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Movies / On DVD / The Cat's Meow
The Cat's Meow

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The Cat's Meow (2002)

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Reviews Counted:31

Fresh:26

Rotten:5

Average Rating:7.1/10

Consensus: The Cat's Meow is a deliciously evoked period piece and whodunit.

Rated: PG-13 [See Full Rating] for sexuality, a scene of violence and brief drug use

Runtime: 1 hr 52 mins

Genre: Dramas

Theatrical Release:Apr 12, 2002 Limited

Box Office: $3,176,936

Synopsis: From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph... From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph Hearst's private yacht in November of 1924 that brought together some of the century's best-known personalities and resulted in a still-unsolved, hushed-up killing. As Hearst and his lover actress Marion Davies set sail from San Pedro Harbor early one Saturday morning. They host a small group that includes the brilliant but self-absorbed Charlie Chaplin, film pioneer Thomas Ince preoccupied with his recent financial setbacks, ambitious gossip columnist Louella Parsons, and the eccentric British Victorian novelist Elinor Glyn. Quickly, however, it becomes clear that although witty repartee is the order of the day, deceit and deception are also on the menu.

Everyone, it seems, has a secret agenda: Ince, whose pioneering work in defining the role of the film producer has been favorably compared to D.W. Griffith's contributions to directing, is determined to seal a partnership with Hearst's Cosmopolitan Pictures despite W.R.'s seeming lack of interest; New York-based film critic Louella Parsons has her eye on a transfer to the west coast where she can cover the film industry more intimately; Ince's lover, actress Margaret Livingston, no longer cares to keep their affair a secret; Hearst himself suspects that his paramour Davies has been unfaithful with the legendary comic Chaplin; and Chaplin indeed schemes to steal away the beautiful actress from the richest man in the world.

The boat sets off, and the first evening's dinner gives way to frenetic dancing to the on-board jazz band, followed by a screening of Ms. Davies' latest film. From there the late-night revelries shift to individual cabins for bootleg whiskey and other tempting, though illicit, nocturnal activities.

Meanwhile, Ince stokes Hearst's flames of jealousy and offers to "keep an eye on" Ms. Davies if the two men were to unite their filmmaking enterprises. At the same time, Elinor warns Marion away from the predatory advances of the womanizing Chaplin. Hearst is further incensed when a late-night wire comes in to report that a rival newspaper will publish an item romantically linking Chaplin and Davies.

The next day Hearst's party guests are treated to an unusual display when their host fires a cannonball into the stomach of a brawny vaudevillian named "Mr. Cannonball." Meanwhile, lawyer George Thomas warns the increasingly desperate Ince not to turn over to Hearst a love letter to Marion that the producer stole from Chaplin's cabin. That afternoon, as Margaret reveals to anyone who'll listen that she is Thomas Ince's lover, Marion pleads with Charlie to keep his distance, though they cannot deny their mutual attraction.

That night, Ince fuels Hearst's jealousy into a bonfire. In an attempt to further ingratiate himself to close the partnership deal, he hands Hearst the crumpled love letter that he stole from Chaplin's wastebasket. Later, as figures come and go, trading whispered conversations in the shadows, the events of the last two days hurtle toward a dramatic moment of tragedy and a single gunshot echoes in the night. The events of that evening affect the lives of every celebrity on board the ship, and before the excursion is over, all will learn the painfully high price of their precarious success. -- © 2001 Lions Gate Films [More]

Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes

Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes, Joanna Lumley, Jennifer Tilley, Claudia Harrison, Ronan Vibert, Victor Slezak, Claudie Blakely, Chiara Schoras, Ingrid Lacey, John C. Vennema, James Laurenson

Director: Peter Bogdanovich

Director: Peter Bogdanovich
Screenwriter: Steven Peros
Producer: Kim Bieber, Carol Lewis
Studio: Lions Gate Films

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Release:

Aug 20, 2002

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Reviews for The Cat's Meow

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1 - 20 (sorted by date)
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Full Review Source: Chicago Reader | comment Comment
10/15/09
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
10/18/08
Derek Elley
Derek Elley
Variety
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As the story progresses, the tension dissipates, probably because once Bogdanovich has set his wheels in motion, he just lets them spin.

Full Review Source: Chicago Tribune | comment Comment
07/20/02
Mark Caro
Mark Caro
Chicago Tribune
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N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
06/13/02
Arizona Republic
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The result is good gossip, entertainingly delivered, yet with a distinctly musty odour, its expiry date long gone.

Full Review Source: Globe and Mail | comment Comment
05/25/02
Rick Groen
Rick Groen
Globe and Mail
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[Dunst] brings genuine humanity to a role that could have been little more than a vampish gold digger.

Full Review Source: Toronto Star | comment Comment
05/24/02
Peter Howell
Peter Howell
Toronto Star
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The visually stylish, if narratively stodgy, film is a parable of Hollywood success and personal failure told with authority by one himself a showbiz victor and victim.

Full Review Source: Philadelphia Inquirer | comment Comment
05/09/02
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
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An elegant drama about power and its frightening uses, The Cat's Meow is the bee's knees.

Full Review Source: Washington Post | comment Comment
05/03/02
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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Bogdanovich, making his first feature film in nine years, simply seeks to tell a compelling story and to tell it well. This he does, if a bit sedately.

Full Review Source: Washington Post | comment Comment
05/03/02
Ann Hornaday
Ann Hornaday
Washington Post
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It's pretty linear and only makeup-deep, but Bogdanovich ties it together with efficiency and an affection for the period.

Full Review Source: Boston Globe | comment Comment
05/03/02
Jay Carr
Jay Carr
Boston Globe
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Bogdanovich takes a tale of old Hollywood and infuses it with velocity and enthusiasm.

Full Review Source: San Francisco Chronicle | comment Comment
04/26/02
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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Represents a return to form by Peter Bogdanovich.

Full Review Source: Houston Chronicle | comment Comment
04/26/02
Eric Harrison
Eric Harrison
Houston Chronicle
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A stylish trifle lit by the starring presence of Kirsten Dunst.

Full Review Source: Detroit News | comment Comment
04/26/02
Susan Stark
Susan Stark
Detroit News
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More obvious than acerbic, more inane than insightful and exaggerated to the point of caricature.

Full Review Source: Detroit Free Press | comment Comment
04/26/02
Terry Lawson
Terry Lawson
Detroit Free Press
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In the end, it's an amusing diversion. But it should be more.

Full Review Source: Denver Post | comment Comment
04/26/02
Steven Rosen
Steven Rosen
Denver Post
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A great-looking movie that entertains without requiring empathy.

Full Review Source: Dallas Morning News | comment Comment
04/26/02
Philip Wuntch
Philip Wuntch
Dallas Morning News
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The film is darkly atmospheric, with Herrmann quietly suggesting the sadness and obsession beneath Hearst's forced avuncular chortles.

Full Review Source: Chicago Sun-Times | comment Comment
04/26/02
Roger Ebert
Roger Ebert
Chicago Sun-Times
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It's one heck of a character study -- not of Hearst or Davies but of the unique relationship between them.

Full Review Source: Atlanta Journal-Constitution | comment Comment
04/25/02
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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It represents better-than-average movie-making that doesn't demand a dumb, distracted audience.

Full Review Source: ReelViews | comment Comment
04/23/02
James Berardinelli
James Berardinelli
ReelViews
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It's great escapist fun that recreates a place and time that will never happen again.

Full Review Source: CNN.com | comment Comment
04/19/02
Paul Clinton (CNN.com)
Paul Clinton (CNN.com)
CNN.com
Top Critic Icon Top Critic
 
 
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