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Cadillac Records (2008)
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Reviews Counted:117
Fresh:80
Rotten:37
Average Rating:6.1/10
Consensus: What Cadillac Records may lack in originality, it more than makes up for in strong performances and soul-stirring music.
Rated: R [See Full Rating] for pervasive language and some sexuality.
Genre: Dramas
Theatrical Release:Dec 5, 2008 Wide
Box Office: $8,134,217
Synopsis:
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting...
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends.
The story of how the blues became popular and gave birth to rock and roll begins at a dingy bar on the rough South Side of Chicago in 1947, where an ambitious young Polish emigre, bar owner Leonard Chess (Academy Award-winner ADRIEN BRODY), hires a talented but undisciplined blues combo that includes quiet and thoughtful guitar prodigy Muddy Waters (JEFFREY WRIGHT) and impulsive and colorful harmonica player Little Walter (COLUMBUS SHORT). Fascinated by the sound of the music - and eager to cash in on the record burgeoning record business - Chess arranges a recording session for Waters. Waters' early recordings start moving up the R+B charts and receiving heavy play.
Chess treats his musicians like family -- he buys them a Cadillac when they record their first hit record -- although the line between business and personal sometimes causes conflict with his increasingly talented and successful stable of artists. After backing up Muddy on his early recordings, Little Walter becomes a star in his own right, but his quick temper and loud manner often run him afoul of friends and the law. He also finds that the only woman he can talk to is Muddy's girl, Geneva (GABRIELLE UNION), who struggles to remain loyal despite Muddy's poorly concealed affairs. Big Willie Dixon (CEDRIC THE ENTERTAINER), a songwriter and bandleader, also is a key member of the Chess Records family, as is Howlin' Wolf (EAMONN WALKER), an intense and proud blues singer who develops a musical rivalry with Muddy.
But it's not until 1955 when a Chess artist finally "crosses over" into the realm of mainstream ("white") America - a skinny guy from St. Louis named Chuck Berry (MOS DEF), whose dynamic "duck walk" and catchy, country-tinged tunes mark the birth of rock-and-roll. When Berry is arrested and jailed at the height of his career, Chess finds another talented performer to cross over singer Etta James (BEYONCE KNOWLES), an emotionally scarred young woman whose vulnerability tempts Chess' loyalty and concern in unexpected ways.
As rock-and-roll grows more popular, the Chess artists find themselves revered by a new generation of musicians, but they have also each earned and lost a small fortune on booze, women and the high life, and their addictions begin to take their toll. Even as tragedy befalls, their music and their spirit remain strong: as the sixties wind down and Leonard Chess gets out of the record business, the blues live on.
--© Sony Pictures
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short, Emmanuelle Chriqui, Gabrielle Union, Mos Def, Cedric the Entertainer
Director: Darnell Martin
Director: Darnell Martin
Screenwriter: Darnell Martin
Studio: Sony Pictures Entertainment
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Reviews for Cadillac Records
Cadillac Records is not a terrible movie but in the chain of rags to riches films (Dreamgirls, Ray, Walk the Line, etc.) it definitely falls at the bottom of the heap.
The music is good, the suits are sharp, but it’s the outstanding performances that wow. Walker is electrifying as Howlin’ Wolf and Beyoncé — playing Etta James — has never been so sultry and sexy.
The rich soundtrack is one of the highlights of this solid, unfamiliar story in which most of the actors do all their own singing.
Perhaps there were insurmountable legal restrictions. But the movie still serves as a dandy primer for rediscovering a lot of great music.
A scattershot ensemble piece that exceeds its reach in its retelling of the origins of Chicago's Chess label.
Anyone who likes pop music or wonders how bands like the Rolling Stones got rolling will enjoy the ride.
Sadly the movie conforms to all the music-biopic stereotypes we've seen in Walk the Line, Ray and Dreamgirls.
This film is more like a limousine than a Cadillac – it is very long and carries far too many people.
The music is great, so energetic and vital it leaves the drama looking unfocused in comparison. Beyoncé, singing her heart out, is the pick of a very impressive line-up.
It’s a shame director Darnell Martin depends so heavily on the clichéd conventions of every other rags-to-riches biopic.
As a brash, showbiz-y digest of blues roots and culture, it's lovingly designed and performed in the right spirit, finding as much to cherish in a Cadillac's tailfin as in a risqué rhyming couplet.
Beyoncé proves her Dreamgirls turn was no fluke in this so-so Blues melodrama.
In story terms, its cavalcade of melodrama and conflict isn’t always persuasive, but writer-director Darnell Martin’s respect for the music shines through.
Her warts-and-all history of the blues has as much documentary truth as a West End musical.
But asking her to play Etta James, even packing a few extra pounds around the hips, was a mistake: she wobbles, and tries to sound husky, and the movie sags noticeably under the sense of effort.
Latest News for Cadillac Records
March 09, 2009:
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March 05, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
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March 01, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
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January 20, 2009:
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 68% 68% | The Last Station | 12/23 |
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