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Bright Leaves (2004)
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Reviews Counted:21
Fresh:19
Rotten:2
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Theatrical Release:Aug 25, 2004 Limited
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
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Reviews for Bright Leaves
Bright Leaves is not the kind of film that thetruth.com would use in its anti-smoking campaign.
Bright Leaves is a beguiling film. Watching it is like spending time with an old, somewhat chatty but endearing friend.
It's a meandering visit by a curious man with a quiet sense of humor.
McElwee's autobiographical films ... are leisurely jaunts with a gentle humor that never mocks his subjects.
The mysteries McElwee sets out to solve aren't very involving, and his meandering style, while charming first and literate, becomes repetitive and yes, even a little dull.
Inevitably poignant but also often amusing and always deeply touching, this film is likely to stick in one's memory for all its concerns, not just cigarettes.
Like Moore's Fahrenheit 9/11 and Spurlock's Super Size Me, McElwee's Bright Leaves takes on a sizable foe -- in this case, big tobacco -- but with such grace and wit that his message never seems medicinal.
We are hooked into a low-tech but compelling dynamic -- between relatively static images and McElwee's sensitive, connective narrative.
The results are brilliantly amusing; this is a movie that doesn't make you feel stupid on the way out or like someone has been spraying you in the face while making his talking points.
Where most documentaries offer us facts to hold on to, [McElwee's] are obsessed with the mystery of things we don't know and never will.
Personal yet the opposite of egotistical, truthful yet playful, happily distractible yet patient, and above all grateful for those in the world he loves around him, McElwee makes movies the way life might, ideally, be lived.
McElwee is digressive in the best sense. He takes the time to discover what people are like when they’re being themselves; he wants to know where their lives are taking them, what byways they are going down.
Becomes both a mystery and memoir in progress and though the filmmaker does not find the truth he is looking for, it was clearly a quest worth undertaking.
Ross McElwee shows just how far subtlety can go with his latest charming effort.
A rewardingly personal docu in which the filmmaker deftly uses his specific family legacy as a jumping off point for wry ruminations on American history, the tobacco business, public health and cinematic license.
An utterly mundane miracle, a sampling of gentle insight and poetic retrospection quietly at odds with the exploitative culture around it.
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