Bus 174 (Ônibus 174) (2003)
A chronicle exploring what happened in Rio de Janeiro, Brazil, on June 12th, 2000--Valentine's Day in Brazil--when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento, a disillusioned slum-dweller, threatened to kill all of the passengers, but eventually agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens, watching the event take place. Regardless, a police officer then decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged both at the police brutality and their incompetence. The crowd's reactions were comparable with the Rodney King riots. The documentary captures the media and society's responses to the event. As the chronicle intertwines the story of the standoff, it also presents biographical information about Sandro do Nascimento, which includes: his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s; his subsequent adolescence in which he was sent to horrific juvenile delinquency facilities; as well, his trauma sustained from seeing his mother stabbed to death in front of him. … More
- R (for language, violent images and some drug material)
- Documentary , Drama , Art House & International , Special Interest
- Directed By:
- Felipe Lacerda , José Padilha
- Written By:
- José Padilha
- In Theaters:
- Oct 8, 2003 Limited
- On DVD:
- Jul 20, 2004
- Box Office:
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Critic Reviews for Bus 174 (Ônibus 174)
Padilha allows neither easy answers nor ironic commentary, producing on both sides of the conflict a world of inconsolable grief.
Slightly overlong for overseas audiences, José Padilha's film (co-directed by editor Felipe Lacerda) makes it crystal clear why this incident proved so traumatic for many Brazilians.
Padilha lays out the story with a crusader's fury while remaining careful not to slight the testimony or the suffering of Sandro's hostages.
If City Of God cracked the skin, Bus 174 digs deep into the wound. An astounding, depressing triumph.
reminds audiences that simple techniques are sometimes the most effective means of telling a dramatic story
A stunning indictment of Brazil's social meltdown, this startling documentary plays like City Of God -- except this time the bullets are real.
A sizzling Brazilian real-life documentary by director Jose Padilha that outdoes reality TV in its dosage of reality.
Full of the kind of surprises, twists and cruel irony that have fueled many a Hollywood thriller.
Examines how this tragic saga stemmed from the deep fissures in Brazilian society, which pit a vast population of slum-dwelling street kids against the police and society at large.
This smart, absorbing movie, which has been sharply edited by Felipe Lacerda, never feels like it's spreading itself too thin.
It's a chilling tale that leaves us with the fear that Latin America's exploding social problems may well be beyond solution.
An extraordinary portrait of a life lived always in the shadow of despair.
There's no denying the subject matter is compelling, and the heightened sense of tension goes a long way toward redeeming the film.
A searing and fascinating example of a 'ripped from the headlines' story expanded to uncover some uncomfortable truths about how a nation handles its social problems.
Audience Reviews for Bus 174 (Ônibus 174)
The intentions behind making this documentary might be good (i.e. achieving an award :p), but it moves very briskly. The more-than-often-repeated threat by the hijacker to "Set the heat up" made my blood boil. Guess his vocabulary was limited. The documentary is bearable otherwise. And even if the documentary was made with pure intentions, I wonder how long will its message last (assuming that it's not being conveyed to deaf ears), if at all it does.More
A fantastically well-done and dilacerating piece of documentary that dives deep into an open sore in Brazilian society and exposes some of the most horrible social issues that have been bursting out of control in a city dominated by violence and indifference.More
The phrase 'Edge of your seat' is usually more commonly used to describe a thriller or suspense movie, not usually a documentary. Not the case here, the intense build up to the final conclusion is immense, its almost unbearable. This makes for one of the best documentaries I've ever seen. Highly recommended!More
[font=Century Gothic][color=royalblue]"Bus 174" is a Brazilian documentary about a hostage crisis in a city bus in Rio de Janeiro in 2000. Several people were held hostage by a street person, Sandro do Nascimento. The police due to a lack of funding and training do not do a very good job of containing the scene, so the media's cameras get a lot closer to the scene than would normally happen. Luckily, the makers of this excellent documentary, Jose Padilha and Felipe Lacerda, have bigger things on their mind than making a sensationalist film. By using Nascimento as a sample case study, they examine the precarious state of street people in Brazil and some of their individual histories. The prisons of Brazil are shown to be brutal hellholes but the police hesitate when at the scene of the hostage crisis. Which goes to show that the police may act a completely different way when there are other people watching them. [/color][/font]More
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