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Ararat

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Ararat (2002)

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Reviews Counted:22

Fresh:10

Rotten:12

Average Rating:6.3/10

Consensus: Though Ararat radiates intelligence, its impact is diminished by an overly intricate plot and cerebral style.

Rated: R [See Full Rating] for violence, sexuality/nudity and language

Runtime: 1 hr 55 mins

Genre: Dramas

Theatrical Release:Nov 15, 2002 Limited

Box Office: $1,378,159

Synopsis: ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in... ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in time, Egoyan weaves together the lives of several people. Ari (Arsinee Khanjian), an art historian, is an advisor on the film. Her son Raffi (David Alplay) is part of the film crew. When Raffi travels to Armenia to gather some additional footage, he is detained by a customs agent (Christopher Plummer) and remains in custody for most of the film. Meanwhile, Raffi's stepsister and girlfriend Celia (Marie-Josee Croze) is haunted by her father's suicide. These and other stories within ARARAT are ostensibly linked through the film within a film. Yet, it is each character's quest for truth which binds them thematically and drives the plot. The film is populated with thematic twins, as each character's individual struggle is mirrored in the plight of the other characters. Egoyan works from his own script relying heavily on references to Arshile Gorky's painting "The Artist and his Mother" and Clarence Ussher's historical document, AN AMERICAN PHYSICIAN IN TURKEY. [More]

Starring: David Alpay, Charles Aznavour, Eric Bogosian, Brent Carver

Starring: David Alpay, Charles Aznavour, Eric Bogosian, Brent Carver, Marie-Josee Croze, Bruce Greenwood, Arsinee Khanjian, Christopher Plummer

Director: Atom Egoyan

Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Robert Lantos, Atom Egoyan
Studio: Miramax Films

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Release:

Jul 22, 2003

[DVD Details]
 
 
  • Ararat
  • From the Academy Award(R)-nominated director Atom Egoyan (Best Director, Best Adapted Screenplay, THE SWEET HEREAFTER, 1997; EXOTICA, FELICIA'S JOURNEY), and featuring an all-star cast, ARARAT is the acclaimed cinematic masterpiece about a tragic historical event, a country in denial, and a people yearning for the truth. For the estranged members of a contemporary family, the tangled relationships of their present are only complicated by their catastrophic past. And what begins as a search for clues becomes a determined quest for answers across a vast and ancient terrain of deception, denial, fact, and fears. This stunning and passionate motion picture explores the pursuit of identity through the intimate moments shared by lovers, families, enemies, and strangers.
  • Source: Buena Vista Home Entertainment.
  •  
     
     
     

    Reviews for Ararat

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    1 - 20 (sorted by date)
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    N/R

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    Full Review Source: Washington Post | comment Comment
    09/26/05
    Ann Hornaday
    Ann Hornaday
    Washington Post
    Top Critic Icon Top Critic
    N/R

    Click to read the article

    Full Review Source: Houston Chronicle | comment Comment
    07/21/05
    Houston Chronicle
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    N/R

    Click to read the article

    Full Review Source: Atlanta Journal-Constitution | comment Comment
    02/21/04
    Atlanta Journal-Constitution
    Top Critic Icon Top Critic

    Egoyan's movie is too complicated to sustain involvement, and, if you'll excuse a little critical heresy, too intellectually ambitious.

    Full Review Source: Denver Rocky Mountain News | comment Comment
    03/14/03
    Robert Denerstein
    Robert Denerstein
    Denver Rocky Mountain News
    Top Critic Icon Top Critic

    In a strange way, Egoyan has done too much. He's worked too hard on this movie.

    Full Review Source: Washington Post | comment Comment
    11/27/02
    Desson Thomson
    Desson Thomson
    Washington Post
    Top Critic Icon Top Critic

    Given the convoluted approach -- and tongue-tied delivery -- we're left to conclude that Egoyan's emotions got the better of him this time.

    Full Review Source: San Jose Mercury News | comment Comment
    11/27/02
    Glenn Lovell
    Glenn Lovell
    San Jose Mercury News
    Top Critic Icon Top Critic

    Has the obsessiveness and audacity of a film that had to be made or its filmmaker would have combusted.

