Though the battles have the blood-and-sinew bravado you expect from Oliver Stone, this three-hour buttnumbathon is hamstrung by a hectoring grandiosity, not new to Stone, and a nod toward caution, which is.
Alexander (2004)
Tomatometer
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Reviews Counted:40
Fresh:5
Rotten:35
Average Rating:4/10
Consensus: Even at nearly three hours long, this ponderous, talky, and emotionally distant biopic fails to illuminate Alexander's life.
Rated: R [See Full Rating] For violence and some sexuality/nudity.
Runtime: 5 hrs 34 mins
Genre: Action/Adventure
Theatrical Release:Nov 24, 2004 Wide
Box Office: $34,264,081
Synopsis: Director Oliver Stone chalks up an ambitious entry on his biopic resume (past entries include films about Jim Morrison, Richard Nixon, and JFK among others) with this cinematic treatise on the life... Director Oliver Stone chalks up an ambitious entry on his biopic resume (past entries include films about Jim Morrison, Richard Nixon, and JFK among others) with this cinematic treatise on the life of the mighty Alexander the Great. Despite his young death at 32, Alexander packed some unimaginable conquests into his limited years by ruling over a huge chunk of the globe. Stone draws on a voice-over narration provided by Anthony Hopkins, whose character is named Ptolemy, to aurally depict some of the battles. Thus, Stone shifts the weight of the film to focus on the personality of Alexander (Colin Farrell), a man who is stricken by overwhelming personal insecurities that come in direct contrast to his bold achievements. Complex dealings with his mother (Angelina Jolie) and father (Val Kilmer) plague him, as does his turbulent relationship with his wife, Roxane (Rosario Dawson). His connection with his best friend, Hephaestion (Jared Leto), is ambiguous, with Stone touching on their vaunted homosexuality via some shared tender moments. As these personal battles are played out, Ptolemy fills the historic gaps in the narrative by charting the incredible conflicts that raged at Alexander's behest. Eventually, Stone lets loose with an epic on-screen battle, which sees Alexander's troops rumble across India in another country-conquering quest. But while his minions struggle, and Alexander demands success, it becomes clear that he is his own worst enemy. With the only real threat to Alexander coming from a tempestuous struggle with his own ego, Stone's summation of the great historical leader paints a picture of an embittered and solitary figure who was able to rule everyone apart from himself. [More]
Starring: Colin Farrell, Angelina Jolie, Val Kilmer, Rosario Dawson
Starring: Colin Farrell, Angelina Jolie, Val Kilmer, Rosario Dawson, Jared Leto, Anthony Hopkins
Director: Oliver Stone
Director: Oliver Stone
Screenwriter: Oliver Stone, Christopher Kyle, Laeta Kalogridis
Producer: Thomas Schuhly, Jon Kilik, Iain Smith, Moritz Borman
Composer: Vangelis
Studio: Warner Bros.
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Reviews for Alexander
A lunk-headed train wreck that looks like a tag sale in a 323 B.C. supermarket in old Peking.
At a reported cost of $155 million, Alexander qualifies as a super-spectacle in every respect but one -- namely in its neurotic, confused and sexually ambidextrous hero.
Sluggish, unsmiling, and almost as limp as the feather fans with which our heroes are gently aerated on their trip to the Hanging Gardens of Babylon.
It’s just a wild, glorious, wacky mess that I found really entertaining.
Call it Alexander the Grate, because, over the marathon of its three-hour running time, this wonky epic really does get on your nerves.
Alexander, as expressed through the weepy histrionics of Colin Farrell, is more like a desperate housewife than a soldier.
This is Stone's weakest movie of the past 20 years, and it's unlikely to make any kind of blip.
Epic in scale but not epic in spirit, a wallow in carnage that fails to demonstrate what was so great about this conqueror, after all.
As huge a travesty and a bore as 1956's Alexander the Great, in which Richard Burton looked equally uncomfortable as a blond.
Farrell plays all this as if he means it, but he seems slight in the role and without great physical presence.
Everything we're told about Alexander remains an abstraction, an index-card idea for a character pasted onto Farrell's less-than-mythic presence.
This is a movie almost totally devoid of feeling or any sense of connection.
Like its subject, Stone's Alexander travels on gut instinct and ego, but, unlike him, it seems to have little notion of exactly what it wants to conquer.
Disjointed and lacking in thematic clarity, Alexander offers too few of the satisfactions we've come to expect from historical epics.
Visually dramatic but persistently tepid, Alexander doesn't make a convincing argument for its extravagant resources.
An ambitious and sincere film that fails to find a focus for its elusive subject.
Alexander is pulled in so many directions that both Farrell's performance and the character are stretched thin.
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August 09, 2006:
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This week at the movies, we've got Oliver Stone paying tribute to the heroes of 9/11 ("World Trade Center," starring Nicolas Cage); two youngsters trying to start a... More...
July 13, 2006:
Angelina Jolie Visiting "Sin City"?
After her work in "Sin City," "The Rundown," and "Clerks 2," (and that ONE scene in "Alexander"!) there's probably not a more... More...
February 24, 2006:
Time to Vote for JoBlo's Golden Schmoes!
The SAGs, the BAFTAs, the Globes and the Oscars are all fine and good, but if there's one voting process I always look forward to, it's JoBlo's Golden Schmoes. It's time for the... More...
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