For most of its length it coasts by with above-average charm and a solid grasp of messy adolescent emotions.
The Battle of Shaker Heights (2003)
Tomatometer
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Reviews Counted:22
Fresh:5
Rotten:17
Average Rating:4.5/10
Consensus: LaBeouf is appealing, but The Battle of Shaker Heights feels too watered down and disjointed.
Rated: PG-13 [See Full Rating] for language and some drug references
Runtime: 79 mins
Genre: Comedies
Theatrical Release:Aug 22, 2003 Limited
Box Office: $214,176
Synopsis: With a team of strong actors, a hilarious script by Erica Beeney, and an evocative soundtrack, directing duo Efram Potelle and Kyle Rankin have hit the nail on the head with THE BATTLE OF SHAKER... With a team of strong actors, a hilarious script by Erica Beeney, and an evocative soundtrack, directing duo Efram Potelle and Kyle Rankin have hit the nail on the head with THE BATTLE OF SHAKER HEIGHTS. A clever and wonderfully nostalgic coming-of-age movie that does not fail to entertain, it achieves something close to Wes Anderson's brilliant RUSHMORE. Kelly Ernswiler (Shia LaBeouf) is a 17-year-old expert in the art of war, uncomfortable in his own skin except for those shining moments when he is reenacting historic battles or viciously critiquing his poor history teacher for a watered-down understanding of Gettysburg. Kelly is a bundle of thwarted ideas and insights that he chalks up to living with his artist Mom (Kathleen Quinlan), who is short on homemaking skills, and recovering drug addict father (William Sadler), who occasionally invites the local homeless to sleep on their couch. When Kelly becomes the target of a school bully (Billy Kay), his rich-kid friend Bart (Elden Henson) helps him wage a grand-scale counterattack. Even more trouble bubbles up when Kelly develops an inappropriate and obstinate infatuation with Bart's Yale grad-school sister Tabby (Amy Smart). A product of Matt Damon and Ben Affleck's Project Greenlight, BATTLE OF SHAKER HEIGHTS is a unique success due to Potelle's graceful teetering between smart-ass exterior and inner fragility. [More]
Starring: Shia LaBeouf, Kathleen Quinlan, Amy Smart, William Sadler
Starring: Shia LaBeouf, Kathleen Quinlan, Amy Smart, William Sadler, Eldon Henson, Anson Mount, Shiri Appleby
Director: Efram Potelle, Kyle Rankin
Director: Efram Potelle, Kyle Rankin
Screenwriter: Erica Beeney
Producer: Jeff Balis
Studio: Miramax Films
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Release:
Dec 9, 2003
Reviews for The Battle of Shaker Heights
The film is well-acted and looks good, but it's so inconsequential and bland that you wonder what was it about the script that made anyone think it would make an interesting movie.
It's too much going on, but I think that as was the case with Stolen Summer, the actors rise above the material and make it worth seeing.
It's simply an indie-film aping of Hollywood teen-mongering at its ultimate worst.
The movie is bad in a boring way: tepidly paced, disjointed and lacking any emotional hook.
You get the sense of too much input, too many bright ideas, too many scenes that don't belong in the same movie.
It's a very minor Catcher in the Rye, featuring clever but overcooked dialogue, two-dimensional supporting roles, and a disarming generosity toward its characters.
As putatively quirky coming-of-age movies go, this one feels factory-tooled -- and fake.
It's a nice little movie, amateurish in some expected first-time-filmmaker ways but usually competent and never a disaster.
Without any of the dramatic transitions, we're left with a pileup of scenes, none of them very funny, and a thin, linear plot.
The filmmakers ended up with a teen flick of Tinkertoy sensitivity in which the assorted story arcs ... are all setup and no follow-through.
The characters talk like smart, unpredictable people, and Kelly Ernswiler is one of a kind.
The half an idea in Erica Beeney's script is reduced by another half through the disjointed directing of Efram Potelle and Kyle Rankin.
Directors Potelle and Rankin lack the skill to integrate the sometimes drastic shifts between comedy and drama -- and the serious portions ultimately get short shrift, apparently at the behest of Miramax's marketing executives.
It makes one wonder if the creators of Project Greenlight are deliberately trying to create bad films in order to make for better television.
The drab comic melodrama The Battle of Shaker Heights may lead to a new axiom: success has many fathers, but failure has Project Greenlight.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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