    Full Review Source: San Francisco Chronicle | comment Comment
    11/27/02
    Mick LaSalle
    Mick LaSalle
    San Francisco Chronicle
    Top Critic Icon Top Critic

    Only the most patient, sensitive and sensible of viewers will cut through the film's affectations and indulgences to come to the point.

    Full Review Source: Detroit News | comment Comment
    11/27/02
    Susan Stark
    Susan Stark
    Detroit News
    Top Critic Icon Top Critic

    Part impassioned history lesson, part reflection on the way entertainment distorts history, part extension of [Egoyan's] previous explorations of how desire and need distort our sense of self.

    Full Review Source: Detroit Free Press | comment Comment
    11/27/02
    Terry Lawson
    Terry Lawson
    Detroit Free Press
    Top Critic Icon Top Critic

    Egoyan's work often elegantly considers various levels of reality and uses shifting points of view, but here he has constructed a film so labyrinthine that it defeats his larger purpose.

    Full Review Source: Chicago Sun-Times | comment Comment
    11/27/02
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    Before long, you get Egoyan's big idea -- and it's hardly a good one. He wants to turn the movie screen into a blackboard.

    Full Review Source: Boston Globe | comment Comment
    11/27/02
    Wesley Morris
    Wesley Morris
    Boston Globe
    Top Critic Icon Top Critic

    You can quibble with excess characters and storylines, but the cumulative effect is strong and emotionally accurate.

    Full Review Source: Dallas Morning News | comment Comment
    11/26/02
    Chris Vognar
    Chris Vognar
    Dallas Morning News
    Top Critic Icon Top Critic

    In the end, Ararat has enough artistry and intelligence -- and enough commitment from Egoyan, producer Robert Lantos and company -- to justify more than a higher-than-mixed rating.

    Full Review Source: Chicago Tribune | comment Comment
    11/26/02
    Michael Wilmington
    Michael Wilmington
    Chicago Tribune
    Top Critic Icon Top Critic

    Has its moments -- and almost as many subplots.

    Full Review Source: USA Today | comment Comment
    11/15/02
    Mike Clark
    Mike Clark
    USA Today
    Top Critic Icon Top Critic

    A pertinent powerfully intelligent account of the morality of making history.

    Full Review Source: Toronto Star | comment Comment
    11/15/02
    Geoff Pevere
    Geoff Pevere
    Toronto Star
    Top Critic Icon Top Critic

    Hardly makes the kind of points Egoyan wanted to make, nor does it exist as the kind of monument he wanted to build, to victims whose voices have never gained the ears of the world.

    Full Review Source: Newsday | comment Comment
    11/15/02
    John Anderson
    John Anderson
    Newsday
    Top Critic Icon Top Critic

    The metaphors are provocative, but too often, the viewer is left puzzled by the mechanics of the delivery.

    Full Review Source: Globe and Mail | comment Comment
    11/15/02
    Liam Lacey
    Liam Lacey
    Globe and Mail
    Top Critic Icon Top Critic

    The Armenian genocide deserves a more engaged and honest treatment.

    Full Review Source: New York Post | comment Comment
    11/15/02
    Jonathan Foreman
    Jonathan Foreman
    New York Post
    Top Critic Icon Top Critic

    [A] difficult, dense, passionate drama.

    Full Review Source: Entertainment Weekly | comment Comment
    11/14/02
    Lisa Schwarzbaum
    Lisa Schwarzbaum
    Entertainment Weekly
    Top Critic Icon Top Critic

    Hands down the year's most thought-provoking film. But it pays a price for its intricate intellectual gamesmanship.

    Full Review Source: New York Times | comment Comment
    11/14/02
    Stephen Holden
    Stephen Holden
    New York Times
    Top Critic Icon Top Critic
     
     
    1 - 20 (sorted by date)
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    Latest News for Ararat

    September 07, 2005: Trailer Bulletin: Where the Truth Lies
    From Atom Egoyan, director of "Exotica," "The Sweet Hereafter," and "Ararat," comes Kevin Bacon, Colin Firth, and Alison Lohman in the already... More...

    August 22, 2005: Egoyan's "Truth" May Lie with an NC-17
    ThinkFilm, distributor of the new Atom Egoyan film "Where the Truth Lies," plans to appeal what they believe will be an NC-17 rating from the MPAA, says The Hollywood... More...

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