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Ask the Dust (2005)
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Reviews Counted: 100
Fresh: 37
Rotten:63
Average Rating: 5.1/10
Consensus: Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based.
Rated: R [See Full Rating] for some sexuality, nudity and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Mar 10, 2006 Limited
Box Office: $630,802
Synopsis: From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays... From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays his lover, a waitress who also wants to rise above her station. [More]
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins, Charlie Hunnam, William R. Mapother, Justin Kirk, Idina Menzel, Dion Basco, Tamara Craig Thomas
Director: Robert Towne
Director: Robert Towne
Studio: Paramount Pictures
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Reviews for Ask the Dust
Donald Sutherland saunters onscreen, momentarily raising the level of the film, before he ambles back out the door and things sink back down to the listless and pointless pace that typifies this jumbled mess of a movie.
Supporting characters float in and disappear without rhyme, reason or resolution.
Towne has a perhaps unique ability to make this ill-fated movie romance classically seductive while doing full justice to its authentic subject. [His] canniness as a writer and casual sophistication do wonders for the actors.
Although Chinatown writer Towne lovingly depicts the Depression-era LA setting (actually shot in South Africa), the film misfires.
Termina numa nota amarga; não em função de sua história, mas da promessa não realizada de se revelar um filme grandioso, digno de seu diretor.
It is a odd-sounding, odd-looking piece of work, not uninteresting by any means, but there is something a little forced in both lead performances.
A curiously resistable drama, despite several strong elements -- the most notable being newcomer Idina Menzel.
Something is missing, though. The themes are all there, but the movie doesn’t cross the blood-brain barrier and rev you up.
The elements never quite come together, and the main characters never quite spring to life.
The characters are well drawn, but their relationships are not, making the viewing experience passive.
No one gets away unscathed in Robert Towne's overblown attempt at transfiguring John Fante's novel to film.
Farrell and costar Salma Hayek have rarely been so affecting, or so effective, as self-hating ethnics who find love.
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