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Avenue Montaigne (2007)
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Reviews Counted:28
Fresh:26
Rotten:2
Average Rating:7.2/10
Consensus: A cute and bubbly French comedy that carries no deeper lessons or agendas than to have a little fun for 90 minutes.
Rated: PG-13 [See Full Rating] for some strong language and brief sexuality.
Runtime: 1 hr 46 mins
Genre: Foreign Films
Theatrical Release:Feb 16, 2007 Limited
Box Office: $1,933,592
Synopsis: The charming Cecile de France sizzles as a waitress with a dream in the French romantic comedy AVENUE MONTAIGNE. Directed by Danièle Thompson (JET LAG) and written by Thompson and her son,... The charming Cecile de France sizzles as a waitress with a dream in the French romantic comedy AVENUE MONTAIGNE. Directed by Danièle Thompson (JET LAG) and written by Thompson and her son, Christopher (who also plays a major role in the film), AVENUE MONTAIGNE takes place on the fashionable Paris street from which the film takes its name. People from a theater, an auction house, and a concert hall gather in and around a central bistro where Jessica (de France) has wiggled her way into a temporary job, having just moved to the big city. At the auction house, Jacques Grumberg (Claude Brasseur) is selling off his lifelong art collection and trying to reconnect with his son, Frédéric (Christopher Thompson). At the concert hall, classical pianist Jean-François Lefort (Albert Dupontel) is tired of being on the road and wants to settle down into a more easygoing lifestyle, much to the consternation of his manager/wife, Valentine (Laura Morante). Meanwhile, at the theater, soap opera star Catherine Versen (Valérie Lemercier) is trying desperately to impress director Brian Sobinski (Sydney Pollack) in order to play Simone de Beauvoir in his next film. And in the middle of it all is wide-eyed Jessica, who has an innocent love of life that captures the heart of just about everyone she comes into contact with. Reminiscent of such fine French films as LOOK AT ME and VA SAVOIR, AVENUE MONTAIGNE features unique, interesting characters, excellent acting, and a lot of fun and fascinating talk about art, music, theater, food, and other cultural delights. [More]
Starring: Cecile de France, Claude Brasseur, Valerie Lemercier, Albert Dupontel
Starring: Cecile de France, Claude Brasseur, Valerie Lemercier, Albert Dupontel, Laura Morante, Christopher Thompson, Dani, Sydney Pollack, Annelise Hesme, Francois Lepine
Director: Daniele Thompson
Director: Daniele Thompson
Screenwriter: Daniele Thompson, Christopher Thompson
Composer: Nicola Piovani
Studio: ThinkFilm
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Reviews for Avenue Montaigne
A film that seeks to amble it way towards resolution and which offers a few insights and smiles along the way.
The movie is as airy as a spun-sugar dessert, but Thompson's observations on the artistic life are both affectionate and knowing: Beauty and wealth, though inevitably compelling, are appreciated as means to humane ends, not goals in themselves.
Watching the charming Avenue Montaigne makes you realize not only how much we miss when mainstream French films are not on the movie menu, but how much we miss when American studios define 'romantic comedy' so strictly.
It's one of those 'what's-not-to-like' movies, a fantasy about life and Paris that passes painlessly, a trifle elevated by its Parisian settings and our desire to lose ourselves in them.
Thompson's crowd-pleaser makes up in refined schmaltz what it lacks in innovation or profundity.
When it all wraps up as neatly as the treacliest Hollywood film, we don't feel cheated, but rather enjoy the satisfaction of a story resolved, and we're happy for each of the people we have spent our hour with.
If you're not going to Paris this spring -- and let's face it, so few of us are -- the next best thing might be Avenue Montaigne.
That the film succeeds as well as it does despite a series of coincidences that strain credibility is a credit to a fine cast and a joie de vivre that pervades even the most implausible moments.
How much you respond to its calculated charms depends largely on your response to the waif-in-the-big-city appeal of de France.
Aside from pretty people behaving cutely, though, there's just not much here, and even devoted Francophiles may nod into their cafe crèmes.
A fine cast and a realistic touch give the charming farce a sweetness and emotional intimacy.
The picture is very obviously crafted as a fable. Its characters are stereotypes at the beginning, but our focus sharpens as we watch them: They sneak out of the roles we've assigned to them and become people instead.
It may pull you into the tent with a promise of hoochie-koochie girls, but it delivers a rousing sermon on faith, hope and charity before it lets you back out again.
It's formula stuff, to be sure, but full of feeling for the sweep of the past as well as for the unsettled, yearning present. Echoes of Juliette Gréco, Gilbert Bécaud and Charles Aznavour haunt the soundtrack.
Avenue Montaigne, a delicately charming fable set in Paris, offers the kind of experience we secretly crave when we visit any great city: meaningful encounters with its people.
The film serves as a timely reminder of the tastefully sybaritic terrain that our own mainstream moviemakers have largely ignored in the commercially driven thirst for blood and gore.
Avenue Montaigne is a tasty specimen of Gallic comfort food: it's well-sauced, it goes down easy and it satisfies.
Avenue Montaigne would be difficult to stomach if it weren’t so light and uninsistent, and if its actors weren’t so charming. I still rolled my eyes -- but sometimes I do that when I get a really good croissant.
Latest News for Avenue Montaigne
April 26, 2007:
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