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Movies / On DVD / Bab'Aziz - The Prince Who Contemplated His Soul
Bab'Aziz - The Prince Who Contemplated His Soul

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Bab'Aziz - The Prince Who Contemplated His Soul (2008)

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Reviews Counted:24

Fresh:14

Rotten:10

Average Rating:6.1/10

Consensus: This visually stunning interior epic inspired by Sufi mysticism explores the magic of storytelling but, like its desert locations, can be a bit dry.

Rated: Not Rated

Runtime: 1 hr 36 mins

Genre: Dramas

Theatrical Release:Feb 8, 2008 Limited

Synopsis: A visual poem of incomparable beauty, this masterpiece from director Nacer Khemir (Wanderers of the Desert) begins with the story of a blind dervish named Bab’Aziz and his spirited granddaughter,... A visual poem of incomparable beauty, this masterpiece from director Nacer Khemir (Wanderers of the Desert) begins with the story of a blind dervish named Bab’Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years. With faith as their only guide, the two journey for days through the expansive, barren landscape. To keep Ishtar entertained, Bab’Aziz relays the ancient tale of a prince who relinquished his realm in order to remain next to a small pool in the desert, staring into its depths while contemplating his soul. As the tale of the prince unfolds, the two encounter other travelers with stories of their own--including Osman, who longs for the beautiful woman he met at the bottom of a well, and Zaid, who searches for the ravishing young woman who fled from him after being seduced by his songs. Filled with breathtaking images and wonderful music, Nacir Khemir has created a fairytale-like story of longing and belonging, filmed in the enchanting and ever-shifting sandscapes of Tunisia and Iran.

Director Nacer Khemir's past cinematic achievements include his award-winning features "Les Baliseurs du Désert" (Wanderers of the Desert), awarded Grand Prix of the Festival des Trois Continents in 1984, and "Le Collier Perdu de la Colombe” (The Dove's Lost Necklace), which won the Special Jury Prize at Locarno in 1991. The script was written by Nacer Khemir with the participation of screenwriter Tonino Guerra (Amarcord, Night of the Shooting Stars, Blowup and L’Avventura). --© Official Site
[More]

Starring: Parviz Shahinkhou, Nessim Kahloul, Maryam Hamid, Golshifteh Farahani

Starring: Parviz Shahinkhou, Nessim Kahloul, Maryam Hamid, Golshifteh Farahani, Hossein Panahi, Mohamed Grayaa, Kaveh Khodashenas

Director: Nacer Khemir

Director: Nacer Khemir
Screenwriter: Nacer Khemir
Producer: Cyriac Auriol, Ali-Reza Shojanoori
Composer: Armand Amar
Studio: Typecast Releasing

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Release:

Dec 16, 2008

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  • A visual poem of incomparable beauty, this masterpiece from director Nacer Khemir (Wanderers of the Desert) begins with the story of a blind dervish named Bab'Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years. With faith as their only guide, the two journey for days through the expansive, barren landscape. To keep Ishtar entertained, Bab'Aziz relays the ancient tale of a prince who relinquished his realm in order to remain next to a small pool in the desert, staring into its depths while contemplating his soul. As the tale of the prince unfolds, the two encounter other travelers with stories of their own - including Osman, who longs for the beautiful woman he met at the bottom of a well, and Zaid, who searches for the ravishing young woman who fled from him after being seduced by his songs. Filled with breathtaking images and wonderful music, Nacir Khemir has created a fairytale-like story of longing and belonging, filmed in the enchanting and ever-shifting sandscapes of Tunisia and Iran.
  • Director Nacer Khemir's past cinematic achievements include his award-winning features Les Baliseurs du Desert (Wanderers of the Desert), awarded Grand Prix of the Festival des Trois Continents in 1984, and Le Collier Perdu de la Colombe (The Dove's Lost Necklace), which won the Special Jury Prize at Locarno in 1991. The script was written by Nacer Khemir with the participation of screenwriter Tonino Guerra (Amarcord, Night of the Shooting Stars, Blowup and L'Avventura).
  • Source: Typecast Films
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    Reviews for Bab'Aziz - The Prince Who Contemplated His Soul

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    It's not a film for the impatient -- no guns, no chases, no explosions. What it does have is beautiful cinematography and a thoroughly positive vibe.

    Full Review Source: Times-Picayune | comment Comment
    08/14/09
    Mike Scott
    Mike Scott
    Times-Picayune
    N/R

    Click to read the article

    Full Review Source: Boston Phoenix | comment Comment
    04/23/09
    Gerald Peary
    Gerald Peary
    Boston Phoenix
    N/R

    Click to read the article

    Full Review Source: Variety | comment Comment
    03/26/09
    Deborah Young
    Deborah Young
    Variety
    Top Critic Icon Top Critic

    [It] proves that, even in our troubled times, East and West can still come together, when necessary, to produce something completely and utterly confusing.

