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Ali (2001)
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Reviews Counted:33
Fresh:24
Rotten:9
Average Rating:6.5/10
Consensus: Though perhaps no film could fully do justice to the fascinating life and personality of Muhammad Ali, Mann's direction and Smith's performance combine to pack a solid punch.
Theatrical Release:Dec 25, 2001 Wide
Box Office: $58,183,966
Synopsis: Michael Mann's ALI manages to be an informative look at the career of legendary boxer Muhammad Ali and an entertaining and moving portrait of the man. The action begins with the brash young Cassius... Michael Mann's ALI manages to be an informative look at the career of legendary boxer Muhammad Ali and an entertaining and moving portrait of the man. The action begins with the brash young Cassius Clay's surprising victory over Sonny Liston. The film depicts Clay's conversion to Islam, his partnership with "Bundini" Brown (Jamie Foxx in a wonderfully complex turn), his friendship with Howard Cosell (a transformed Jon Voight), his principled refusal to serve in the military during Vietnam, and his subsequent problems with the law and the boxing commission. The film concludes with Ali's battle with George Foreman in the "Rumble in the Jungle." Will Smith delivers a worthy performance, transforming his body, face, and voice to capture the spirit of the charismatic fighter. The work of the supporting cast is superb, including Smith's real-life wife, Jada Pinkett Smith, and Marvin Gaye's daughter, Nona Gaye, as the women in Ali's life. Mann brings the viewer in close to the boxing action, effectively depicting Ali's unique grace and quickness, and the violent frenzy of the sport. The film shows the familiar public figure of fights and press conferences, and also gives a glimpse of the quiet, thoughtful private life of Ali. [More]
Starring: Will Smith, Jon Voight, Jada Pinkett Smith, Jamie Foxx
Starring: Will Smith, Jon Voight, Jada Pinkett Smith, Jamie Foxx, Ron Silver, Nona Gaye, Mario Van Peebles, Jeffrey Wright, Mykelti Williamson, Giancarlo Esposito
Director: Michael Mann
Director: Michael Mann
Story: Gregory Allen Howard
Screenwriter: Michael Mann, Eric Roth, Stephen J. Rivele, Christopher Wilkinson
Producer: Michael Mann, Jon Peters, A. Kitman Ho, Paul Ardaji
Composer: Lisa Gerrard, Pieter Bourke
Studio: Columbia Pictures
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Reviews for Ali
It is well-intentioned, sketchy, sprawling and unremarkable. At two hours and 38 minutes, it is also long-winded and exhausting.
This could be the only movie we'll get on the fighter, and it's just not good enough.
It's the boxer you enjoy, not the sluggish 15 rounds the filmmakers put him through.
It's good -- but Ali himself was the greatest. So a reluctant, kind of mild thumbs up for this.
Even though the movie is too long and suffers from an inconsistent tone, the narrative is compelling, as are the performances.
Loaded with bravura filmmaking flourishes, and exceptional performances.
Will Smith's Muhammed Ali isn't an impersonation, it's a transformation. There is no narration to tell us the story, no treacly music cues to tell us when to cry. Some audiences might be disconcerted at being treated so intelligently.
Clearly a triumphant labor of love for its star, Will Smith. Credit director Mann, above all, for recognizing the performance for what it is: A knockout.
If Michael Mann's new biopic of Muhammad Ali is not right up there with the gold standard of boxing biographies, Martin Scorsese and Robert De Niro's Raging Bull, it misses by only a whisker.
Smith makes contact with enough of Ali's swagger, sweetness, wit, and pride to convince us that justice is being done to the boxing champion.
Very good and definitely worth seeing, if only to be reminded of the extraordinary life of one of the most extraordinary figures of the last half of the 20th century.
Here Smith is not the gangly charmer beloved by his fans, but a solid mountain of a man.
A joltin' powerhouse of a movie that deals more in fleeting impressions than pat answers.
It lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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