Atlantis - The Lost Empire Reviews

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Super Reviewer
½ December 6, 2006
A little White Man Saves The Day-ish, and a touch boring, but really not as horrible as some insist.
Daniel Mumby
Super Reviewer
April 30, 2013
When reviewing children's films, there are two main approaches one can take. One is to review the film in question as first and foremost a piece of cinema, analysing its narrative and technical aspects and giving out recommendations on this basis. The other is to take a more moralistic view, imagining whether you would show a given film to your own children (real or hypothetical) on the basis of the messages or lessons that it contains.

Both approaches are problematic, insofar as they use adult language, knowledge and expectations of a medium to recommend something that was never intended for adults, at least not primarily. But either approach is infinitely preferable to the dim view that children are stupid enough to watch anything, and that a 'children's film' does not have to be as well-made as one intended for grown-ups. Whichever approach one takes, Atlantis: The Lost Empire is not worthy of any recommendation, being one of the laziest animated films in recent memory.

When I reviewed Treasure Planet three months ago, I drew a comparison between Disney and PIXAR in the early-2000s. I argued that while PIXAR were pushing the envelope of what mainstream animation could achieve, Disney were aggressively re-treading old ground, "trying to push the same old stuff overlaid with snazzier visuals." Since the Disney empire diversified in the 1950s, the animation department has had to fight for power against the cash cows of theme parks and merchandising - and the success of these arms has often influenced the output of Disney's more creative elements.

Apologists may defend Atlantis as a break from the Disney norm of fairy tales and princesses. But this argument holds no water, since in every other way the film is conventional to the point of utter contempt. The film is a relentless race to the bottom, treating its audience young and old like complete idiots and not offering up one original or creative idea in compensation. It's ironic that the film disappointed at the box office, considering that most of it feels like it was created to sell a toy rather than tell a story.

All this could be somewhat rationalised if the film were a straight-to-video project, or an episode of a TV series based on another Disney film. Most of us are aware of Disney's track record in this regard, and would therefore lower our expectations from expecting the best to hoping for something other than the very worst. But Atlantis comes from an original treatment by Joss Whedon, and is helmed by Gary Trousdale and Kirk Wise, the same team behind Beauty and the Beast. The only thing more painful than a bad film made by bad filmmakers is a bad film made by good filmmakers.

It's clear that Trousdale and Wise's strengths lie in adapting existing stories. Beauty and the Beast and The Hunchback of Notre Dame both come from reputable sources, and both successfully channel the sources' darkness for a younger audience. Atlantis, by comparison, is utterly aimless, floating from set-piece to set-piece without a map or rudder. For all the flack that Disney gets for its creative liberties in adaptation, its attempts at original material are often just as inept.

What makes this all the more painful is that there is so much potential within this story. The myth of Atlantis is a fascinating one which opens up all kinds of possibilities about different cultures, languages and technologies. Even if the myth were handed with kid gloves, this could have still have been a really fun adventure. The setup is an enticing blend of Jules Verne, Tintin and Indiana Jones, with Atlantis serving as the great, undiscovered 'other world' into which our heroes venture as the eyes of the audience.

But all of this potential is quickly squandered, thanks to poorly-drawn characters and terrible storytelling. All of the characters are flat and entirely one-dimensional - Milo is the well-meaning dork, Kida is the headstrong but naïve princess, Rourke is the blinkered military leader, and so on and so on. The writing is so lazy that there is actually a scene where most of the characters sit down and tell their backstories one at a time. Alfred Hitchcock once said that exposition was a bitter pill that had to be sugar-coated for audiences, and no amount of sweetness or visual beauty can make up for this particularly bitter pill.

As for the plot of Atlantis, it's deeply derivative to say the least. It is possible for a film to come from well-worn conventions and yet still offer something new - Indiana Jones is a brilliant example. But there comes a point when similarity to another work becomes so close that is borders on plagiarism or self-parody, and Atlantis falls firmly into the latter trap.

The plot is essentially the same as Pocahontas, with the central relationship between Milo and Kida having the same dynamic as John Smith and Pocahontas. The traveller or pioneer falls in love with the native's daughter, conflict ensues and they unite to save their two worlds. That would be fine, except that the lead-up to finding Atlantis takes far too long, with the film getting bogged down in needless distractions, lazy exposition or bad jokes. And that's before we address the use of language in the film: Disney commissioned Marc Okrand to create a whole new language for the Atlanteans to speak, only for the language barrier to be dealt with in the stupidest possible way (yes, worse than magic leaves.)

