Capitalism: A Love Story (2009)
Average Rating: 6.7/10
Reviews Counted: 176
Fresh: 132 | Rotten: 44
Love him or hate him, Capitalism captures Michael Moore in his muckraking element -- with all the Moore-centric showmanship that entails.
Average Rating: 6.5/10
Critic Reviews: 41
Fresh: 27 | Rotten: 14
Love him or hate him, Capitalism captures Michael Moore in his muckraking element -- with all the Moore-centric showmanship that entails.
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Average Rating: 3.6/5
User Ratings: 69,713
Movie Info
Twenty years after his influential debut, Roger & Me, Michael Moore returns to his roots by pulling back the curtain on capitalism to reveal the insidious role it has played in the destruction of the American dream for many people. Back in 1989, auto workers in Flint, MI, were lamenting layoffs and wondering how they would support their families without jobs to pay the bills, or benefits to ensure their health. Flash forward two decades, when cities all across the country are feeling the same
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All Critics (179) | Top Critics (41) | Fresh (132) | Rotten (44) | DVD (2)
The thesis that rapacious capitalism has horrific social consequences is credible and well illustrated, if hardly eye-opening to European viewers.
Moore is always visually playful and subversive, and even when dealing with such serious and depressing topics entertaining; but he's also game enough to examine America's mythology of prosperity.
Smart-alecky and simplistic? Yeah. And primo Moore.
As a filmmaker creating a product for a marketplace, supported by profit-seeking investors, he obviously has some comfort level with capitalism in the sense of doing business.
Michael Moore is up to his old tricks in Capitalism: A Love Story, and that's sure to both infuriate, and entertain and inform, depending which side of the Michael Moore fence you stand on.
While it's amusing to watch Moore on camera plaster the entrance to the New York Stock Exchange with crime-scene tape, when Moore goes through his customary security-guard harassment in another segment, it's hard not to think: Here we go again.
A lot of the old Moore is still obvious in Capitalism, his genuine belief in everyone pulling together his feel for a good public stunt but he's lost a little something. The social zeal of his best work has been replaced with a hint of fanaticism.
Docu on corporate misdeeds names names, makes mistakes.
As with all of Moore's films, this is really about the fall of The American Dream, with Moore acting as our tour guide into the rotten core of his beloved country. And once again, his heart is in the right place. If only he could keep his ego out of it.
This isn't just about pointing fingers at those who have gotten us into this mess, but about mobilizing working people to stop waiting for someone else to fix it, to stop sitting idly by while their wages, pensions, health care, and homes are stolen.
[Michael Moore] is cheeky, he's outrageous and he can get awfully full of himself... but he does have a way of getting your blood up...
The constant quotations from the Founding Fathers suggest his real concern is a somewhat nebulous betrayal of the American Dream.
Moore continues his career as provocateur with this often eloquent, occasionally muddled, bill of particulars which indicts Wall Street's ethos of greed. As with most of Moore's documentaries, the film is strongest when he's behind the camera, rather than
While Moore still stacks the deck, there are enough scenes portraying callously inhuman policies, such as the death peasant insurance, to pacify the viewer for two overlong hours.
A barbed study of the American economy puts capitalism in the dock but somehow fails to convict.
Republicans have long used these methods to influence the public with great success - all Moore does is play them at their own highly effective game.
For all his cheap tactics, Moore mounts a persuasive case that something is rotten in the current economic system.
Michael Moore has succeeded in getting a film on this subject actually released in cinemas: a very sharp and entertaining one at that.
Funny, angry and deadly accurate.
The most interesting aspect of Capitalism is a strain of melancholic nostalgia that runs through its latter segments
Still fighting the good fight for the working man, Capitalism is entertaining but conspicuously bankrupt of fresh ideas and insights. By now, Moore is starting to feel like less.
Moore comes up with enough of these startling moments to keep us watching, though he's certainly stronger on huff and puff than concrete solutions.
A troubling portrait of a country shaken by repossessions, exploitation and the rich sucking the life out of the poor.
The film is good fun. Perhaps we have seen it all before, but you could say that of a sunrise. Every sunrise is different and Moore's are usually worth getting out of bed for.
Moore is marvellously indignant and confrontational (he tries to make a citizen's arrest of the AIG board), and dramatises moments of rebellion and fight-back with relish. But there's something self-righteous and teenage-lefty about his rhetoric.
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Foreign Titles
- Kapitalismus: Eine Liebesgeschichte (DE)
- Capitalismo, una historia de amor (ES)










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