Justin Timberlake has what it takes to be a genuine movie star.
Alpha Dog (2007)
Tomatometer
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Reviews Counted:35
Fresh:19
Rotten:16
Average Rating:5.5/10
Consensus: A glossy yet unflinching portrait of violent, hedonistic teenagers. Bruce Willis and Sharon Stone chew the scenery, while Justin Timberlake gives a noteworthy performance.
Rated: R [See Full Rating] for pervasive drug use and language, strong violence, sexuality and nudity.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Jan 12, 2007 Wide
Box Office: $15,133,185
Synopsis: A difficult gestation period led to Nick Cassavetes's ALPHA DOG being delayed and facing possible legal battles after the real-life subject of the film (alleged kidnapper and murderer Jesse James... A difficult gestation period led to Nick Cassavetes's ALPHA DOG being delayed and facing possible legal battles after the real-life subject of the film (alleged kidnapper and murderer Jesse James Hollywood) objected to his portrayal. The cinematic version of Hollywood is named Johnny Truelove and played by Emile Hirsch (LORDS OF DOGTOWN). Truelove is a wild 18-year-old who deals drugs for a living and hangs out with his posse, who revolve around a core of Frankie (Justin Timberlake), Elvis (Shawn Hatosy), and Tiko (Fernando Vargas). When a client of Truelove's, Jake Mazursky (Ben Foster), is unable to pay off his crystal-meth debt, the group kidnaps his 15-year-old stepbrother, Zack (Anton Yelchin), who becomes a Patty Hearst-like accomplice in his own abduction. Indeed, Zack positively revels in his new position, and lives it up with the boys at every opportunity he gets. But Cassavetes's film really revs into gear as the cops close in on Truelove's band of outsiders, and they face a tough decision about what to do with Zack. The real draw here is Justin Timberlake, and he makes a decent job of his role as a bodyguard/friend to the kidnapped kid. Covered in tattoos and oozing testosterone, Timberlake revels in his role, and his female following will find plenty to gush over here. The film itself is executed at a lightning-fast pace, with quick jump cuts and on-screen captions that point out who the witnesses in the case were. Cassavetes plays around with split-screen techniques and nonlinear storytelling, but he remains acutely aware of what his young target audience is seeking from a modern crime drama, not letting the tension drop for a second. Small roles for Sharon Stone and Bruce Willis provide suitable support to the young cast, and a thumping rap and metal soundtrack supplies a perfect backdrop to the explosive on-screen shenanigans. [More]
Starring: Justin Timberlake, Sharon Stone, Emile Hirsch, Bruce Willis
Starring: Justin Timberlake, Sharon Stone, Emile Hirsch, Bruce Willis, Anton Yelchin, Lukas Haas, Shawn Hatosy, Harry Dean Stanton, Ben Foster, Dominique Swain, Alexandra Cassavetes, Olivia Wilde
Director: Nick Cassavetes
Director: Nick Cassavetes
Screenwriter: Nick Cassavetes
Composer: Aaron Zigman
Producer: Sidney Kimmel, Chuck Pacheco
Studio: Universal Pictures
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Reviews for Alpha Dog
Alpha Dog is no travesty, but I would trade 95 percent accuracy for, say, 25 percent insight.
Cassavetes starts to lose the plot at the precise moment he starts keeping exact track of it.
As uneven as the film is, those with strong stomachs will find it worth sticking with.
Alpha Dog may have some of Larry Clark's territory, and even some of Tarantino's markings. But it's still a mutt. And no matter how much it marks its territory, it never finds its own way home.
Who would have thought that a real-life tale of sex, drugs and murder could be so instantly forgettable?
Recovering from the Harlequin bathos of The Notebook, writer-director Nick Cassavetes directs this bogus-homeboy scenario as though his street cred depended on it.
Disturbing and energizing at the same time, Alpha Dog channels a flood of young talent through a story of foggy intentions, bad decisions and righteous partying that works because it feels (and is) so dangerously real.
While Alpha Dog is a cautionary tale, it too often revels in its own bad-boy attitude.
There's a feel of authenticity about Alpha Dog, primarily because of the performances of the young actors.
I truly doubt Hollywood will produce anything this year that bottoms Alpha Dog for offensively bad filmmaking.
The movie's biggest surprise is Timberlake, who finds the heart and soul of the not-so-tough Frankie and makes him the film's most complete character.
These aren't the psychologically exploded youths of Rebel Without a Cause, or even The Outsiders. They're characters in a long, violent, unbleeped episode of MTV's Cribs.
Cassavetes -- a sometime actor himself -- doesn't seem to understand actors at all. From the finished product, it looks as if his preferred method of guiding his actors is to egg them on rather than nudge them toward restraint.
Alpha Dog is almost a sociological study of a youthful culture awash in freedom and steeped in violence, drugs, casual sex and offensive language. It also shines a light on parents who have abdicated their positions of guidance and discipline.
The incessant reminders of the outcome, along with the liberal use of split screen, serve only to create a disconnect from what's on-screen.
The movie suffers from an uncertain structure, but it boasts an extraordinary naturalism, not particularly flattering.
Alpha Dog has much the same entertainment value you get from watching monkeys fling scat at one another in a zoo or reading the latest issue of Star magazine.
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