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Born Into Brothels (2004)
Tomatometer
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Reviews Counted:28
Fresh:26
Rotten:2
Average Rating:7.8/10
Consensus: A powerful and uplifting documentary.
Theatrical Release:Dec 8, 2004 Limited
Box Office: $3,370,574
Synopsis: British-born photojournalist Zana Briski overcame barriers of language, culture, and ethnicity when she immersed herself into an impoverished and illegal neighborhood in the Third World metropolis... British-born photojournalist Zana Briski overcame barriers of language, culture, and ethnicity when she immersed herself into an impoverished and illegal neighborhood in the Third World metropolis of Calcutta, India. An award-winning photographer, Briski befriended the children of Sonagachi (the city's red light district), starting a photography workshop for them and equipping them each with their own camera. The transformative power of this simple object is remarkable; within weeks, the children show new spirit and several have discovered a talent for the art. Briski and her co-director, Ross Kaufman, follow the children as they filter their marginalized, forgotten world through the camera lens. Over the course of the film, a central narrative unfolds--the children's quest, fueled by their newfound hope and strength, to leave the brothels for a better life. The directors frame the children in extreme close-ups, caressing their features and capturing each subtle change of expression. By intercutting their own images with those taken by the children, the directors establish the distinct personality and voice of their subjects. Among them are Avijit, a rotund, serious 11-year-old of immense talent, whose mother is murdered by her pimp during the filming; Kochi, a quiet slip of a girl, destined to follow the family line of prostitution; and Puja, a feisty tomboy whose tenacity allows her to photograph the district's most dangerous areas. Though the beauty of the story is marred by tragedy and heartbreak, this fine documentary is ultimately a testament to the immense power of art, even in the bleakest of environments. [More]
Director: Ross Kauffman, Zana Briski
Director: Ross Kauffman, Zana Briski
Producer: Ross Kauffman, Zana Briski
Composer: John McDowell
Studio: ThinkFilm
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Reviews for Born Into Brothels
Born Into Brothels is great humanitarianism, but it's not great filmmaking.
Beautifully filmed, and devoid of the kind of patronizing beneficence that First Worlders often bring to the Third World.
This is a film about our world that deserves the attention and the audience that Michael Moore’s films command.
Born of genuine research and a desire to shine light into the darkness, as all great documentaries must.
Meeting these young people reminds us that victimized children can be reached, maybe because they're too young to see themselves as victims.
A success, though it is flat in its pacing and a bit self-congratulatory in awkward moments.
The drama lies in watching [the children's] artistic educations sharpen their sense of self, change the way they observe the world, and affect their painful, squalid environment.
The movie is a record by well-meaning people who try to make a difference for the better, and succeed to a small degree while all around them the horror continues unaffected.
It's beautifully photographed and, thanks to its subject matter, sometimes intensely moving.
Before our eyes, Briski confronts and answers questions of exploitation that can shadow profilers of the downtrodden.
Filmmakers Zana Briski and Ross Kauffman find intermittent beauty without pushing our sentimental buttons. But the title promises more than the movie delivers.
This is the kind of film that reminds you of what movies, at their best, are capable of.
A documentary that changed the lives both of subjects and filmmakers, it will reorder the worldview of whoever sees it.
Born Into Brothels is designed to be 'inspirational,' yet it shortchanges the complex reality of the lives it makes such a show of saving.
Latest News for Born Into Brothels
June 16, 2009:
In the end, you can't help but wonder exactly what it was you've just seen. A hard-hitting exposé? Voyeuristic slumming? A true tale of triumph, against all odds? A self-aggrandizing, vanity biopic? Some new type of reality film?Perhaps all of the above. ![]()
More...
October 31, 2006:
RTIndie: Can Indie Studios Survive Without Big Studio Backing?
With the sale of independent-minded ThinkFilm last week, can indie film distributors survive without big studio backing? More...
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