Body Snatchers Reviews
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The performances are a mixed bag. Meg Tilly, in a minimal role, manages to be surprisingly effective, though I wonder about that final monologue of hers. Her delivery is interesting; I don't know if it was an instance of the actress trying to sound haunting and profound and failing, or a confused pseudo-human trying to do the same. No way to tell, I guess. Gabrielle Anwar is functional and it's amusing to see her so young, before the Sci-Fi channel kidnapped her and forced her to do 80 TV movies about fish demons. Her character is a bit sullen but it's easy to forget that every 17 year old, including yourself, once was. The dad and boyfriend are both lousy, and the six-year-old pretty much gives a six-year-old performance. Forest Whitaker, in a two-scene cameo, is amusingly overdone. I couldn't imagine someone this hammy going on to win an Oscar fifteen years later (for a similarly overdone performance). Good news for Ben Foster, I suppose.
Where Body Snatchers regains lost ground is some surprisingly effective visual work. Abel Ferrara, given a project that doubtlessly amounted to little more than cheap popcorn fare, instead opted to turn it into something cinematographically striking. His command of lighting and mise-en-scene lend a certain menace to every scene, even the peaceful ones; characters are often framed off-center and night is hued with an offputting white light. Just as this environment feels alien to young Marti, so too does it look alien to a viewer. Shots that may have been throwaways for other directors - Meg Tilly throwing a suspicious garbage bag away, a kid's game in the woods, a network of tendrils crawling through the vent - suddenly become vivid and memorable. It's clear that Ferrara has a lot of respect for and knowledge of his craft.
Anyway, this seems to be largely dismissed as trash horror, and that's a shame. It's not a gem of unparalleled quality or anything, but it dances with some interesting themes like ostracization and the feeling of being "transplanted," both in a human and supernatural sense. In only 87 minutes, Ferrara presents a complete (if not thin) narrative and a thematic structure, tied neatly together with some great aesthetic work and inventive scares. If you're looking for underseen 90s horror, or feel like compulsively watching all the Body Snatchers remakes, this is a great stop.
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A great line from actress Meg Tilly. A teenage girl and her father discover alien clones are replacing humans on a remote U.S. military base in Alabama. Great scenes and great performances. One of my fav scenes involves Gabrielle Anwar having a relaxing bubble bath while listening to music. Then slowly with observation, stringy particules creep slowly into the walls to the bathtub. Anwar is unaware of the particules insinuating her body.
One of the greatest things I've noticed in "Body Snatchers" is that people are being replaced by an ugly-like Pod Plant which takes over and kill their human victims as they sleep, turning them to dust. The plant has now inherited the victim's body become them and yet showing practically no emotion. It is downright scary stuff. Another key element is the family tensions. Anwar's character doesn't get along with her stepmom played by Meg Tilly, she also doesn't get along with her father(Terry Kinney) and her young stepbrother(Reilly Murphy) senses a wave of uncertainty when witnessing his mom.
Who would have thought a picture as great as this would suit somebody like Ferrara? To me his films is almost paraell to filmmakers like Paul Schrader or Martin Scorsese, now with this picture he has succeeded on every level. It's sad "Body Snatchers" was only selected to a few limited theaters upon it's release. I was reminded of the successful Zombie pictures but compared to "Body Snatchers" those movies doesn't even come close enough let alone stand a chance.
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