The influence of Indiana Jones is writ large over Atlantis - the filmmakers even cited Raiders of the Lost Ark as their inspiration for shooting the film in widescreen. But if the Pocahontas similarities aren't enough to put you off, then you could easily transpose the plot of Last Crusade onto the film, to the point where the characters completely overlap.

Milo's decision to go after Atlantis is driven by the need to fulfil his father's dream - the same reason that Indy takes up the quest for the Holy Grail. Rourke is essentially Walter Donovan, appearing to be on the heroes' side but ultimately wanting the 'grail' for his own power. You could even argue that his assistant, Lieutenant Helga, doubles for Dr. Elsa Schneider - though the film doesn't imply that both father and son were attracted to her.

The difference between Last Crusade and Atlantis lies in the level of affection for the story and character archetypes. Indiana Jones is driven first and foremost by a deep-seated love for the fantasy and adventures genres. Even when the series became one of the biggest in film history, the films never felt like blatant cash-grabs on the part of the studios. Atlantis has creative talent and affection somewhere in it, but the film has been trampled on by uncreative minds, whether in marketing or middle management.

Internal logic is an important aspect in all fantasy stories, and Atlantis doesn't make a great deal of sense on either a physical or a mythological level. We may be able to laugh at the idea of sentient crystals after Kingdom of the Crystal Skull, but in this context the film sets up the idea and then makes no effort to explain it. It's just another plot device, designed to take Kida out of the picture for a quick battle scene. The film is structured like an ADHD theme park ride, its goal being to keep you distracted for as long as possible so that you don't have the chance to stop and take in this potentially complex world - and then proceed to pick it apart.

This rollercoaster approach to storytelling also defeats the film's big trump card - its visuals. Atlantis was the first Disney film presented in 70mm since The Black Cauldron - another film that was brutally compromised by studio interference. The animation is very pretty, with a nice range of colours and tones underscored by shimmering, iridescent blues. But even the prettiest scenes aren't impressive because the editing is choppy and we don't care about the characters. There's very little use made of the widescreen presentation, and the 70mm format is thoroughly wasted.

Atlantis: The Lost Empire is one of Disney's most conspicuous and disappointing failures. It epitomises the studio's reputation for brand paranoia, taking a potentially interesting and entertaining premise and draining it of all creativity and elegance. The result is a crushingly dull and uninspired offering whose only function is to depress and reinforce bad feelings towards the company. It's awful, tedious, lazy and empty - and really, really stupid.
Super Reviewer
October 1, 2010
Very disappointed with this film. I felt like I was watching a kids film trying to become a live action picture and failing miserably. It is far too smart for it's own good and the adult humour doesn't suit the tone of the film very well. I am definitely a sucker for fantasy/adventure films, and the story behind this film definitely has some interesting details and the visuals are great when they finally arrive at the Lost City, but other than that, I wished it would just end. It's definitely not an easy film to watch, and quite frankly, I was more annoyed watching it than anything. It felt like the same thing over and over again. The voice acting even felt a little off to me. Overall, it was an unpleasant film to watch!
MANUGINO
Super Reviewer
July 5, 2009
Atlantis is waiting...

Good Movie! Atlantis has some comic scenes that made me laugh. Other scenes made me sad. And others made me glad. It is a movie any age can enjoy. It was an excellent rendition of an ancient myth. The animation was somewhat odd, but nothing new from Disney. It was definitely better than expected for a Disney movie with no singing. The background animation was magical. It was a different level of work for the Disney people. Some of the characters were a little boxy, but it was more than made up for with the beauty and lushness of the scenery. The music was largely instrumental but that was perfect for the movie.

