of Kubrick's work, it resurrects the sense of cinema as an ongoing emergency.

Full Review Source: Newsday | comment Comment
06/29/01
John Anderson
John Anderson
Newsday
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The combination of genres -- science fiction with fairy tale -- often triumphs but sometimes misfires.

Full Review Source: New York Post | comment Comment
06/29/01
Jonathan Foreman
Jonathan Foreman
New York Post
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It ends up a glorious failure, an impressive mess.

Full Review Source: Houston Chronicle | comment Comment
06/29/01
Eric Harrison
Eric Harrison
Houston Chronicle
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However you take it, the film works from an immensely challenging and rewarding text.

Full Review Source: Detroit News | comment Comment
06/29/01
Susan Stark
Susan Stark
Detroit News
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The boldest go-for-broke film released by a Hollywood studio since Apocalypse Now.

Full Review Source: Detroit Free Press | comment Comment
06/29/01
Terry Lawson
Terry Lawson
Detroit Free Press
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It could bear the initials 'E.D.' -- emotionally deficient.

Full Review Source: Denver Post | comment Comment
06/29/01
Steven Rosen
Steven Rosen
Denver Post
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A movie both wonderful and maddening.

Full Review Source: Chicago Sun-Times | comment Comment
06/29/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Happily, the beauty shows up before the frustrations set in.

Full Review Source: Globe and Mail | comment Comment
06/29/01
Rick Groen
Rick Groen
Globe and Mail
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A posthumously completed step for Kubrick and a step forward for Spielberg.

comment Comment
06/29/01
Jay Carr
Jay Carr
Boston Globe
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It's the kind of screwup you get only from a master filmmaker.

Full Review Source: Salon.com | comment Comment
06/29/01
Charles Taylor
Charles Taylor
Salon.com
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The best fairy tale -- the most disturbing, complex and intellectually challenging boy's adventure story -- Mr. Spielberg has made.

Full Review Source: New York Times | comment Comment
06/28/01
A.O. Scott
A.O. Scott
New York Times
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