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The Business of Strangers (2001)
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Reviews Counted:27
Fresh:26
Rotten:1
Average Rating:7.4/10
Consensus: The Business of Strangers showcases a complex, compelling performance by Channing. Her interactions and clashes with Stiles make for riveting viewing.
Theatrical Release:Dec 7, 2001 Limited
Box Office: $495,907
Synopsis: Stockard Channing turns in a nuanced performance as Julie, a simmering corporate drone who has sacrificed family life for power and control. At an out-of-town business presentation, her assistant... Stockard Channing turns in a nuanced performance as Julie, a simmering corporate drone who has sacrificed family life for power and control. At an out-of-town business presentation, her assistant Paula (Julia Stiles) arrives forty-five minutes late, and, in a fit of rage, Julie fires her on the spot. That afternoon, the CEO of Julie's company informs her that she's been promoted--she'll be taking his position. In the mood to celebrate, Julie heads to the hotel bar where, to her surprise, she encounters Paula. Julie wants to make amends; Paula is cool but willing. The two hit it off and spend the rest of the evening palling around the hotel. When Julie's headhunter Nick (Frederick Weller) shows up unexpectedly, things get interesting. Paula tells Julie that he raped her friend in Boston and so the two plot revenge to teach him a lesson. The rest is a study in debauchery that leaves Julie unsure of herself. Stiles and Channing play smoothly off each other, slowly tightening the screws to win control. The outward coolness of the characters is reflected in the even tracking shots, but the tension between them is reflected in the mise-en-scene, becoming more cramped and claustrophobic as the picture unfolds. [More]
Starring: Stockard Channing, Julia Stiles, Fred Weller
Starring: Stockard Channing, Julia Stiles, Fred Weller
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Patrick Stettner
Producer: Susan A. Stover, Robert Nathan
Composer: Alexander Lasarenko
Studio: IFC Films
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Reviews for The Business of Strangers
May be a hermetically sealed experience, but it is also a brilliantly integrated one.
The core pleasure of the film is the complex and precise performance by the underrated talent Channing.
It has almost nothing to do with women; it's about men's fantasies of women.
This is writer-director Patrick Stettner's first film and, though modest in scale, it is uncommonly well-constructed and rich.
It's grim out there, to be sure, but it is in many ways a riveting spectacle to survey from the safety and comfort of the movie theater.
All that prevents Julie from turning into a stock-ticker symbol and Paula from being the poster girl for provocateurs are Channing and Stiles, who appear to draw on their own experiences.
Channing and Stiles are the right choices for these roles. They zero in on each other like heat-seeking missiles.
It does at least float a few ideas worth discussing, and it's kept interesting by the powerful performances of Channing and Stiles.
The dynamic between [Stockard] Channing and [Julia] Stiles is as compelling as a freeway wreck.
With any luck, it should earn Ms. Channing an Oscar nomination and mark Mr. Stettner as an astute observer of cultural mores.
Incorporates a range of genres -- black comedy, thriller, psychological drama -- and emerges more powerful for it.
[Stettner's] dialogue is cutting, often surprising ... and deals with male power and female resentment in tough, non-simplistic terms.
Latest News for The Business of Strangers
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