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Baran (2002)
Tomatometer
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Reviews Counted: 62
Fresh: 55
Rotten:7
Average Rating: 7.6/10
Consensus: The lyrical Baran is a moving film, both for its love story and political underpinnings.
Runtime: 1 hr 34 mins
Genre: Foreign Films
Theatrical Release:Dec 7, 2001 Limited
Synopsis: From Iranian director Majid Majidi (CHILDREN OF HEAVEN), BARAN is the story of Lateef, a 17-year-old boy who lives in Teheran and works in the kitchen on a construction site. Hotheaded and always... From Iranian director Majid Majidi (CHILDREN OF HEAVEN), BARAN is the story of Lateef, a 17-year-old boy who lives in Teheran and works in the kitchen on a construction site. Hotheaded and always ready for a fight, Lateef resents his boss Memar for holding his wages to send to his father at the end of the year. When Rahmat, a young Afghan boy, replaces Lateef, Lateef's new job is lugging heavy bags of cement up the stairs. Hungry for revenge, Lateef sets out to make Rahmat's life miserable. One day, while spying on Rahmat, Lateef realizes that the boy is actually a girl hiding her gender so she can work to support her family. Lateef falls in love and decides to help her with what little money he has. In the process, he blossoms and changes from a sullen teenager into a generous young man. BARAN is a wonderfully romantic tale about sacrifice and devotion. But underneath this simplistic fable is a political film about 1.5 million Afghani refugees suffering in Iran, and Majidi shows a remarkable talent in making BARAN seem like a romantic love story. BARAN belongs with the best Neorealist films as an example of filmmaking that stares boldly at the pertinacity of the human spirit. [More]
Starring: Hossein Abedini, Zahra Bahrami, Mohammad Amir Naji, Hossein Mahjoub
Starring: Hossein Abedini, Zahra Bahrami, Mohammad Amir Naji, Hossein Mahjoub, Hossein Rahimi
Director: Majid Majidi
Director: Majid Majidi
Screenwriter: Majid Majidi
Producer: Majid Majidi, Fouad Nahas
Composer: Ahmad Pezhman
Studio: Miramax Films
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Release:
Oct 15, 2002
Reviews for Baran
Filled with honest performances and exceptional detail, Baran is a gentle film with dramatic punch, a haunting ode to humanity.
a wonderfully warm human drama that remains vividly in memory long after viewing
It stays with you in fleeting images of gazing faces, muddy footprints, small fires lit against the chill.
The faces of its inarticulate characters tell the story, and Majidi has put some amazing faces on the screen.
It reminds us of what a film can be when it's drawn from the heart of an artist who believes in the medium as something more than a product or commodity.
The film's sharp, often mischievous sense of humor will catch some off guard...
This rather superficial arthouse middle-brow film knows how to please a crowd, and that's about all it does well.
Baran isn't the most transporting or gripping film from Iran -- or, indeed, by its director -- but it's a worthy companion to the many fine, focused films emerging from that most surprising of nations.
Juxtaposes a vibrant, modern Iran against the harsh existence of its refugees for a film that is both political and powerfully personal.
[Majidi] makes us think twice about immigrants we see around us every day.
Offers viewers an honest portrayal of the realistic dilemmas confronting its characters and of the inspiring ways by which they learn to overcome them.
The universal theme of becoming a better person through love has never been filmed more irresistibly than in 'Baran.'
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