Critic Consensus: Though it ultimately sacrifices some mystery in the name of gory thrills, Candyman is a nuanced, effectively chilling tale that benefits from an interesting premise and some fine performances.
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as Helen Lyle
as The Candyman/Daniel ...
as Anne-Marie McCoy
as Dr. Burke
as Dr. Burke
as Henrietta Mosely
as Kitty Culver
as Baby Anthony
as Baby Anthony
as Archie Walsh
as Crying Mother
as Castrated Boy
as Tough Guy
as Gang Leader
as Detective Frank Vale...
as Cop (uncredited)
as TV Reporter
as 1st Orderly
as 2nd Orderly
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Critic Reviews for Candyman
Candyman is an uppper-register horror item that delivers the requisite shocks and gore but doesn't cheat or cop out.
Like so many post-Val Lewton horror films, this 1992 feature starts out promisingly while the plot is mainly a matter of suggestion, but gradually turns gross and obvious as the meanings become literal and unambiguous.
The film's spooky atmosphere is accentuated by Anthony B. Richmond's cinematography and Philip Glass's score.
Audience Reviews for Candyman
A surprisingly efficient horror film - eerie and scary - that invests in an atmospheric score and an intriguing mystery about a living rumor who can only exist through his spooky legend - and it firmly keeps its roots in the real world while the gore never feels unnecessary.
Adapted from the chilling mind of Clive Barker, "Candyman" is much more than a story about an urban legend turned serial killer. Barker looks at the everyday, the mundane, and twists it into submission. He doesn't believe in the suburban, or the normal. Through the clichés he sees the gruesome world of dreams, the outer membrane that surrounds us all, and from that he cultivates a horror tradition that lends itself to the grotesque. In this film, his tensest buildup to date, he shows martyrdom in the face of evil. Virginia Madsen is a graduate student who searches for the legendary Candyman in the ghetto of South Chicago, inevitably finding him. The story revolves around her seduction, and eventual sacrifice for the good of the community. The film is great for the fact that it builds up its villain, and also sets a mood unlike other horror films. The seduction mirrors the old "Dracula" films, and yet is much bloodier for the benefit of slasher fans, bridging traditions and creating a terrifying narrative where the boogeyman is real.
|Candyman:||They will say that I have shed innocent blood. What's blood for, if not for shedding?|
|Candyman:||Be my victim.|
|Jake:||Candyman's in there? My friend Charlie says so. A boy got killed there.|
|Helen Lyle:||Who was he?|
|Jake:||Ain't sure. Charlie, tell me he was weird.|
|Helen Lyle:||He was crazy?|
|Jake:||No, a retard. His mom was in the store. And the boy needed to go to the bathroom. His mom was taking' her time, choosing' this, looking' at that. So the boy started moaning'. His mom get mad at him; sent him across the street. His mom's at the checkout. She hears her boy screaming, 'Mommy! Mommy!' There's a big tough guy. He runs over to check it out. Come out of there shaking and crying'. He only been in there five seconds. Come out of there and his hair turned white. I mean, it turned white, just like that.|
|Helen Lyle:||Was the boy murdered?|
|Jake:||Worse. He's lying' on the floor in a pool of blood, holding' himself. They found it floating in a toilet. Can't fix that. Better off dead.|
|Candyman:||I am the writing on the wall, the whisper in the classroom! Without these things, I am nothing. So now, I must shed innocent blood. COME WITH ME!|
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