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Antiviral Reviews

Bill Stamets
Chicago Sun-Times
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How sick can fans of a celebrity get? Very, answers "Antiviral." Imagine fan fetish culture metastasizing. A pox on consumers and capitalists alike, Brandon Cronenberg sneers.

Full Review Source: Chicago Sun-Times

May 11, 2013
Gary Goldstein
Los Angeles Times
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If Cronenberg's not yet a dead ringer for his iconic dad, he's taken an intriguing first step.

Full Review Source: Los Angeles Times | Original Score: 2.5/5

April 19, 2013
Moira MacDonald
Seattle Times
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The pace is uneven, the energy sluggish (even the arrival of Malcolm McDowell in the third act doesn't pep things up) and the film feels overlong.

Full Review Source: Seattle Times | Original Score: 2/4

April 18, 2013
Farran Smith Nehme
New York Post
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What Jones hasn't been given is a character to play. Syd is a cipher, neither sympathetic nor hateful, nor even interestingly human.

Full Review Source: New York Post | Original Score: 2/4

April 12, 2013
Stephen Holden
New York Times
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Eventually the clammy spell of this handsomely designed but solemnly paced movie begins to wear off, and you long for a little action or at least some fresh air.

Full Review Source: New York Times | Original Score: 2.5/5

April 11, 2013
Stephanie Zacharek
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Before long, the aggressive sleekness of Antiviral becomes its own kind of ennui.

Full Review Source: NPR

April 11, 2013
Noel Murray
AV Club
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The movie can be repulsive at times, but Cronenberg is more interested in ideas than in blood and guts.

Full Review Source: AV Club | Original Score: B

April 11, 2013
Chuck Wilson
Village Voice
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Papa Cronenberg must be proud, but be advised: If there's a blood test in your future, book it before seeing this movie.

Full Review Source: Village Voice

April 10, 2013
Joshua Rothkopf
Time Out New York
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The whole movie feels like a case of the sweats, putting you in desperate need of the chicken soup of recognizable human behavior.

Full Review Source: Time Out New York | Original Score: 2/5

April 9, 2013
Andrew O'Hehir
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Cronenberg achieves a kind of heightened reality that does not resemble the real world but possesses its own internal logic.

Full Review Source:

April 9, 2013
Justin Chang
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Antiviral never builds the sort of character investment or narrative momentum that would allow its visceral horrors to seriously disturb, rather than seeming like choice gross-out moments lovingly designed for maximum viewer recoil.

Full Review Source: Variety

April 8, 2013
Bruce Diones
New Yorker
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Cronenberg's directing style is elegant, all shiny surfaces and sleek camera moves, until the horror begins; then the film turns as dark and as bloody as the physical decay of its star-obsessed characters.

Full Review Source: New Yorker

April 8, 2013
Nigel Floyd
Time Out
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'Antiviral' never wholly succeeds as either a surgical satire or a medical conspiracy thriller, and its tedious last third is like a diseased body dragging itself slowly to the grave.

Full Review Source: Time Out | Original Score: 2/5

January 30, 2013
Geoff Pevere
Globe and Mail
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A virtual panoply of high wooziness, replete with sweating, shakes, vomiting, rot-infected food and more needles piercing skin than rush hour at a free flu clinic.

Full Review Source: Globe and Mail | Original Score: 2/4

October 12, 2012
Peter Howell
Toronto Star
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Obviously influenced by his dad David's early work but also showing a strong personal style, Brandon Cronenberg's feature debut is a body-horror satire with a point - a needle point.

Full Review Source: Toronto Star | Original Score: 2.5/4

October 11, 2012
William Goss
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Although the climax feels like one last stab by Brandon to echo his father's legacy, the rest of the film suggests the promise of his own distinct, distressing career to come.

Full Review Source:

September 25, 2012
Megan Lehmann
Hollywood Reporter
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If imitation is the sincerest form of flattery, David Cronenberg should be feeling pretty chuffed with son Brandon's big-screen debut, a petri dish of high-concept perversity and cultural commentary teeming with lo-fi ickiness.

Full Review Source: Hollywood Reporter

May 21, 2012
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