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Amen (2003)
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Reviews Counted:15
Fresh:9
Rotten:6
Average Rating:6.1/10
Theatrical Release:Jan 24, 2003 Limited
Synopsis: Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the... Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the Holocaust, and two men who tried to change the system from within, AMEN is adapted from the play THE REPRESENTATIVE by Rolf Hochhuth. It is based on a true story about officer Kurt Gerstein (Ulrich Tukur), a Nazi soldier who moved up the SS ranks by devising a chemical method to purify soldiers' drinking water. Gerstein is unaware of the horrors of the concentration camps until he is recruited by "The Doctor" (Ulrich Muhe) to adapt the same chemical for use in the gas chambers. Though Gerstein is overwhelmed by the reality of the impending massacre, he does not turn a blind eye. He informs the Swedes, the German Protestant Church, and even the Vatican. But he is sent away, dismissed, and otherwise silenced by all but the tenacious Father Riccardo Fontana (Mathieu Kassovitz), a fictitious character based on a number of priests who fought against the Holocaust. Father Riccardo takes life-threatening risks in a fruitless effort to convince the cardinal (Michel Duchaussoy) and the Pope (Marcel Iures) to rise above their fears of Nazi retribution. [More]
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy, Marcel Iures, Ion Caramitru
Director: Costa Gavras
Director: Costa Gavras
Producer: Claude Berri
Screenwriter: Costa Gavras, Jean Claude-Grumberg
Studio: Kino International
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Reviews for Amen
Costa-Gavras deserves credit for staying the course; in a time when most European film directors are wringing their hands, he's still pointing fingers.
Tukur's performance is the centerpiece of the movie; it's a wonderful mixture of outrage and swiftly disappearing naivete.
Costa-Gavras' political thrillers used to jab and thrust with lethal efficiency. This one just pounds against a heavy bag, huffing and puffing all the way.
In a remarkably subtle turn, the German Tukur is convincing as [Gerstein].
What should have been agonizing in its impact comes off as wooden, perhaps because Costa-Gavras works in schematic fashion, spoon-feeding us issues while skimming the historical surface.
Amen., a docudrama rather than a documentary, is clearly guided by Shoah's example, asking us to reflect on the Holocaust and what made it possible rather than simply recoil from it.
An expose of the Catholic hierarchy in a state of mind-boggling paralysis, presented in a fictional context that, inevitably, dulls its edge and makes us question its accuracy.
It is the director's most ambitious film in years and one of his least compelling.
Flawed but unmistakably moving, Amen shines a flashlight on the darkest chapter in modern history.
A handsome period production of fluidity and subtlety, intimate and large-scale.
An unusually riveting experience for a story with an inevitable, dismal ending.
While Amen works as a history lesson, it's less effective as a thriller, since the outcome is sadly all too well-known.
Costa-Gavras provides a post-war postscript to make clear that honesty is punished; cynicism survives.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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