The film isn't dreadful: it is just generally disappointing.
All The King's Men (2006)
Tomatometer
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Reviews Counted:41
Fresh:4
Rotten:37
Average Rating:4.1/10
Consensus: With its star-studded cast and hallowed source material (the novel of the same name won the Pulitzer Prize, and the 1949 original film took home a best picture Oscar), All the King's Men has the pedigree of a prestige picture. Don't be fooled. With a scenery-chewing performance from Sean Penn, an absence of political insight, and an overall lack of narrative cohesiveness, Men gives Oscar bait a bad name.
Rated: PG-13 [See Full Rating] for an intense sequence of violence, sexual content and partial nudity
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $7,221,458
Synopsis: Based on Robert Penn Warren's 1946 Pulitzer Prize-winning novel, All the King's Men tells the story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads... Based on Robert Penn Warren's 1946 Pulitzer Prize-winning novel, All the King's Men tells the story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Written for the screen, directed and produced by Steven Zaillian, who won an Academy Award® for his adaptation of Schindler's List, All the King's Men features an all-star cast, including Oscar® winner Sean Penn (Mystic River, The Interpreter), Jude Law (Closer), Kate Winslet (Finding Neverland), James Gandolfini (“The Sopranos”), Mark Ruffalo (Eternal Sunshine of the Spotless Mind), Patricia Clarkson (Pieces of April) and Academy Award® winner Anthony Hopkins (Silence of the Lambs). All the King's Men is a complex saga of human nature, power, corruption, idealism, romance and betrayal. Using politics as a framework to delve into the more profound dilemmas of human existence — sin, guilt and redemption — it explores the nature of corruption in a way that is timely and relevant today. Warren's acclaimed exploration of morality was inspired by the career Louisiana governor Huey P. Long and other political demagogues, and has profound effect on contemporary literature. Zaillian's stylized treatment captures the essence of Warren's novel, infusing it with classic noir elements. Columbia Pictures Presents in association with Relativity Media a Phoenix Pictures Production a VIP 3A/VIP 4A Production in association with Rising Star All the King's Men starring Sean Penn, Jude Law, Kate Winslet, James Gandolfini, Mark Ruffalo, Patricia Clarkson and Anthony Hopkins. The film was written for the screen and directed by Steven Zaillian based on the book by Robert Penn Warren. The producers are Mike Medavoy, Arnold W. Messer, Ken Lemberger and Steven Zaillian. The executive producers are Michael Hausman, David Thwaites, James Carville, Todd Phillips, Andreas Schmid, Andy Grosch and Ryan Kavanaugh. The director of photography is Pawel Edelman. The production designer is Patrizia Von Brandenstein. The film editor is Wayne Wahrman, A.C.E. The costume designer is Marit Allen. The executive music producer is T Bone Burnett. The music is by James Horner. All the King's Men has been rated PG-13 by the Motion Picture Association of America for An Intense Sequence of Violence, Sexual Content and Partial Nudity. All the King's Men will be released by Columbia Pictures on September 22, 2006. -- © Sony Pictures [More]
Starring: Sean Penn, Jude Law, Patricia Clarkson, Kate Winslet
Starring: Sean Penn, Jude Law, Patricia Clarkson, Kate Winslet, Kathy Baker, Talia Balsam, James Gandolfini, Jackie Earle Haley, Mark Ruffalo, Anthony Hopkins, Frederic Forrest
Director: Steven Zallian
Director: Steven Zallian
Producer: Mike Medavoy, Arnold Messer, Ken Lemberger, Michael Hausman
Composer: James Horner, T Bone Burnett
Studio: Columbia Pictures
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Reviews for All The King's Men
The director can’t seem to find a natural rhythm for the movie -- it’s portentous and vague at the same time.
All the King's Men was suspended in editing limbo for nearly a year, and the final result only makes the mind reel at what it could have been carved from.
It has a labored feel. The editing is choppy, allowing little of the film to flow naturally.
Crawford showed us a man who sold his soul to do good and then, soulless, found himself incapable of resisting evil; Penn gives us a smart actor tearing into an awards-baiting role.
[It] isn't going to win any awards for Law, a frantically hamming Penn or anyone else involved.
Failures on the scale of writer-director Steven Zaillian's All the King's Men are as rare as falling sequoias, and they make a noise even if no one's in the woods to hear them.
It's too full of itself; it's too convinced of its own value to be much of any to audiences.
Sean Penn's work here is so mesmerizing, so intense, so guaranteed to put him front and centre when Oscar reads out the nominees, as to almost obscure the multiple failings of the misguided movie around it.
Ungainly and bloated with an unearned sense of self-importance, All the King's Men is nevertheless worth watching for Sean Penn's mesmerizing performance as a corrupt politician who exults in his own dirty ways.
All the King's Men is obviously a movie that has been so rejiggered and downsized, in length and intelligence, that its guiding principles have been sacrificed to the marketplace -- a fate not unlike that of its blustery antihero.
Instead of bringing this story to bustling, brilliant life, Zaillian and company make it feel as if it belongs behind a glass case in some museum.
No use getting sore that one art form trumps another. It's not the first time an outstanding book became a ponderous film.
Watching All the King's Men's downward tumble makes for perverse fun, with the emphasis on perverse.
All the King's Men is miscast. The soundtrack is awful. The storyline is confusing. The cinematography is too slick and pretty, when we should be bathed in a sultry, sweaty, sticky, gritty atmosphere.
The unfocused story is so bereft of any clear sense of period or location that the political melodrama sometimes seems to be taking place inside a cigar box.
All the King's Men is a big, important awards-season special with one glaring problem: It doesn't have anything urgent or even interesting to say.
In the end this murky remake functions mainly as a plain-wrapper setting for a fancy piece of acting that gets lost in a void. Who needs it? Who needed it in the first place?
We never quite know what Willie Stark does stand for, aside from the fact that we're repeatedly told he's a man of the people. Penn's performance has the opacity of solid brick.
All the King's Men aspires to be a profound commentary on political corruption, but it's more of a vehicle for scenery-chewing by Sean Penn.
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