    Full Review Source: Austin Chronicle | comment Comment
    10/18/08
    Josh Rosenblatt
    Josh Rosenblatt
    Austin Chronicle

    The cycle of youth and age and the trope of a journey come together inevitably, maybe predictably, but not without sparks of wisdom.

    Full Review Source: Chicago Tribune | comment Comment
    10/18/08
    Sid Smith
    Sid Smith
    Chicago Tribune
    Top Critic Icon Top Critic

    It is neither engaging nor enlightening.

    Full Review Source: Minneapolis Star Tribune | comment Comment
    09/11/08
    Peter Schilling
    Peter Schilling
    Minneapolis Star Tribune
    Top Critic Icon Top Critic

    A lovely if meandering fantasia about the power of narrative.

    Full Review Source: Washington Post | comment Comment
    06/19/08
    Michael O'Sullivan
    Michael O'Sullivan
    Washington Post
    Top Critic Icon Top Critic

    Cinematographer Mahmoud Kalari (Offside) conjures magic from an array of pastels, shimmering lights, and enigmatic ruins.

    Full Review Source: Chicago Reader | comment Comment
    05/30/08
    Andrea Gronvall
    Andrea Gronvall
    Chicago Reader
    Top Critic Icon Top Critic

    The movie never gains much narrative momentum and the religious elements remain a bit obscure to the uninitiated, but the fine Sufi music and skillfully crafted images make for pleasant-enough viewing.

    Full Review Source: Time Out New York | comment Comment
    05/29/08
    Joshua Land
    Joshua Land
    Time Out New York

    More like homework than entertainment

    Full Review Source: Movie Habit | comment Comment
    05/22/08
    Marty Mapes
    Marty Mapes
    Movie Habit

    Perhaps inevitably, the story and characters in Bab'Aziz never rival the interest of its photography.

    Full Review Source: Boston Globe | comment Comment
    04/25/08
    Michael Hardy
    Michael Hardy
    Boston Globe
    Top Critic Icon Top Critic

    Those who find Rumi's wisdom as unknowable as desert sand constantly reshaped by the wind that blows it, will have the same reaction to Bab'Aziz.

    Full Review Source: culturevulture.net | comment Comment
    04/17/08
    Beverly Berning
    Beverly Berning
    culturevulture.net

    There's nothing wrong with being difficult if there's a payoff at the end. Screenwriter-director Nacer Khemir provides that with a visually stunning final scene that makes sense of everything that came before.

    Full Review Source: San Francisco Chronicle | comment Comment
    04/04/08
    Ruthe Stein
    Ruthe Stein
    San Francisco Chronicle
    Top Critic Icon Top Critic

    Using a mostly seamless series of narrative techniques, the film spins a string of interconnected stories based on Sufi mysticism.

    Full Review Source: Seattle Times | comment Comment
    03/14/08
    Ted Fry
    Ted Fry
    Seattle Times

    [Nacer] Khemir, a poet and a painter as well as a filmmaker... uses the endless, timeless desert landscape to create an existence in which past and present coexist.

    Full Review Source: Seattle Post-Intelligencer | comment Comment
    03/13/08
    Sean Axmaker
    Sean Axmaker
    Seattle Post-Intelligencer

    With the collaboration of screenwriter Tonino Guerra, Khemir has created a fresh variation on the somewhat tired subgenre of the crisscross, in which the paths of strangers intersect and converge.

    Full Review Source: Los Angeles Times | comment Comment
    02/22/08
    Sheri Linden
    Sheri Linden
    Los Angeles Times
    Top Critic Icon Top Critic

    An episodic fairy tale that dazzles the eyes and sometimes tries the patience.

    Full Review Source: Los Angeles Daily News | comment Comment
    02/22/08
    Glenn Whipp
    Glenn Whipp
    Los Angeles Daily News

    Although beautifully filmed, Bab’Aziz’s form mirrors the actions of its characters, wandering the desert and dancing among the tales, returning to the present-day story for Ishtar, with her wise, old face, to say, 'What happened next?'.

    Full Review Source: Boxoffice Magazine | comment Comment
    02/11/08
    Annlee Ellingson
    Annlee Ellingson
    Boxoffice Magazine

    The arrival of the film is, to misuse a dervish cliche, something worth singing and dancing about.

    Full Review Source: Film Threat | comment Comment
    02/10/08
    Phil Hall
    Phil Hall
    Film Threat

    As far as fable imports go, Bab'Aziz is a step up from the Disney-grade moralism of Milarepa, but it's even less memorable.

    Full Review Source: Slant Magazine | comment Comment
    02/08/08
    Paul Schrodt
    Paul Schrodt
    Slant Magazine
     
     
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