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Movies / On DVD / Alias Betty
Alias Betty

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Alias Betty (2002)

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Reviews Counted:19

Fresh:18

Rotten:1

Average Rating:7.3/10

Consensus: Alias Betty works both as a gripping thriller and as a precisely drawn character study.

Rated: Not Rated

Runtime: 1 hr 41 mins

Genre: Comedies

Theatrical Release:Sep 13, 2002 Limited

Synopsis: Director Claude Miller was a protégé of Francois Truffaut, and the French master's influence is clear in this low-key thriller, based on the novel THE TREE OF HANDS by Ruth Rendell. Betty (Sandrine... Director Claude Miller was a protégé of Francois Truffaut, and the French master's influence is clear in this low-key thriller, based on the novel THE TREE OF HANDS by Ruth Rendell. Betty (Sandrine Kiberlain), a reclusive best-selling author and mother of a young son, is having a hard enough time dealing with a visit from her eccentric and self-involved mother, Margot (Nicole Garcia), who suffers from a blood disorder that occasionally makes her violent. Betty has the scars from her childhood to prove it. When Betty's son is suddenly and tragically killed, Margot doesn't seem very sympathetic. This story is intertwined with the story of Carole (Mathilde Seigner of WITH A FRIEND LIKE HARRY), the neglectful and abusive mother of Jose (Alexis Chatrian), who is about the same age as Betty's son. When Margot, in a deranged effort to help her daughter, kidnaps Jose, Carole's good-natured African boyfriend, Francois (Luck Mervil) is a prime suspect, and goes looking for the real kidnapper to clear his name. Miller deftly weaves an engaging and suspenseful tale in which characters of different classes and cultures pass through each other's lives. While some of them behave atrociously, Miller never forgets their essential humanity. [More]

Starring: Sandrine Kiberlain, Nicole Garcia, Mathilde Seigner, Edouard Baer

Starring: Sandrine Kiberlain, Nicole Garcia, Mathilde Seigner, Edouard Baer, Stephane Freiss, Yves Jacques, Roschdy Zem, Luck Mervil, Alexis Chatrian, Arthur Setbon

Director: Claude Miller

Director: Claude Miller
Screenwriter: Claude Miller
Story: Ruth Rendell
Producer: Yves Marmion, Annie Miller
Composer: Francois Dompierre
Studio: Wellspring

[See More Credits]

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Release:

Mar 11, 2003

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Reviews for Alias Betty

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
04/10/09
Derek Elley
Derek Elley
Variety
Top Critic Icon Top Critic

A pleasant enough valentine to Rendell's The Tree of Hands, if a story that deals with child abuse and sexual obsession could be described in those terms.

Full Review Source: Boston Globe | comment Comment
03/14/03
Ed Siegel
Ed Siegel
Boston Globe
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Understated, elegant meditation on motherhood, obligation and coincidence, all wrapped up in the form of an urban thriller.

Full Review Source: Dallas Morning News | comment Comment
12/13/02
Matt Weitz
Matt Weitz
Dallas Morning News
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The story pulls us in almost immediately -- and the style and cast keep us hooked.

Full Review Source: Chicago Tribune | comment Comment
12/13/02
Michael Wilmington
Michael Wilmington
Chicago Tribune
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N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
11/30/02
Houston Chronicle
Top Critic Icon Top Critic

A provocative movie about loss, anger, greed, jealousy, sickness and love.

Full Review Source: San Francisco Chronicle | comment Comment
11/08/02
Jonathan Curiel
Jonathan Curiel
San Francisco Chronicle
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Cold, pretentious, thoroughly dislikable study in sociopathy.

Full Review Source: Washington Post | comment Comment
11/08/02
Ann Hornaday
Ann Hornaday
Washington Post
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If this movie leaves you cool, it also leaves you intriguingly contemplative.

Full Review Source: Washington Post | comment Comment
11/08/02
Desson Thomson
Desson Thomson
Washington Post
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At its best when the guarded, resentful Betty and the manipulative yet needy Margot are front and center.

Full Review Source: San Jose Mercury News | comment Comment
11/07/02
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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A suspense thriller with a sense of pleasurable unease, the film also serves up a juicy slice of human nature.

Full Review Source: Los Angeles Times | comment Comment
10/03/02
Kevin Thomas
Kevin Thomas
Los Angeles Times
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A nifty, entwined, ultimately gripping adaptation of British crime writer Ruth Rendell's novel The Tree of Hands.

Full Review Source: Entertainment Weekly | comment Comment
09/27/02
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
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It's a solid movie about people whose lives are anything but.

Full Review Source: New York Magazine | comment Comment
09/26/02
Peter Rainer
Peter Rainer
New York Magazine
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Ms. Khiberlain, Ms. Garcia and Ms. Seigner brilliantly play the three mothers like a dissonant string trio on a single theme: the varied agonies of motherhood.

Full Review Source: New York Observer | comment Comment
09/18/02
Andrew Sarris
Andrew Sarris
New York Observer
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Works as a decent urban thriller.

Full Review Source: Newsday | comment Comment
09/13/02
John Anderson
John Anderson
Newsday
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A stylish thriller.

Full Review Source: New York Post | comment Comment
09/13/02
V.A. Musetto
V.A. Musetto
New York Post
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Don't let the creepy dread fool you -- this quiet French thriller gets to the heart of motherhood, and then pays off with comfort and calm.

Full Review Source: Salon.com | comment Comment
09/12/02
Stephanie Zacharek
Stephanie Zacharek
Salon.com
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At heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance.

Full Review Source: New York Times | comment Comment
09/12/02
Stephen Holden
Stephen Holden
New York Times
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Miller makes the film's sometimes mechanical and giddy narrative into something grander -- a meditation on maternity as a form of inspired madness.

Full Review Source: Village Voice | comment Comment
09/10/02
Leslie Camhi
Leslie Camhi
Village Voice
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Often shocking but ultimately worthwhile exploration of motherhood and desperate mothers.

Full Review Source: Hollywood Reporter | comment Comment
04/17/02
David Hunter
David Hunter
Hollywood Reporter
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While laterally propelled films like this are often exercises in structural cleverness, Miller's movie makes organic use of its incidental associations.

Full Review Source: Toronto Star | comment Comment
04/12/02
Geoff Pevere
Geoff Pevere
Toronto Star
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