An American Haunting (2006)
Movie InfoThe wind whispers ominous warnings of death before a malevolent entity arrives to claim the life of a young girl as director Courtney Solomon brings author Brent Monahan's chilling, fact-based story of supernatural murder to the screen in this tale of terror starring Donald Sutherland and Sissy Spacek. The year is 1818 and the Bell family is a quiet clan residing on a remote farm in Red River, TN. A normal, loving family by all accounts, the uneventful lives of the Bell family begin to take a dark turn when strange noises around the farm are followed by the arrival of a black wolf with piercing yellow eyes said to strike unspeakable fear into the very soul of all who encounter it. As the sadistic spirit singles out the youngest daughter of the Bell family for torment and her frightened parents search frantically for a rational explanation to the chilling events unfolding in their once-happy home, an eerie, disembodied voice promises death from beyond the grave. With the struggle rapidly turning violent and the Bells' desperate prayers for mercy going unanswered time and again, the shocking murder that followed would prove the only case in recorded American history where the death of a human being was directly attributed to an attack by an evil entity or spirit. … More
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Critic Reviews for An American Haunting
This allegedly true tale of demonic possession is weighed down by period detail and ponderous storytelling, which soon get the better of its Exorcist-inspired levitations, flying crucifixes and noisy poltergeist activity.
It's never an encouraging sign when a horror movie based on a true story fatally lacks the verisimilitude of, say, Alone In The Dark.
This is one of the more annoying, irritating, obnoxiously un-scary scary movies in recent memory.
This is the type of movie that you should be getting for free on television.
There's thunder and lightning and wall-to-wall music. But it still doesn't add up to much of a movie.
The dark force behind this movie is the relentless power of cliche.
The frights are few and the moment of horrific revelation is a big letdown in writer/director Courtney Solomon's cinematic treatment of Brent Monahan's novel "The Bell Witch: An American Haunting."
it becomes haunted by the unwelcome presence of heavy-handedness, making it seem more like a busy domestic melodrama (with a ghost) than a truly unnerving chiller.
Takes the most documented ghost story in history and doesn't create one truly scary moment.
This is proof that it doesn't take lots of bloody gore, big special effects or jump-at-you moments to scare jaded audiences.
Unoriginal and unrelenting, this gothic ghost story invests too much time in banging doors and billowing drapes and not enough in its characters.
Director Courtney Solomon's script is a catalogue of the standard Exorcist-style special effects, hammered home by Caine Davidson's musical score, one of the most irritating and nerve-wracking assemblies of noise in movie history.
It really is fun to watch yet another oddball turn by Sutherland, and a marginally restrained one from Spacek. It's just not that fun.
Disappointing horror film which fails to generate any suspense or horror and is occasionally downright laughable.
Although [director Solomon] has some great ideas, they are limited, and we are therefore treated to repeats of the same basic scenario over and over again until the effect becomes tedious.
A collection of cheap jump-scares and tacky clichéd imagery that we've seen a million times before.
It's less An American Haunting than American humdrum.
Labeled by some as 'America's Greatest Ghost Story,' the legendary Bell Witch gets herself another movie and the result is far from America's Greatest Ghost Movie.
An American Haunting utterly stultifies the thrilling Bell Witch legend on which the film is based; the most disturbing ghost here is the wraith of opportunity lost.
The film isn't that frightening simply because we've seen this sort of 'girl attacked by demon' material countless times before.
Writer-director Courtney Solomon manages to cast a modern spin on the story, but it is one that could be regarded as the least imaginative explanation possible.
Writer-director Solomon simply can't generate any actual suspense. Although he certainly tries.
More like "An American Hanging." It slips a big noose of banality around its audience's necks and then tightens the rope until unconsciousness sets in.
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