1914: Milo Thatch, grandson of the great Thaddeus Thatch works in the boiler room of a museum. He knows that Atlantis was real, and he can get there if he has the mysterious Shephards journal, which can guide him to Atlantis. But he needs someone to fund a voyage. His employer thinks he's dotty, and refuses to fund any crazy idea. He returns home to his apartment and finds a woman there. She takes him to Preston B. Whitmore, an old friend of his Grandfathers. He gives him the shepherds journal, a submarine and a 5 star crew. They travel through the Atlantic ocean, face a large lobster called the Leviathan, and finally get to Atlantis. But does the Atlantis crew have a lust for discovery, or something else?
Super Reviewer
October 23, 2011
A pretty good film considering it wasn't advertised as much as other children's animations. The narrative was well formed even though it was quite predictable.
DreamExtractor
Super Reviewer
August 17, 2011
Atlantis The Lost empire is one of the most beautiful animated films of all time, and one of the most fun Disney films ever made. the plot was surprisingly great, it took one of the greatest legends and made a great story that kids and adults will find interesting. The voice acting is great, and their charaters are all fun, but the protagonist was too wimpy for me, he is not a hero if he is a big loser, but Micheal J Fox was perfect to voice him. The animation was truly incredible, it looked so great and it was probably the most amazing thing about the film, even though the story was still great. Atlantis is one film Disney can never ruin, even with all the sequels, it remains an orginal and great film.
michael e.
Super Reviewer
December 13, 2010
Every one of Disney's animated films are all fantastic in the art style because each film the art style changes from every film, and the visuals are by far the best things about this film. See this film on a big screen with a good sound system, or, It was best in the theater. The scene with the giant crustacean robot chasing the big ship and small ships underwater, and it still is fantastic to watch. The cast is also not very bad in this film either, Michael J. Fox does fantastic as Milo in this movie, and also Tommy Lee Jones as the general (of course) and the sub characters all do well, including the late Jim Varney, and Leonard Nimoy.
Super Reviewer
½ May 19, 2011
I'm a little bewildered that critics gave Atlantis such a hard time. I guess that's what Disney gets for not following it's formula of boring, pretentious romance/melodrama, overplayed emotional intimacy, periodic sing-song and campy villains.

Maybe it's the apparent change in demographic? This was obviously made for young adults, half of the jokes and themes presented would fly right by a kid's head.

There's so much wit and personality in the dialogue/characters that really makes this generic fantasy-adventure entertain. Not to mention the phenomenal animation and art direction that accompany it.

All this talk about
Super Reviewer
July 29, 2010
this was a waste of my time. D
ScoopOnline
Super Reviewer
December 14, 2009
Atlanti - The Lost Empire is very unique movie. Not a typicall disney Movie. It has tiny bit of everything. Friendship, Betrayel, Love, Adventure and Magic.
Super Reviewer
½ June 13, 2006
Another highlight from the late animated Disney phase with somewhat more grown up themes, here an exciting mix of Jules Verne and Indiana Jones motives. There is still plenty of humor and quirky characters for the kids, but also a lot of action and probably the highest body count in a Disney film. It starts with quite a bang and keeps a decent pace, introducing plenty of interesting characters. Although it all gets a tad too esoteric in the second half, the excellent showdown makes up for it and leaves the audience pretty satisfied. The younger kids should stay away but for the right age this is a great adventure to remember and talk about for a very long time. As for me, I don't miss singing dancing animals or inventory pieces, so this is my kinda animated film.
sanjurosamurai
Super Reviewer
½ January 18, 2007
pretty fun movie. i didnt think i would like this film but i did, definitely worth the watch.
Super Reviewer
May 19, 2007
Really good family movie with a few funny scenes here and there
Super Reviewer
½ January 22, 2007
Visually intelligent, but doesn't offer much in any other department.
Super Reviewer
December 28, 2006
Nice idea but felt a little rushed.
Super Reviewer
½ November 9, 2006
Pretty good.
Super Reviewer
½ November 8, 2006
its good, different to other disney movies, not as funny, the animation is good and I also like the voices
Nate Z.
Super Reviewer
½ February 24, 2006
[font=Arial][color=darkred]A joke me and my friend Adam had going in a script we never started was about an elite tactical force known as the Superhuman Samurai Stereotype Squad. They were a group contained of all different minority killers but each was a bad stereotype of that minority - like the black man was a gangster rapper with one incredible fro, the Asian was a martial arts expert, the gay person was flaming etc. (this is not an example of how I feel toward minorities, just lampooning the stereotypes). So imagine my surprise when watching Disney's 'Atlantis' I see our joke played out in front of me - except it's supposed to be taken seriously.[/color][/font]

[font=Arial][color=darkred]Nerdy historian and dreamer Milo (Michael J. Fox) gets teamed up with a ragtag group on an exploration to hunt for the missing land of Atlantis with the aid of a book his grandfather gave to him. Anyone else getting 'Indianna Jones and the Last Crusade' déjà vu? This group features a tough blonde German girl Helga, a latina mechanic who also happens to be a boxer, a crazy and dirty Frenchman, a kindly heroic black doctor that resembles Disney's own John Henry, a loveably kooky Southerner cook, an old no-nonsense woman, and even a quirky Italian explosives expert. Assemble Superhuman Samurai Stereotype Squad![/color][/font]

