What it all means is up for grabs, but for connoisseurs of sadomasochistic nastiness, it’s a must-see.
Boarding Gate (2007)
Tomatometer
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Reviews Counted:15
Fresh:5
Rotten:10
Average Rating:4.4/10
Consensus: Boarding Gate has little substance beneath its faux-thriller surface, and marks a step down from director Olivier Assayas' usual work.
Rated: R [See Full Rating] for violence, sexual content, language and some drug material.
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:Mar 21, 2008 Limited
Synopsis: Director Oliver Assayas has established his name by crafting well-made erotic thrillers like DEMONLOVER and CLEAN. The director sticks closely to his guns by adding another similarly themed entry... Director Oliver Assayas has established his name by crafting well-made erotic thrillers like DEMONLOVER and CLEAN. The director sticks closely to his guns by adding another similarly themed entry to his canon in BOARDING GATE. Assayas's film is a loosely plotted drama that stars the provocative Asia Argento (SCARLET DIVA) as Sandra, a former prostitute with a penchant for S&M, narcotics, and assassination. Sandra's former flame, sleazy businessman Miles (Michael Madsen), wants to get back together with her, and the two meet after indulging in some steamy phone sex. Sandra murders Miles during a bout of coital rough-and-tumble, and she flees to Hong Kong to be with her new lover, Lester (Carl Ng). But Sandra finds herself on the run as she arrives in Hong Kong, with Lester's wife, Sue (Kelly Lin), aiming to permanently cut her husband's mistress out of his life. Assayas has a fondness for casting striking leading ladies, such as Maggie Cheung (IRMA VEP, CLEAN) and Connie Nielsen (DEMONLOVER), and Argento's role in BOARDING GATE fits neatly alongside these in the director's oeuvre. The early, dialogue-heavy scenes give Argento and Madsen plenty of time to establish their tawdry relationship, but when Assayas transports the action to Hong Kong, the movie takes a different turn as the director sets up some nerve-jarring chase sequences. The director infuses the movie with all his usual visual flair--the shaky, hand-held camera work and dimly lit sets perfectly reflect the seedy nature of Assayas's subject matter--but BOARDING GATE will mostly be remembered for Argento' s supremely confident performance. [More]
Starring: Asia Argento, Michael Madsen, Carl Ng, Kelly Lin
Starring: Asia Argento, Michael Madsen, Carl Ng, Kelly Lin, Joana Preiss, Alex Descas, Kim Gordon
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Francois Margolin
Studio: Magnolia Pictures
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Reviews for Boarding Gate
The main thing interesting about Boarding Gate is the spectacle of Assayas' effort -- the attitude and the international backdrop -- not the story itself.
The plot may be murky, but actress Asia Argento is a clear and commanding force throughout.
This hypnotic, angular thriller about sex, murder, betrayal and money takes you on a feverish journey from nowhere to somewhere.
A ridiculous poseur thriller that seems to be made up of the slow moments from Hong Kong action films and Euro-flashy stuff like Run Lola Run.
Even an ultra-feral performance by Asia Argento -- the art house Angelina Jolie -- isn't enough to suffer through Boarding Gate, a draggy and incoherent thriller by French director Oliver Assayas.
Boarding Gate plays with various genre codes and conventions very differently than most run-of-the-mill modern thrillers.
The picture grows on you, as does its laconic leading lady, whose slurry delivery conceals an ever-alert mouse handily equipped to beat the cat at his own game.
If this is the effect Mr. Assayas wanted to achieve, he has succeeded admirably.
There's basically only one reason to see Olivier Assayas's self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller Boarding Gate, and her name is Asia Argento.
[Director Assayas] may have something serious to say about the brutal impersonality of global capitalism, yet he’s caught somewhere between insight and exploitation.
[Director] Assayas is out of his element here, and the encounters have no snap: It’s like one of those two-character plays in which the frequent pauses are filled with the audience’s coughing spasms.
Thrills and drama are left standing on the tarmac in Boarding Gate, a limp, sleazy inanity.
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