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Autumn Leaves Reviews

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Super Reviewer

April 4, 2008
"autumn leaves" is one of the best pictures for joan crawford's career in the 1950s with the patron of robert aldrich whose noirish masterpiece is ralph meeker's "kiss me deadly"..but this movie inevitably encounters the doom of oblivion due to the misogynistic assumption of crawford's screen persona...mostly people misconceive "autumn leaves" as another campy crawfordian feminist piece of mature woman romancing young lad then suffering from the evil fruit of her manipulative trifling with the younger man. BUT "autumn leaves" is actually a romantic drama interwoven with a grim scent of psychological thriller.

it's about a spinister called milly, who sacrifices her youth attending her invalid dying father, now she's self-sufficient with an assured career working at home, but she's secretly wretched with solitude until she meets a jolly young man named burt whose freewheeling sense of innocent humor enlightens her sorrowful life with a gleam of rosiness. hesitated by their span of age, milly tries to resist burt's boyish charm but in vain since she welcomes his proposal of marriage...but is everything too good to be true? please don't mistake it, "autumn leaves" is NOT a film noir piece of sordid doublecross despite incest is indeed an essential element within its scenarios.

the twist would be burt's psychotic crackup over his father's unbearably unethical revelation (i shall leave the reader to find out) which has torn his composed sanity into pieces, and his obsession with milly might be a symptom of neurosis for the solace of maternal attachment. dismayed by the shattered happiness, milly has to confront the issue of whether she should commit burt into sanitarium, if she does, would his love for her be also cured off for good? or should she bath in the diseased love as the matriarch at the cost of mutual ruin?

undetected by most, "autumn leaves" is a whispering romance of pathos and unconditional love addled with mental illness, and it's supposed to be a tender tale of an old maid's yearning, foreshadowed by nat kind cole's "autumn leaves" as theme that is the metaphor of a late-blooming love of longing since this lady's life is at the stage of autumn, and she craves for the lover who has departed to let her alone in the chilling autumn when her light of hope could only deteriorate into the frosty winter as if dream has been diminished for good.

cliff robertson, who has made distinguished performance in "the twightlight zone" episode "the dummy" as the deranged ventriloquist whose identity has been thieved by his dummy, plays burt, and robertson's accomplished portrayal of schizophrenia might be a parallel to joan crawford's oscar-nominated performance in 1947 "the possessed" which is about a young nurse's decline into insanity and her redemption from her patriarch-alike husband..this could be a satiric irony as crawford's roles vary for the adjustment of ages, and it might be wondrous to observe a young actor in the similar niche of her former career milestone.

nat king cole's "autumn leaves" is a beautiful elegy of lyricism and the movie has a good casting of competence. also, robert aldrich's direction is well-tuned with its melodramatic paces, and definitely far from campiness. what hinders its nowaday popularity? the heavy cosmetics of over-sized eyebrows and over-smeared lip-gloss. perhaps the only campy moment in "autumn leaves" would be its imitation of "from here to eternity" when cliff robertson does the burt lancaster/deborah kerr gesture to joan crawford as the splashing sea waves submerge the kissing couple on the beach.

Super Reviewer

June 26, 2008
Good latter day Joan, actually one of her better late middle period films before the descent into cheapjack horror.
June 18, 2009
Good score, typical Joan Crawford movie of the 1950's, perhaps not quite as good as her others in this period. she's appropriately melodramatic. Cliff Robertson just doesn't cut it though, i think he is miscast and over his head in the role. still, good, as is every film Joan Crawford is in.
December 18, 2013
Autumn Leaves is an excellent film. It is about a Millicent Wetherby who is a middle-aged woman whose life is devoid of love and affection. Joan Crawford, Vera Miles, and Cliff Robertson give amazing performances. The script is well written. Robert Aldrich did a great job directing this movie. I enjoyed watching this motion picture because of the drama. Autumn Leaves is a must see.
December 1, 2013
Liked it until the ending.
July 16, 2012
An odd romance picture. But, Joan Crawford played it flawlessly
Fred S.
April 29, 2011
From what I have read, Crawford herself really liked this film. A cautious professional, Joan does not invest Millie with all she is. You don't see Millie throwing down plastic slip covers or replacing toilet seats, for instance. But you do see a "Gone With The Wind" moment where Millie smiles in bed, believing she has won Burt back from the precipice of madness he habitually hangs over. Crawford, like many of her generation, preferred sublime innuendo to overt sexuality onscreen and referenced the scene from the classic film where Scarlett wakes up still ecstatic after a night of abandon with Rhett. That was the way to do it, Joan reckoned. On the other hand, Joan gets pretty far down to the nitty gritty when expressing Millie's pain when Burt severely injures her. Real time, or looped-in later? Either way, superbly done. Cliff Robertson is wonderfully restrained; he and Joan are generous with each other in their scenes. This movie is a joy to view again and again, largely for Aldrich's impeccable timing and Crawford's facial expressions. And much more.
October 24, 2005
Good score, typical Joan Crawford movie of the 1950's, perhaps not quite as good as her others in this period. she's appropriately melodramatic. Cliff Robertson just doesn't cut it though, i think he is miscast and over his head in the role. still, good, as is every film Joan Crawford is in.
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