[font=Arial][color=darkred]Through some underwater mishaps the crew finally does get to the fabled city of Atlantis and is met by the King and Princess Kida, who takes a shine to clumsy Milo. They discover secrets of the lost civilization and, as always, members of the crew turn on each other in an attempt to plunder the city of its riches. The double-dealing is led by the ship's captain Lyle Tiberius Rourke (James Garner) who has a chin that would make Kirk Douglas drop dead with envy.[/color][/font]

[font=Arial][color=darkred]There are plot holes in 'Atlantis' big enough to build a Disney theme ride through. It turns out as revealed in the opening minutes of 'Atlantis' that the Atlantians had mastered the technology of flight, mechanics, energy fusion, and other such scientific marvels. A race of people before even the Minoans around 800 BC had mastered the art of mechanical flight? And WE don't even have flying cars yet but these people 2800 years ago had flying fish made with metals that they had no way of getting their hands upon? Or take for example the fact that Princess Kida greets the group in English, saying that they somehow know all languages. But if their civilization was plunged to the bottom of the sea a freaking 2800 years ago how can they remotely know languages that never existed until hundreds and hundreds of years afterwards?[/color][/font]

[font=Arial][color=darkred]Want more plot holes? Please, you know you do. How about when a character hurtles to their supposed death when they fall something like 250 feet down onto hard rock. Except later we return to this fallen character who still manages not only to live but also to turn around and fire one last perfect shot. There are so many others that they can't all fully be mentioned.[/color][/font]

[font=Arial][color=darkred]'Atlantis' is supposed to be like one of the old 50s adventure films like '20,000 Leagues Under the Sea' except it never manages to be adventurous at all. The film does allow for people to actually die, though all off camera, which I can't remember happening in a Disney picture unless it was the villain. There are some moments of excitement (a first for Disney since possibly 'Aladdin') but they end too quickly and give the audience back to the characters and story it doesn't want to return to. The animation is surprisingly sub-par with a few awkward moments that seem very rigid and static.[/color][/font]

[font=Arial][color=darkred]'Atlantis' is a general waste of talent and strung together with a laughably bad script. The fact that not one kid in the audience, nor myself, laughed once in indicative of how this movie is flopping. The movie is not engaging for kids and the opening sequence with subtitles will surely go over their heads. This film is not a fun ride. It seems like the profitable-yet-creatively-stagnant Disney formula for the last decade is finally imploding. If you do have a choice go see 'Shrek' instead.[/color][/font]

[font=Arial][color=darkred]Nate's Grade: C[/color][/font]
Super Reviewer
December 2, 2011
Atlantis The Lost empire is one of the most beautiful animated films of all time, and one of the most fun Disney films ever made. the plot was surprisingly great, it took one of the greatest legends and made a great story that kids and adults will find interesting. The voice acting is great, and their charaters are all fun, but the protagonist was too wimpy for me, he is not a hero if he is a big loser, but Micheal J Fox was perfect to voice him. The animation was truly incredible, it looked so great and it was probably the most amazing thing about the film, even though the story was still great. Atlantis is one film Disney can never ruin, even with all the sequels, it remains an orginal and great film.
DOCTOR P.
Super Reviewer
August 17, 2011
4th of the Competition Era

Very stylistic animation provided by Mike Mignola (Creator of the Hellboy comics for those who don't know.) grace the film. It looks great, dark yet fun and adventurous. The coloring here matches with the films tone making the animation really work to the films advantage. Even the cg meshes well with the characters and locations making for a film that's great to look at.

"Atlantis" provides some great characters who are hilarious as they are lovable. Led by Milo Thatch, voiced greatly by Michael J. Fox, a fun cast of characters venture to the lost empire while providing entertaining moments with some good quotes. Commander Rourke the villain of the film has some good lines provided by James Garner, though he doesn't stand out much, still he's a serviceable villain for the film. The Atlanteans are voiced well enough, including Leonard Nimoy as the king and Cree Summer as the princess.

The film provides a good story, the premise is put to good use for the film. It works so well, it really makes one care for what happens to the characters. The biggest fault though is in the last act, granted it wasn't the worst way for the film to go is just that it's really poorly executed. Some of the supporting cast gets a little too out of character towards the end, it's minor but noticeable bump in the story.

"Atlantis-The Lost Empire" is an underrated film that deserves more credit.

Up Next:A movie featuring- Hey! get out of those Renaissance movies you don't belong there! Great he got Jasmine to join his mayhem.
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