This is a spiritual drama, not a political one, drawing a thick line between our good intentions and the selfish choices we ultimately make.
Beyond the Gates (2007)
Tomatometer
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Reviews Counted:18
Fresh:13
Rotten:5
Average Rating:6.5/10
Consensus: Complex, human characters and on-location shooting give Beyond the Gates palpable tension and urgency.
Rated: R [See Full Rating] for strong violence, disturbing images and language.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release:Mar 9, 2007 Limited
Synopsis: Joe Connor has come to teach in Rwanda because he believes he can make a difference. When the school becomes a haven for thousands of Rwandans fleeing the genocide, Joe promises his brightest... Joe Connor has come to teach in Rwanda because he believes he can make a difference. When the school becomes a haven for thousands of Rwandans fleeing the genocide, Joe promises his brightest pupil, Marie, that the UN soldiers will protect her from the hordes of extremist militia baying for blood outside the school. But when the UN abandon the refugees, Joe and the school's headmaster, Father Christopher, face an agonising dilemma: should they leave or should they stand firm with the Rwandans. As the UN trucks force their way through the terrified refugees, Joe stares at the tear-stained face of Marie: what should he do? What would you do? Based on real events and filmed at the actual location where this story took place, Beyond the Gates is directed by Michael Caton-Jones and stars John Hurt and Hugh Dancy. It is an emotionally gripping, authentic and powerful recreation of a tragic real life story that took place during the Rwandan genocide in 1994. --© IFC Films [More]
Starring: John Hurt, Hugh Dancy, Dominique Horwitz, Nicola Walker
Starring: John Hurt, Hugh Dancy, Dominique Horwitz, Nicola Walker, Steve Toussaint
Director: Michael Caton-Jones
Director: Michael Caton-Jones
Screenwriter: David Wolstencroft
Producer: David Belton
Story: David Belton, Richard Alwyn
Producer: Pippa Cross
Composer: Dario Marianelli
Studio: IFC Films
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Reviews for Beyond the Gates
Though less reassuring and not as dramatically coherent as Hotel Rwanda, it still packs a hard punch.
Movies about Africa often fall into this trap. Righteous indignation is the exclusive province of non-Africans.
A gripping fictionalized account of a 1994 incident in Rwanda that became a shocking emblem of the Rwandan Hutus' mass slaughter of the Tutsis.
By keeping most of the action contained to the school grounds and immediate environs, director Michael Caton-Jones creates a claustrophobic atmosphere where fear can fester.
Tense and gut-wrenching, Beyond the Gates is a horrifying story told with grace and compassion.
If its scenes of tribal violence feel overly familiar to viewers of 2004's Hotel Rwanda, its account of desperate choices made in the throes of terror remains emotionally powerful viewing.
Director Michael Caton-Jones does a great job and John Hurt just absolutely carries the day as the moral center of the story.
Beyond the Gates is tragedy writ large, and an indictment of the international community which did nothing to stop it.
Trumps Hotel Rwanda in its you-are-there immediacy and unflinching gaze.
I think Beyond the Gates is an important film, and it's too bad that it's not a very good one.
The greatest failure of the film is its inability to enter into the lives of the Rwandans, Tutsi and Hutu alike.
The bigger political issues and the refusal of the Western world to intervene gnaw at the edges of this movie throughout, but it is really the human portraits of the people that keep you engrossed.
Beyond the Gates, with its lack of sentimentality, its tough criticism of U.N. inaction, and its cast and crew filled out with real survivors, does nicely [as a retelling of the Rwandan genocide of 1994].
Despite its reliance on the white characters for drama, its biggest achievement is simply in revealing the sheer horror of the genocide.
Shooting Dogs falls into the trap of filtering an inherently African story through the eyes of a noble white protagonist.
For all its righteous (and rightful) anger, Shooting Dogs is itself a curiously detached and compromised experience, unfolding stubbornly from the perspective of its white characters.
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