Bertolucci and co-writer Clare Peploe seem intent on deconstructing the story's interesting elements at every turn, substituting woolliness for clarity, atmospherics for real emotion and an often condescending, armchair-liberal naivete for real political
Besieged (1998)
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Reviews Counted:11
Fresh:6
Rotten:5
Average Rating:6.5/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left... In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left Africa when her husband was made a political prisoner, and she numbs her grief in Rome by keeping busy at medical school. By day she earns her keep cleaning house for Mr. Kinsky (David Thewlis), the classical pianist who inherited the villa in which they both live. When Kinsky finally admits his infatuation with his downstairs tenant, she shocks him by demanding that he free her husband. What follows is a profound sacrifice that reminds these two frightened people that the differences between them need not be insurmountable. BESIEGED is partly about getting to know people by looking at them, and the film itself seems nearly wordless. Bertolucci charts emotion in handheld close-up shots and wraps his principals in rich color, texture, and music. Rome is modern and sumptuous at the same time, just as the villa is nestled between a busy subway station and the Spanish Steps. The small-narrative feel is no accident; the film is based on a short story by James Lasdun. [More]
Starring: David Thewlis, Thandie Newton
Starring: David Thewlis, Thandie Newton
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Screenwriter: James Lasdun, Bernardo Bertolucci
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Reviews for Besieged
This is a deeply engrossing, often exquisite film by someone who knows visuals. It's sensory, sensual, handmade.
Given Bertolucci's impish leanings, the self-referential sequences may merely be gags. If so, they're among a half-dozen others that backfire.
The film is a moderately involving, oddly lighthearted look at the connection between love, obsession, and sacrifice that is somewhat marred by instances of overwrought acting and bad dialogue.
I look forward to seeing it again, much as I would return to a favorite piece of music.
How can a director of such sophistication, in a film of such stylistic grace, tell such a shallow and evasive story?
A purposefully romantic exploration of the nonverbal connections between people that can blossom into love.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
| 53% 53% | David & Layla |
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