Krasinski re-creates the interviews using Wallace’s original, but this isn’t exactly a letter-of-the-law adaptation -- he tightens the interviews and defangs some of the language.
Brief Interviews with Hideous Men (2009)
Tomatometer
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Reviews Counted:27
Fresh:12
Rotten:15
Average Rating:5.2/10
Consensus: Ambitious but uneven, John Krasinski's adaptation of David Foster Wallace's Brief Interviews with Hideous Men tries hard but doesn't match the depth of the book.
Rated: Not Rated
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Synopsis: Based on the book by David Foster Wallace, BRIEF INTERVIEWS WITH HIDEOUS MEN is a darkly funny and disturbing exploration of men and their complex relationships with women. Sara Quinn is... Based on the book by David Foster Wallace, BRIEF INTERVIEWS WITH HIDEOUS MEN is a darkly funny and disturbing exploration of men and their complex relationships with women. Sara Quinn is interviewing men as part of her graduate studies. Her intellectual endeavor has emotional consequences as the men's twisted and revealing stories are juxtaposed against the backdrop of her own experience. As she begins to listen closely to the men around her, Sara must ultimately reconcile herself to the darkness that lies below the surface of human interactions. --© IFC [More]
Starring: Julianne Nicholson, Bobby Cannavale, Michael Cerveris, Josh Charles
Starring: Julianne Nicholson, Bobby Cannavale, Michael Cerveris, Josh Charles, Dominic Cooper, Will Forte, Ben Gibbard, Timothy Hutton, Christopher Meloni, Max Minghella, Denis O'Hare, Lou Taylor Pucci, Ben Shenkman
Director: John Krasinski
Director: John Krasinski
Screenwriter: John Krasinski
Producer: Eva Kolodner, Yael Melamede, James Suskin, John Krasinski
Studio: IFC Films
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Reviews for Brief Interviews with Hideous Men
Offers is the opportunity for a bunch of actors, many of them tethered to TV series, to deliver theatrical monologues pulsing with misogyny and narcissism. It's like second-rate Neil Labute.
The place where consciousness runs into itself is where this author reigned supreme, and Krasinski brings Wallace’s concentric, self-aware ironies to the screen.
A haunting exploration into men's minds that becomes too much of a psychological study to qualify as accessible entertainment for most.
I worry that this film is static enough and stiff enough that it’s going to keep people away from discovering David Foster Wallace if they haven’t read him.
Tthough this experiment doesn’t quite succeed, there’s enough intelligence and insight in this movie to make it worth the attempt.
[Krasinski's] generosity of intent is really the main impression that remains. He read, he loved, and unfortunately, he did not conquer.
Too awkward, disjointed and bland while lacking dramatic momentum and true insight.
Actor John Krasinski deserves credit for having the ambition to adapt material as difficult as David Foster Wallace's short stories.
Krasinski literalizes Wallace’s stylistic love of asides too much, but it helps that he’s aware enough of his movie’s limitations to keep Brief Interviews blessedly short.
Everyone speaks in the sweatily polysyllabic, Look-at-This-Writing-I'm-Doing tone that makes a page of Wallace pass like an hour on the treadmill, and the men are dopes or creeps.
It's an undeniably ambitious, if uneven, effort. Some of Krasinski's directorial flourishes are inspired, such as Christopher Meloni's imaginative re-telling (and offbeat re-enacting) about a woman he met as she stood crying at the airport.
Compacted into an 80-minute mishmash of interviews, confessions and sketches, melded into a shaky mosaic, the answers from a cross section of men are shallow, self-serving and ultimately unenlightening.
Sometimes humorous, sometimes repulsive, never insightful, the movie comes off like the work of an overeager college student.
Krasinski stitches these raw blasts of the subconscious with interludes that exude a pleasing, Woody Allen-esque tone, all fall colors and potent theorizing over white wine
Krasinski preserves Wallace's whooshing roller coasters of words, powered by the fuel of confession.
Whatever it was about Hideous Men that so deeply affected Krasinski the college student has been lost in translation.
The question is, could someone turn these full-frontal-dudity snapshots into a satisfying, cohesive movie? Answer: no, but not for lack of trying.
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