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American Adobo (2002)
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Reviews Counted:23
Fresh:7
Rotten:16
Average Rating:4.6/10
Consensus: The characters and situations seem borrowed from overwrought sitcoms.
Theatrical Release:Jan 25, 2002 Limited
Box Office: $151,417
Synopsis: A few times a year, Tere (Cherry Pie Picache) makes a terrific traditional Filipino dish called Adobo for her friends Mike (Christopher De Leon), Marissa (Dina Bonnevie), Gerry (Ricky Davao), and... A few times a year, Tere (Cherry Pie Picache) makes a terrific traditional Filipino dish called Adobo for her friends Mike (Christopher De Leon), Marissa (Dina Bonnevie), Gerry (Ricky Davao), and Raul (Paolo Montalban). Each time they gather at her house to eat, they talk about some new event that marks a pivotal moment in their lives. Mike wants to reconnect with his roots in the Phillipines. Marissa learns to face her fear of being alone. Gerry has to be honest about his true self. And Raul learns to respect the woman he dates. As each character follows his own journey, a series of funny and sad situations unfold, always bringing the five friends back to Tere's apartment to eat American Adobo. A cross between THE BIG CHILL and EAT DRINK MAN WOMAN, AMERICAN ADOBO is unique because it explores the issues of a cultural group rarely featured in American films today: Filipinos, and shows how they deal with issues of sexuality, self confidence, and race identity. The popular Filipino director Laurice Guillen presents this catchy contemporary film with executive producer Kevin Foxe (executive producer of THE BLAIR WITCH PROJECT). [More]
Starring: Paolo Montalban, Dina Bonnevie, Christopher De Leon, Ricky Davao
Starring: Paolo Montalban, Dina Bonnevie, Christopher De Leon, Ricky Davao, Cherry Pie Picache
Director: Laurice Guillen
Director: Laurice Guillen
Screenwriter: Vincent Nebrida
Producer: Vincent Nebrida, Tony Gloria, Steve Grenyo
Composer: Nonong Buencamino
Studio: Outrider Pictures
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Reviews for American Adobo
A sophomoric exploration of 'life problems' most people solved long ago -- or at least got tired of hearing people kvetch about.
Guillen rarely gets beneath the surface of things. She lists ingredients, but never mixes and stirs.
While American Adobo has its heart (and its palate) in the right place, its brain is a little scattered -- ditsy, even.
American Adobo is entertaining and it's filled with fine performances from the ensemble cast.
The script by Vincent R. Nebrida ... tries to cram too many ingredients into one small pot.
Mushes the college-friends genre (The Big Chill) together with the contrivances and overwrought emotion of soap operas.
It sticks rigidly to the paradigm, rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived, well-worn situations.
Tries to add some spice to its quirky sentiments but the taste is all too familiar.
I'm not sure which is worse: the poor acting by the ensemble cast, the flat dialogue by Vincent R. Nebrida or the gutless direction by Laurice Guillen.
An intimate, good-humored ethnic comedy like numerous others but cuts deeper than expected.
The film is reasonably entertaining, though it begins to drag two-thirds through, when the melodramatic aspects start to overtake the comedy.
Really is a pan-American movie, with moments of genuine insight into the urban heart.
Too much clunky dialog in mawkish situations dissolve this flick into shrill histrionics.
When not wallowing in its characters' frustrations, the movie is busy contriving false, sitcom-worthy solutions to their problems.
Though clearly well-intentioned, this cross-cultural soap opera is painfully formulaic and stilted.
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