American Hardcore (2006)
Average Rating: 6.4/10
Reviews Counted: 61
Fresh: 44 | Rotten: 17
American Hardcore is an informative and highly entertaining look at the heyday of punk in the early 1980s.
Average Rating: 6.7/10
Critic Reviews: 22
Fresh: 19 | Rotten: 3
American Hardcore is an informative and highly entertaining look at the heyday of punk in the early 1980s.
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Average Rating: 3.4/5
User Ratings: 34,701
Movie Info
The lost subculture of America's rebellious, Reagan-era hardcore set is explored in filmmaker Paul Rachman's cinematic adaptation of Steven Blush's book. Disillusioned by politics, angered by greedy record labels, and bound together by a powerful antiestablishment sentiment, bands such as Minor Threat, Black Flag, Dead Kennedys, and Bad Brains paved the way for such later bands as Nirvana and Pearl Jam by fearlessly questioning -- and frequently mocking -- the status quo, and proving that you
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All Critics (63) | Top Critics (24) | Fresh (44) | Rotten (17) | DVD (5)
... an enjoyable if incomplete nostalgia trip.
American Hardcore, Paul Rachman's impressively thorough documentary, tells of the second-generation punk rockers who learned from the Sex Pistols and Ramones and then did their DIY thing.
American Hardcore gets what most music lovers could not at the time: Sometimes, that noise in your head and that anger in your heart just has to get out, and there's always a guitar around somewhere.
Instead of an insightful look at disaffected youths finding an outlet for angry energy in rock rages, American Hardcore is a slanted history lesson coming solely from its subjects.
What's irritating about the movie is how much time it spends on empty nostalgia -- shouldn't real punks scorn reminiscing? -- and how little time it spends truly exploring the roots of America's punk prime in the early 1980s.
Leaves little doubt that this truly was one of the wildest eras in rock.
For a documentary ostensibly about the history of the hardcore punk music movement that reigned in America during the '80s, director Paul Rachman and writer Steven Blush indefensibly omit the genre's most talented and high-profile band (The Dead Kennedys)
Struggles under the weight of its own ambition.
The hit-and-run effect sometimes suggests a documentary equivalent to slam dancing, but without the bruises.
Rachman's chronicle suffers not from a shortage of authentic footage of ready-made hardcore shows, complete with (completely necessary) subtitled lyrics, or doughy, balding, talking heads still bragging about the thrown punches and peed-on chicks of yeste
A film for the fans, especially if you were one of those sonic youths venting steam at a guerrilla show in someone's basement, a VFW hall or club that condescended to present a hardcore show. For once-upon-a-time kids now irrevocably middle-aged, the kick
AmericanHardcore ! Aboutboredstupidyouth! Didn'tliketheNewWave ! Gomoshin'fortruth ! Can'tfindtruth ! Can'tfindgrace ! SettleforHenryRollins! Punchin'dudesintheface !
While this documentary features rare performance footage of hard-core punk-rock bands Black Flag and Bad Brains, it's not exactly the best-assembled or deepest cinematic exploration of the subject.
Rachman's concert footage confirms that the music was unique: bruising, chaotic and blisteringly electric.
"American Hardcore" harkens back to the time when punk rockers were actual punks, not whining, prefabricated MTV pretty boys.
The movie preaches to the choir, and bores everyone else.
Crammed with grainy, shot-on-the-fly mid-Eighties video footage, recent interviews, and a genuine love for its subject, American Hardcore encapsulates a largely forgotten moment in maximum rock & roll history.
It's a great subject for a documentary, and director Paul Rachman does a good job of rounding up period footage and contemporary interviews. But for all its noise, his film is weirdly flabby.
If band names like Circle Jerks, D.O.A., Dead Kennedys and Minor Threat resonate with you, then this documentary celebrating their short-lived, pummeling breed of thrash-and-burn rock music will surely get your blood boiling all over again.
For the record, Rachman's punk-rockology has its cracks. While he worships at the altar of Henry Rollins and Black Flag, he excludes such key West Coast bands as X and the Dead Kennedys.
Hardcore could have done with a little more self-criticism instead of self-congratulation, a little more outside commentary as opposed to inner-circle ramblings.
Audience Reviews for American Hardcore
Super Reviewer
A great disappointment. Worth seeing (for punk fans) for the concert sequences, Henry Rollins and not much else.
Super Reviewer
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