Critic Consensus: While Alphaville is by no means a conventional sci-fi film, Jean-Luc Godard creates a witty, noir-ish future all his own.
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Critic Reviews for Alphaville
It's so archly intellectual that you fear it might splinter if you poke it in the ribs. It's also endlessly playful in its worship of American movie tropes, and deeply resourceful.
Nothing about this strange, moving work of agit-pop has ever seemed out of date. If anything, "Alphaville" moves closer to relevance with every passing year.
A bracing salute to American gangster pics, with a jumpy European post-war uncertainty thrown in.
Despite its age it's that rare science fiction film that doesn't seem to have dated at all.
It's one of the great cinematic works of romanticism, as well as a sort of filmed revelation of the very essence of science-fiction movies and German silent classics -- their blend of social critique, emotional liberation, and paranoia.
Audience Reviews for Alphaville
I think I gotta watch this a few more times.
Combining my favorite concepts of dystopian civilizations, much on the same wave lengths as Orwell's '1984' and Huxley's 'Brave New World', and Film Noir, "Alphaville" is set in a technocratic dictatorship in which emotions are considered obsolete and public exhibition of them is against the law. The concept of the individual self is explored throughout the film with great razor-sharp wit and accuracy by New Wave master, Jean-Luc Godard. The dangers of technologic advancement and abuse are in constant play, and no one else could have played the lead like Eddie Constantine, and we are treated to brilliant performances by the whole cast. A futuristic film that was shot on the streets of Paris makes this film far closer to home than expected.
Technically sloppy but effective science fiction from the directorial stewardship of Jean-Luc Godard. To me, Godard is like the Jackson Pollock of filmdom - I appreciate his contributions to the art-form but I wouldn't want his stuff in my house.
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