A grand show -- a brilliant combination of Hollywood's opulence and technical wizardry with the kind of taste and creativeness that most high-budgeted musicals notoriously lack.
An American in Paris (1951)
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Reviews Counted:5
Fresh:5
Rotten:0
Average Rating:7.3/10
Consensus: The plot may be problematic, but such concerns are rendered superfluous by Gene Kelly and Leslie Caron's star power, the Gershwins' classic songs, and Vincente Minnelli's colorful, sympathetic direction.
Runtime: 2 hrs 8 mins
Genre: Musical & Performing Arts
Synopsis: One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I.... One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I. lingers in Paris after the war to study painting and soon falls in love with Leslie Caron, an engaged demoiselle, much to the chagrin of his romance-minded benefactress. This classic musical boasts a 17-minute avant-garde ballet choreographed by Kelly to George Gershwin's unbeatable music. AN AMERICAN IN PARIS garnered eight Academy Award nominations and six wins, including Best Picture and Best Story and Screenplay. Kelly won a special Oscar for his inimitable achievements. [More]
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, Nina Foch
Director: Vincente Minnelli
Director: Vincente Minnelli
Producer: Arthur Freed
Composer: Johnny Green, Saul Chaplin
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Reviews for An American in Paris
One of the most imaginative musical confections turned out by Hollywood in years.
While not nearly the musical it's cracked up to be, this 1951 film is absolutely required viewing for anyone who wants to see the studio system (MGM style) at its gaudiest, most Byzantine height.
...the picture takes on its glow of magic when Miss Caron is on the screen. When she isn't, it bumps along slowly as a patched-up, conventional musical show.
The real reasons to see An American in Paris are for the Kelly dance sequences, the closing ballet, the Gershwin songs, the bright locations, and a few moments of the ineffable, always curiously sad charm of Oscar Levant.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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