Continues to resemble something a lewd, grouchy, fitfully indecent silent-movie director might have made for his first time using color and sound. That, at least, would explain the shouting.
Amarcord (1974)
Tomatometer
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Reviews Counted:10
Fresh:9
Rotten:1
Average Rating:8.4/10
Runtime: 2 hrs 7 mins
Genre: Foreign Films
Synopsis: Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and... Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and spring arrives, the village holds a festival in which it burns a symbolic bonfire and celebrates new life. This gathering in the central square is the first of many others throughout the film. Each time the community assembles, its colorful members show themselves in full force, boasting their bizarre, disjointed personalities--and pure mischief is the result. Several of the village ladies wear their eyebrows penciled on in high, provocative arches, a style that seethes sex and drama, coaxing the camera to follow them. The film takes on a circusy, chaotic tone, making it difficult to see a clear plot structure; AMARCORD instead breaks up into several memorably surreal sequences, a few of which follow a young man named Titta (Bruno Zanin) who wanders in and out of the animated provincial landscape, meeting assorted crazy characters and obsessing over sex. The beautiful clashes with the grotesque and politics and family matters blend together while sex is offset by violence in the inimitable style of Italy's late master of cinema, whose tour de force won an Oscar for Best Foreign Language Film. [More]
Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli
Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli
Director: Federico Fellini
Director: Federico Fellini
Screenwriter: Federico Fellini, Tonino Guerra
Composer: Nino Rota
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Reviews for Amarcord
Fellini is so bountiful with incident and observation that he makes most other film makers seem stingy.
Federico Fellini's films beg to be seen on a movie screen. Their panoramic, overstuffed frames and larger-than-life characters overflow the boundaries of home theater; their exuberant, generous humor is best enjoyed in a packed auditorium.
Orthodox Fellini lovers will give primacy to La Strada or La Dolce Vita, but Amarcord has its fans, and it's easy to see why.
He [Director Fellini] leaves us with the hope that the human comedy just may be able to survive everything.
This Fellini opus is his most accessible to mass audiences since La Dolce Vita.
Uneven, loosely structured, and at times pretty vulgar as well as sentimental, but with some touching and lovely episodes.
What positions the film among Fellini's greatest are its punctuation points of mysterious beauty.
A totally accessible film. It deals directly, hilariously, and sometimes poignantly with the good people of this small town.
When Mr. Fellini is working in peak condition, as he is in Amarcord, he somehow brings out the best in us.
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June 28, 2009:
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