A well-played if too-familiar story of oppression and injustice.
American Violet (2009)
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Reviews Counted:19
Fresh:12
Rotten:7
Average Rating:6.3/10
Consensus: Though its politics are as obvious as its outcome, American Violet is an earnest docudrama about the justice system with a powerful performance from Nicole Behairie.
Rated: PG-13 [See Full Rating] for thematic material, violence, drug references and language.
Runtime: 1 hr 43 mins
Genre: Dramas
Theatrical Release:Apr 17, 2009 Limited
Box Office: $465,786
Synopsis: Based on the real-life events surrounding a military-style drug raid on the poor, predominantly black housing project of Arlington Springs, director Tim Disney’s AMERICAN VIOLET shines an... Based on the real-life events surrounding a military-style drug raid on the poor, predominantly black housing project of Arlington Springs, director Tim Disney’s AMERICAN VIOLET shines an unflinching spotlight on the shameful racial profiling practices of a corrupt district attorney in a rural Texas town. The raid, which occurs after a tip by a single informant (a former mental patient bullied by the police to name names), targets among others Dee, a single mother of four with no prior drug charges (excellently played by newcomer Nicole Beharie). When the defendant assigned to her case tries to pressure her into a guilty plea in exchange for a 10-year suspended sentence, Dee refuses, rightly insisting that she has done no wrong. But with the vast majority of the prosecuted taking plea deals, even Dee’s mother (Alfre Woodard) thinks she’s a fool. Dee’s heroic defiance soon wins acolytes in ACLU lawyer David Cohen (Tim Blake Nelson) and his assistant, Byron Hill (Malcolm Barrett). The Yankee lawyers team up with local consul Sam Conroy (Will Patton), a gun-toting Texan battling his own past racist demons, building their case against Calvin Beckett (Michael O’Keefe), the villainous D.A. whose tough-on-crime tactics are a smokescreen for his blatantly racially motivated tactics. Set against the backdrop of 2000’s Bush vs. Gore contest, AMERICAN VIOLET’s left-leaning polemic is clear; but the film’s core message of the fight against injustice rings loud, and is underscored by powerful performances from Beharie, Woodard, and O’Keefe--whose dramatic unraveling during Beckett’s deposition speech is, alone, worth the price of admission. [More]
Starring: Nicole Beharie, Tim Blake Nelson, Will Patton, Michael O'Keefe
Starring: Nicole Beharie, Tim Blake Nelson, Will Patton, Michael O'Keefe, Xzibit, Malcolm Barrett, Charles Dutton, Alfre Woodard, Tim Ware, David Warshofsky, Lucinda Jenney
Director: Tim Disney
Director: Tim Disney
Screenwriter: Bill Haney
Producer: Bill Haney
Composer: Teddy Castellucci
Studio: Samuel Goldwyn Films
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Reviews for American Violet
American Violet dramatizes Kelly's case, and does so in a way that will leave audiences applauding in their seats -- and wondering how much of the film is true.
A torn-from-the-headlines tale of institutional racism and injustice in the Lone Star State of not-so-long-ago, American Violet might not be subtle, but it's certainly powerful.
American Violet feels less like life and unreasonably more like the movies.
The narrative is infused with chilling facts, and the filmmakers know how to build their case, but a drama demands more.
This flaw in the justice system might affect anyone, but American Violet shows how easily it can be racialized in a place where hardened social attitudes combine with drugs and poverty to create a permanent black underclass.
Its blaring earnestness and thin characters (all of whom practically wear badges identifying them as good or evil) fail to add nuance to a story that keeps making the same point in virtually every predictable scene.
The badly titled American Violet comes from filmmakers who had clearly made up their minds long before they had written a word. And it's aimed at people who have too, before they've seen a frame.
American Violet is a justice story, with some honest justice. It's nicely reassuring that it happens to be true.
American Violet, which is based on real events that took place in late 2000, has the quasi-documentary feel of a well-made television drama.
What does it taste like? There's a slight aftertaste of force-feeding, to be sure. But mostly, thanks to excellent, nuanced performances by Beharie, Woodard, Nelson and Patton, it tastes like justice.
A docudrama that may have an outcome we already know, but is a loud lesson about truth, justice and the Texas Way.
An artlessly powerful performance by newcomer Nicole Behaire anchors American Violet, an instructive, sturdily built drama based on a true story worth teaching.
A harrowing, compelling and profoundly true story that dares to tackle an important but too rarely exposed issue of the abuse of power in the American criminal justice system.
You can laugh at American Violet, but most defendants are scared into pleading guilty and need all the poster girls they can get.
Its simplistic, heavy handed treatment of a complex issue gives it the weight of a contrived movie of the week melodrama.
Earnestly presented and well acted, particularly by newcomer Nicole Beharie in the central role, the film shares with many other such agenda-driven dramas a complete lack of narrative surprise, merely connecting the dots.
Latest News for American Violet
April 16, 2009:
Critics Consensus: 17 Again Is Sweet And Poignant
This week at the movies, we've got a high school do-over (17 Again, starring Zac Efron and Leslie Mann), some journalistic thrills (State of Play, starring Russell Crowe and... More...
April 13, 2009:
Dramatization revisits infamous case of racial profiling and malicious prosecution in Texas. ![]()
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February 15, 2009:
Trailer & Poster review ![]()
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February 12, 2009:
Catch the trailer that stars Alfre Woodard, Michael O'Keefe, Tim Blake Nelson, Will Patton, Charles S. Dutton, Xzibit, and newcomer Nicole Beharie. ![]()
More...
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