63% The Maze Runner Sep 19
65% A Walk Among the Tombstones Sep 19
43% This Is Where I Leave You Sep 19
82% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
70% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
35% The November Man $2.8M
35% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

67% The Equalizer Sep 26
71% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

100% The Good Wife: Season 6
58% Madam Secretary: Season 1
—— Miss Marple: Season 6

New Episodes Tonight

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Discuss Last Night's Shows

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
40% Intruders: Season 1
90% Outlander: Season 1

The Caveman's Valentine Reviews

Robert Denerstein
Denver Rocky Mountain News
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Lemmons creates mesmerizing passages, but she can't bring this one to a fulfilling crescendo.

| Original Score: C+

August 9, 2002
Ray Conlogue
Globe and Mail
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This is a commercial film with limited ambitions.

Full Review Source: Globe and Mail | Original Score: 2/4

March 22, 2002
Peter Howell
Toronto Star
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Burdened by sloppy plot turns and unbelievable characters.

Full Review Source: Toronto Star

March 16, 2001
Michael O'Sullivan
Washington Post
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Jackson's convincing portrayal of an untethered psyche scrambling for purchase on the slippery slope of sanity and Lemmons's arresting cinematic vision, in which we see the world through the eyes of a man continually descending into ...madness, is enough.

Full Review Source: Washington Post | Original Score: 3.5/5

March 9, 2001
Rita Kempley
Washington Post
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Intriguing, visually startling.

Full Review Source: Washington Post | Original Score: 4/5

March 9, 2001
John Zebrowski
Seattle Times
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What saves the movie from mediocrity is its visual style.

March 9, 2001
Edward Guthmann
San Francisco Chronicle
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The plot lines that follow are so convoluted and ludicrous that one just gives up piecing it all together.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

March 9, 2001
Eric Harrison
Houston Chronicle
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Watching the film, it's easy to imagine how a novel might make the unlikely plot machinations less ludicrous.

Full Review Source: Houston Chronicle

March 9, 2001
Susan Stark
Detroit News
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The new film confirms that Lemmons and Jackson are a movie team made in heaven.

Full Review Source: Detroit News | Original Score: 3/4

March 9, 2001
Jay Carr
Boston Globe
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Dramatically speaking, The Caveman's Valentine is a dead end.

March 9, 2001
David Edelstein
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Mostly good fun.

Full Review Source: Slate

March 8, 2001
Carrie Rickey
Philadelphia Inquirer
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Mood -- and of course Jackson's performance -- sustains the movie.

March 8, 2001

Dallas Morning News
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Loaded down with laughable caricatures and a plot as confused as its protagonist.

Full Review Source: Dallas Morning News

March 8, 2001
Lisa Schwarzbaum
Entertainment Weekly
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There is pleasure in giving oneself up to the gusty swirls of the film's imagery, and especially to the handsome grandeur of its star.

Full Review Source: Entertainment Weekly | Original Score: B-

March 8, 2001
Steve Murray
Atlanta Journal-Constitution
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A work whose visual assurance is undercut by a script that's sometimes as ludicrous as it is ambitious.

Full Review Source: Atlanta Journal-Constitution | Original Score: C+

March 8, 2001
Richard Corliss
TIME Magazine
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The Caveman has lapses of logic, but fewer than you will find in George Dawes Green's improbable script.

Full Review Source: TIME Magazine | Original Score: 1/5

March 5, 2001
Stephanie Zacharek
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Hovers somewhere in that never-never land of movies that try to do too much and don't quite live up to any of their ambitions.

Full Review Source:

March 2, 2001
Jan Stuart
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Operatic chimera and gumshoe grit make for uneasy bedfellows.

Full Review Source: Newsday

March 2, 2001
Elvis Mitchell
New York Times
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Works as everything but a mystery, yet it is intriguing in a number of ways.

Full Review Source: New York Times | Original Score: 3.5/5

March 2, 2001
Lou Lumenick
New York Post
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Jackson is so frighteningly effective, and affecting, as Romulus that you're sucked in.

March 2, 2001
Kevin Thomas
Los Angeles Times
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Highly uneven, too often defying credibility, especially in its reliance on coincidence, and too often it slips way over the top.

| Original Score: 2/5

March 2, 2001
Roger Ebert
Chicago Sun-Times
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It's remarkable the way Jackson begins with the kind of character we'd avert our eyes from, and makes him fascinating and even likable.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

March 2, 2001
Kevin Maynard
Mr. Showbiz
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Pretentious neo-Gothic hokum with yawning gaps in logic and credibility.

| Original Score: 20/100

March 1, 2001
Robert Horton
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Ambitious and more than a little tedious.

March 1, 2001
Michael Wilmington
Chicago Tribune
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Gets less and less convincing as it goes on.

March 1, 2001
Amy Taubin
Village Voice
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It seems like the kind of art film that might have been dreamed up by a feverish high schooler.

Full Review Source: Village Voice

March 1, 2001

Ebert & Roeper
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March 1, 2001
James Berardinelli
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This 'thriller' is more likely to lull viewers to sleep than to keep them on the edges of their seats.

Full Review Source: ReelViews | Original Score: 2/4

February 26, 2001
Todd McCarthy
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Falls short of its serious aspirations by a very long way.

Full Review Source: Variety

February 7, 2001
Kirk Honeycutt
Hollywood Reporter
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An utterly fascinating film that probably would not work without Jackson.

February 7, 2001
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