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Being Julia (2004)
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Reviews Counted:34
Fresh:23
Rotten:11
Average Rating:6.5/10
Consensus: Annette Bening delivers a captivating performance in Being Julia, a sophisticated comedy that follows a 1930s stage diva who experiences an identity crisis at age 40.
Theatrical Release:Oct 15, 2004 Limited
Box Office: $7,652,647
Synopsis: As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When... As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When Tom Fennell (Shaun Evans), an adoring lad half her age, comes into her life, a clandestine affair begins. Though she's happy for a while, Julia eventually winds up in a face-off with a Tom's other, much younger lover (Lucy Punch). Luckily, the spirit of Julia's cantankerous old acting coach (London theater legend Michael Gambon) follows Julia around offering some tough-love encouragement. Set in the late 1930s, this is a fine costume comedy-drama about the sorrows and joys of art. The eternal question of "when am I acting and when am I myself?" has seldom been addressed as intelligently as it is here; Bening seems to be not only tangling with her own status as an aging beauty, but also with the limits of her own acting abilities, and it's a pleasure to see her transcend both with such triumphant exuberance. Bravo, Miss Bening, and kudos to director Szabó (MEPHISTO) for rendering his obvious love of theater, cinema, and actors with such contagious warmth. Other fine performances include Jeremy Irons as Julia's manager/husband and Juliet Stevens as her jaded maid. [More]
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans, Bruce Greenwood, Miriam Margolyes, Juliet Stevenson, Maury Chaykin, Michael Gambon
Director: István Szabó
Director: István Szabó
Screenwriter: Ronald Harwood
Producer: Robert Lantos
Composer: Mychael Danna
Studio: Sony Pictures Classics
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Reviews for Being Julia
I enjoyed watching Ms. Bening in close to top form, and I think you will, too.
Bening brings such vitality to the role that she sweeps aside all the quibbles, and you have to sit back and enjoy what is a masterly performance by a great actor playing a great actor.
A pretty good picture wrapped around a great, Oscar-contender performance.
Being Julia isn't perfect; but Bening is, and that makes the film sing.
Does nothing to restore Szabo's good name, but it does a good deal to enhance our appreciation of Bening.
Just because it's meringue does not mean that there are not genuine pleasures to be found in this light comedy.
An intelligently witty comedy that boasts the sort of performance from Annette Bening that had wags predicting an Academy Award nomination months ago.
I liked the movie in its own way, while it was cheerfully chugging along, but the ending let me down.
Bening makes the movie into something finer still. She digs into a pagoda-size heap of roles and roles-within-roles and pulls them all out, one by one, deftly.
May lack originality but makes up for it in sheer bravado and really nice clothes.
The 1930s touches, including a selection of background music, are beguiling.
Boasting a bewitching performance by Annette Bening as a 1930s theater queen who rules the West End as Victoria did her empire, Being Julia is a feather-light diversion about a creature who acts her life and lives her roles.
There are several notable actors in it, most of them quite good, but it's the glorious Annette Bening who hoists this flawed production on her mink-wrapped shoulders and makes it work.
This is Bening's field day, and she fends off all comers with a performance that's astonishing for both its happy invention and technical overkill.
The play is supposed to serve as both the centerpiece and the climax of the film, which may explain why it wobbles until the end.
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