The picture is a kind of fattened goose that’s been stuffed with goose-liver pâté. It’s overrich and fundamentally unsatisfying.
The Black Dahlia (2006)
Tomatometer
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Reviews Counted:36
Fresh:4
Rotten:32
Average Rating:4.4/10
Consensus: Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
Rated: R [See Full Rating] for strong violence, some grisly images, sexual content and language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Sep 15, 2006 Wide
Box Office: $22,518,325
Synopsis: Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history.... Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history. De Palma takes things slow, spending a good 20 minutes establishing the relationship between Buddy Bleichert, Lee Blanchard, and their mutual love Kay (Scarlett Johanssen), before introducing the 1947 murder after which the film is named. In the haunting screen-tests left behind after her mysterious death, aspiring actress Elizabeth Short appears to want fame so badly she'll do anything to get it. Her pornographic film appearances, and a rumored affair with narcissist heiress Madeleine Linscott (Hillary Swank), provide just two clues in a sea of confusion. THE BLACK DAHLIA crams every subplot from Ellroy's novel into two hours, but only connects them towards the end of the movie. The screen-tests featuring a sadly desperate Elizabeth Short (Mia Kirshner) are captivatingly filmed in gritty black-and-white. These scenes succeed in showing the industry ugliness most likely behind Elizabeth's death, while the rest of the film self-consciously strives to be noir through elaborate set design, dramatic camera angles, and narration taken straight from the book. If De Palma's goal was to make us examine our own voyeuristic fascination with murder, particularly the gruesome murder of a beautiful young woman, then he succeeds, because throughout a film invested in so many different storylines, Short's remains the most interesting one. [More]
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart, Mia Kirshner, Rose McGowan, Fiona Shaw, Jemima Rooper, John Kavenagh, Pepe Serna, Troy Evans, Gregg Henry
Director: Brian De Palma
Director: Brian De Palma
Story: Josh Friedman
Producer: Rudy Cohen, Art Linson, Moshe Diamont
Composer: Mark Isham
Studio: Universal Pictures
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Release:
Jun 21, 2009
DVD Features:
- Region 1
- Snap Case
- Full Frame - 1.33
Audio:
- Dolby Digital 2.0 Stereo - Spanish
- Dolby Digital 5.1 Surround - English, Frencn
- Subtitltes - English (SDH), French, Spanish - Optional
Additional Release Material:
- Trailers: Includes PUBLIC ENEMIES Sneak Peek
Featurette:
- 1. REALITY AND FICTION: THE STORY OF THE BLACK DAHLIA
- 2. THE CASE FILE
- 3. THE DE PALMA TOUCH PRESENTED BY VOLKSWAGEN
Reviews for The Black Dahlia
This is far from one of the director's better efforts and should be avoided by all those who are not sworn De Palma boosters.
Mr. De Palma and his collaborators have been unable to translate Mr. Ellroy’s depth of feeling into cinematic equivalents.
There are moments when The Black Dahlia projects a spectral world, but its ghosts in broad daylight are elusive at best.
Despite genius-level contributions from cinematographer Vilmos Zsigmond and art director Dante Ferretti, the handsome film is almost abusively murky, trafficking in difficult-to-follow plot manipulations, arbitrary twists and mumbled dialogue.
In The Black Dahlia, narrative strands tangle and wither, and minor characters clutter the plot.
What it accomplishes with its stunning cinematography and set design is undercut by a lack of coherence.
Black Dahlia wilts from a surfeit of incident and a shortage of credibility, owing to a script by Josh Friedman that eventually turns to soap and performances that approach the hilarity of a Guy Maddin melodrama.
With the exception of Aaron Eckhart, De Palma's actors can't live up to the period or the atmosphere.
Josh Friedman's screenplay doesn't so much distill the flavor of James Ellroy's hard-boiled writing as serve up indigestible chunks of verbiage.
A wrongheaded collaboration between two opposites that has too little of James Ellroy's mad passion and too much of Brian De Palma's irresponsible style.
Brian De Palma drains the life out of James Ellroy's take on the spectacularly cruel 1947 murder of a young Los Angeles woman known as the Black Dahlia.
The convoluted plot would be exhausting even if it were believable. It isn't.
Despite some amusing distractions, watching the big picture coalesce is not unlike watching someone complete a jigsaw puzzle. It all comes together eventually, but you already saw the image on the box.
Dahlia seethes with atmosphere, and Hollywood's underbelly is always worth an ogle.
No wonder The Black Dahlia has the suffocated tint of a face starved for oxygen -- this isn't film noir, it's film bleu.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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