It makes us feel sympathy for the devil.
Boy A (2008)
Tomatometer
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Reviews Counted:22
Fresh:20
Rotten:2
Average Rating:7.7/10
Consensus: Small in scale but large in impact, Boy A's career making performances (particularly that by star Andrew Garfield) and carefully crafted characters defy judgment and aggressively provoke debate.
Theatrical Release:Jul 23, 2008 Limited
Synopsis: Bright futures are undercut by dark pasts in BOY A, a quiet, ruminative tale about a violent act committed by a man in his tormented youth, and his haunting inability to find a way to have a... Bright futures are undercut by dark pasts in BOY A, a quiet, ruminative tale about a violent act committed by a man in his tormented youth, and his haunting inability to find a way to have a peaceful adulthood years later. Fresh out of a 14-year prison sentence, 24-year-old Jack (Andrew Garfield) arrives in Manchester looking for a new start. He has a new name, a new job, and a carefully sealed criminal record, but an entire boyhood spent behind bars has left him permanently looking over his shoulder. Guided by his fatherly caseworker, Terry (Peter Mullan), Jack attempts to forge meaningful ties with a local girl and a chatty co-worker, but what happiness he finds is challenged when his true identity seeps (and then floods) through the cracks of his new façade. Directed with claustrophobic flair by John Crowley (INTERMISSION), BOY A unfolds in tight hallways and on narrow roads; for Jack, even in freedom, every room's a prison. As the story of Jack's new life moves forward, sharply lit flashbacks continually offer new details of his childhood crime. The backward glances work as both a compelling narrative technique and a glimpse into Jack's conscience (and the viewer's); the harsh reminder of his former self seem to play endlessly in his mind, impossible to reconcile with the gentle, introspective adult he longs to become. [More]
Starring: Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran
Starring: Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran, Katie Lyons, Jeremy Swift, James Young
Director: John Crowley
Director: John Crowley
Screenwriter: Mark O'Rowe
Producer: Nick Marston, Tally Garner, Lynn Horsford
Composer: Paddy Cunneen
Studio: Weinstein Company
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Reviews for Boy A
Director John Crowley, a veteran Irish theater director now working in film, is deliberate with every last element of his film.
Even its structurally weaker moments give Garfield an opportunity to expand on Jack's physical and mental dislocation. Given Boy A's final floating reel, it's an anchoring performance in every sense of the word.
The movie is taut with suspense but culminates in wise resignation as the hero comes to understand he's running from a part of himself.
Crowley gets a remarkable performance from Andrew Garfield: his Jack is a person who carries guilt with him even when he is trying to override it.
In tandem, the director and screenwriter build up a palpable suspense. Boy A will rivet you while raising issues about forgiveness and just who deserves it.
Along with Garfield and the splendid Scottish actor Mullan, Crowley brings great tact to this bruising saga of atonement and moral regeneration. Though a bad seed can bring forth good fruit, will others want to pick it?
There are some gaps in the movie's reality, and some O. Henry-like contrivances, but the masterful trick Boy A plays on viewers is to get them to care before giving them reasons not to.
We're introduced to more string-pulling symbolism than a movie this inherently sad ever needs. It's too much.
Mullen and Garfield fit well together -- both have faces you like on first sight, both have charm, both have warmth.
Although the screenplay tips our sympathies wholly in the young man's direction, it's cleverly structured to reveal the particulars of the long-ago crime, and what led up to it, in flashback.
A small, huge film about the harsh realities of rehabilitation, and the shimmering possibility of redemption.
If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie.
An ingenuous 24-year-old man-child is at the center of John Crowley's wrenching melodrama Boy A.
This is another of those dead-kid dramas in which the terrible event is handled like a striptease -- tantalizing flashes until the climax.
A quiet and penetrating portrait of a sensitive young man who re-enters society with a fresh identity after spending half his life in juvenile prisons.
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July 24, 2008:
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